Vashirdfel Simply A Masterpiece

ReaderKenka Let's be realistic.

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

brian_m_hass In this American sitcom, George Burns and Gracie Allen bring their "Burns and Allen" radio program to television. George Burns, Gracie Allen, and their son (Ronnie Burns) essentially play themselves. The Burns family and their friends constantly find themselves involved in situations which are usually the result of Gracie's state of perpetual confusion.Many modern audiences have difficulty watching old television sitcoms from the 1950's. The acting seems a bit strange; and, the situations seem a bit exaggerated. One of the reasons why the old sitcoms seem so different from modern ones is that the shows from the fifties were essentially radio programs which were performed in front of television cameras. Audiences might notice that the actors' diction in the old sitcoms is different. Anyone who closes his or her eyes and listens to the audio from a 1950's sitcom will notice that the audio often sounds exactly like a radio show. Furthermore, many of the scenes on Burns' and Allen's show were essentially stand up comedy routines.Members of modern audiences might be somewhat disappointed by George Burns' character in this sitcom. Many probably know George Burns better from his solo period following Gracie Allen's death. While performing alone, Burns proved himself to be a very funny comedian. During his earlier Burns and Allen period, George Burns usually served as the straight man to the ditzy character played by Gracie Allen. While Burns did demonstrate some of his dry wit during the Burns and Allen era, he also seemed a bit more subdued while reacting to the peculiar things which were said by Allen's character. People need to remember that this was a different period in George Burns' career; and, anyone who gives this show a chance will learn to appreciate Burns' role as a member of a comedy duo.Some audience members might have difficulty coping with Gracie Allen's character. Many might be irritated by the character's unrelentingly ditzy personality as well as constant state of confusion. For those people, her character might seem excessively silly or exasperating; and, they might wonder why the Burns character would tolerate being married to somebody who was so infuriating. Modern audiences must remember that the characters were developed for the Burns and Allen stand up routine, and were never intended to be subtle or well rounded."The George Burns and Gracie Allen Show" provides modern audiences with a fascinating look at television and comedy from an earlier era. Some viewers might find it difficult to get used to some aspects of the show. However, anyone who gives the show a chance will be rewarded; because, it has a way of growing on a person over time.

Enrique Sanchez There is something which has baffled me for years...why didn't this get into the syndication game from the start? We might never know for sure. But I am emphatically sure of is that THE GEORGE BURNS AND GRACIE ALLEN SHOW was and still is: the Best Comedy of All Time! Yes, and it is all about Gracie. George Burns was a genius to impart the most wonderfully funny lines to Gracie. Gracie brought the most wonderful rendition of the "Dumb Dora" characterization to its zenith.Her delivery of the most convoluted lines and the daffiest situations will never be equaled. She never broke character saying the most over-the-top dialogues. Having watched each of the almost 300 episodes several times and have come away with the most delightful laughter, I feel healthier. If I get to reach old age, I will know that it was Gracie's character that has unequivocally been my fountain-of-youth medicine.Now that the shows are everywhere online, I seldom go to my practically comprehensive DVD collection of the matchless classics. It is almost a daily obsession for me to get a dosage of this remarkable program.Publicly, I want to acknowledge just how wonderful this program has become...and I want to thank the memories of George Burns and Gracie Allen for bringing so much delightful laughter and happiness to my life.

VinnieRattolle George Burns was one of the earliest pioneers of radio and television and he remained a staple of TV with frequent appearances well into the 1990s, when HE was well into his 90's. At the end he was still cracking jokes about his loony wife and longtime comedy partner Gracie Allen (whom he always claimed was the more talented one), but after her death in the early '60s, Gracie became increasingly under-appreciated for her comedy contributions while former-dramatic-actress Lucille Ball rose to prominence as the reigning queen of comedy. No disrespect to the talented Lucy (whose comedy style was more sight-gag oriented), but thanks to reruns of "Burns and Allen" on Antenna TV, I've come to the realization that Gracie was the one who paved the way for Lucy to become an icon.George and Gracie moved from stage to radio in the early '30s, and by the '40s they'd honed and perfected their crazy-housewife-sitcom in which they portrayed exaggerated versions of themselves. Suddenly TV was catching on and George decided that was the next logical step in their careers; Gracie was already contemplating retirement, but succumbed to her husband's desires and they took their act to TV in 1950 (a year before Lucy). The setup was the same: Gracie was a "dizzy" housewife confounding everyone she met with her illogical perspective of the world; George was the adoring husband who loved her not despite her silly quirks but because of them. Their best friends were their neighbors, Blanche and Harry Morton, who were continuously getting mixed up in Gracie's shenanigans. Taking inspiration from the play "Our Town," Burns frequently stepped out of scenes and directly addressed the audience. There was frequent talk of their TV show, but George was the only one who was self-aware that THIS was the actual show.The first two seasons were broadcast live biweekly but they encountered a variety of problems. Gracie was a consummate professional but, having become accustomed to reading off paper on radio, she was daunted by the staggering amount of confusing dialogue she now had to memorize for each show and was becoming increasingly unhappy. Hal March originally played Harry Morton but he left after 7 episodes when offered another show; John Brown stepped into his shoes and was let go after 10 shows when his name showed up on a Hollywood blacklist; and ultimately Fred Clark was given the part. Three Harrys became FOUR Harrys by the end of the first season when original announcer Bill Goodwin left and was replaced by Harry Von Zell, who portrayed himself. Because coast-to-coast transmissions were not yet the norm, they also had problems with other shows swiping their jokes before kinescope copies of new episodes were broadcast in various markets.By the end of the second season, Lucy & Desi had revolutionized TV by shooting on film and George wanted to follow suit, but CBS wouldn't offer additional funding. Using his own money, George set up McCadden Productions and began shooting episodes on film. Not only did this prevent the sorts of blunders that occurred during the live seasons, but it afforded Gracie some extra time to breathe and figure out her next illogical rant. The shows were screened for a preview audience so they could capture organic laughter for each joke, and George and Gracie would then film their stand-up routine that closed each show. An unhappy Fred Clark was having difficulty sustaining a long-distance relationship with his wife and went to George demanding an exorbitant pay raise; George decided the best solution was to let Clark out of his contract. There was talk of killing off Harry Morton or having him run away with another woman, but ultimately he was replaced by Larry Keating. Drastic adjustments were made to the character to suit Keating, but otherwise it was business as usual. By the sixth season, there was concern that the formula was becoming stale, so George decided to relocate the characters to a Manhattan hotel and bring his son Ronnie in to add a new dimension to the plot. Charismatic and camera-friendly Ronnie was a fine addition to the cast (though from a 21st century perspective the character was a shameless womanizer) but the hotel setting didn't offer the comedic opportunities that they'd hoped for, so the setting returned to Beverly Hills for the final two seasons. It was at this point that George came up with the idea to add a "magic television" which allowed him to spy on his friends and neighbors and humorously meddle in their lives. The sponsors hated the notion of this plot device, but Burns stood firm and later credited himself with creating TV surveillance.Throughout the final seasons, Gracie's health was deteriorating and she was tired of the daily grind of working on the show. George kept circumventing her to sign contracts for additional seasons, but by the eighth season Gracie demanded she be allowed to retire. George relented, but figured she'd soon change her mind, so he carried on. In the following season's "The George Burns Show," the setting was changed to his downtown office, Blanche became his secretary, Harry Morton worked down the hall, and Ronnie and Harry Von Zell continued to wander in and out. Gracie was a frequent topic of conversation but she was enjoying her retirement too much to return. To boost ratings, variety show segments were added, but it didn't help -- the show bowed out with a whimper in April 1959 and George had to reinvent himself as a solo act. Unfortunately, he did it so well that Gracie sort of fell by the wayside.It's a travesty that the show hasn't received the endless exposure that Lucy has, but Antenna TV deserves enormous credit for bringing it back to public awareness. Now if only Sony would release the filmed seasons on home video uncut, I'd be a happy man.

David (doggans) This show was, please don't kill me for saying this, even better than "I Love Lucy". Lucy was good, but this was better. Gracie and Blanche(Bea Benederett, voice of Betty Rubble and original choice for Ethel Mertz) would pull one crazy stunt after another. Meanwhile Bill Goodwin(later replaced by Harry Von Zell) would attract all the girls, and George would step out of the scene to narrate(A technique now used in the Disney cartoon show "The Weekenders"). Gracie's "Illogical logic", as George called it, cracks you up every time. By the way, the radio version featured music of Meredith Wilson(famous for writing "The Music Man").