Cubussoli Very very predictable, including the post credit scene !!!

Wordiezett So much average

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

llawrance1972 This has to be one of my favourite versions of the Nativity story. It is a careful, poignant, and believable filming of the tale. The characters are written as people who are responding to an incredible vision, told by those who would normally be dismissed. Each of the roles is acted with sincerity and a depth of care, the wise men, a shepherd, the families of Mary and Joseph are all there as are Herod and his officers. Their voices build up the story, working it into a picture of God intervening in the world, remaking it. Mary and Joseph are portrayed convincingly and with a pathos I found incredibly moving. These are young people, in love and looking forward to their future before Mary is chosen to bring God to birth. Her acceptance of this, and Joseph's gradual coming to terms with her child is beautifully shown. Joseph is hurt and bewildered. Mary confused but willing to trust. Their slow coming back together makes this retelling a lovely exploration of what it is to be human. I was really glad that I have seen the series and recommend it to anyone who is curious about what it might have been like to witness and be part of this story.

malmborgimplano-92-599820 I would classify this as a young adult version of the nativity story, focusing on the journey of Mary and Joseph from a happy, innocent young engaged couple, through the confusion and misery of Mary's weird unplanned pregnancy, to their stunned discovery that they are in fact the parents of a divine child. It's stylish and smart, with an ever so slightly clever contemporary feel and a well-made Hollywood-style high stakes five-act script. Being a nonbeliever who watched it strictly for Capaldi, I experienced it as a sort of really good "Doctor Who" Christmas episode with Capaldi's Doctor undercover in Bethlehem as Balthazar of the Babylonian School of Astronomy. I have to marvel at the dignity with which he mounts a kneeling camel, maintaining his balance as it rises up underneath him, and then shouts, "To Jerusalem!"

Prairiefire I agree with the other reviewers. This retelling of the Christian nativity story is a very pleasant surprise. No one is surrounded by any weird glows; schmaltzy music does not swell every three minutes. Angels are not accompanied by sparkly fog. The storyline contains no surprises, of course. The biggest liberty the screenwriters take is to speed up the wise men's arrival. I've always wondered why nativity retellings didn't make more of the Joseph character. This one finally does, and it turns out that treating Joseph as a three-dimensional character central to the plot worked even better than I thought it would. This Joseph is fully believable and just as conflicted and confused as one would expect. He is a good man who wants to be good to his word and who fully expected his fiancée to be true to hers. This treatment made me realize that Joseph's story is probably more relevant to regular humans than those of the other characters. Joseph is fully human, non-divine, non-chosen, no one special--a regular Joe (sorry!) just like you and me. He had the choice to trust and risk looking like a world-class chump, or to protect his pride by refusing to trust. That's a dilemma that is worth watching, even if you know how the story comes out in the end.

Leofwine_draca I was a bit nervous about watching this beforehand, worried that it would bring make memories of excruciating school plays and the like. I needn't have worried.This turns out to be a piece of heartwarming television. The scriptwriter makes pains to allow the viewer to enter this historical world by bringing the characters to life with both realism and warmth. The attention to detail is fine, and the Moroccan backdrops are more than up to the job.Aside from some dodgy CGI graphics of planetary shifts (left over from the latest DR WHO, perhaps) the BBC have done themselves proud here, with the ending particularly moving/everything you could have hoped to see. It's not often I get to commend the BBC for both sincerity and sensitivity, but both are in abundance here.