Lucybespro It is a performances centric movie

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

ThrillMessage There are better movies of two hours length. I loved the actress'performance.

Jenni Devyn Worth seeing just to witness how winsome it is.

michelbullock I thought this series was a great show and want to know when or if you are making another. I enjoyed watching how the characters were built and unfolded and trying to work out who was what (baddie or goodie) in the characters. Also enjoyed the slower pace of the story as opposed to one and a half hour movies that squeeze as much out of the time as possible without portraying the 'real life' pace and how in 'real life' it is the bringing together of lots of small pieces of information that result in collating the whole picture/story. Hope you make another one.

dawnraids Call it a Le Carré light. MI5, spies and Cold War. Toby Whithouse, Sarah Dollard and Debbie O'Malley deliver 6 episodes of good fun and high entertainment full of suspense and surprise. Excellent mood and camera play, the viewer is convincingly cast back to a London of the 70's.A tremendous performance from the entire cast especially Paul Ritter playing the hypocritical British public school creep! Worth watching if only for his performance and the exquisite interaction with his assistant the superb Chloé Pirrie (a touch naive, upright, loyal researcher).The suspension of disbelief is perhaps called for to draw maximum enjoyment. The strength of the production rests chiefly on the convincing relationships fleshed out.Why oh Why does the BBC have to nip above average productions in the bud. Xen is another example. It seems that the minute a viewer's brain is in any way engaged the Corporation pulls the plug out on it! Let's have some more please!

Tweekums Set in the early 1970s MI5 operative Joe Lambe is given the task of overseeing the defection and debriefing of Soviet agent Arkady. He quickly learns that the Soviets have a major operation planned, 'Operation Glass', but Arkady doesn't know the details. If MI5 is to thwart the KGB's plan they will have to uncover who is behind Operation Glass as well as its eventual aim. Matters are complicated when Joe learns that one of the KGB men behind the operation is 'Odin' the man responsible for the death of his girlfriend before the events of the series. A further complication is the revelation that a mole within MI5 has been leaking details of their counter-operation to the Soviets.This gripping cold war thriller nicely captures the feeling of the 1970s and more importantly the sense of paranoia within the Security Services as agents wonder who they can trust; they don't even know if Glass is real or just a ploy to make Arkady's defects seem real. The cast does a fine job making us believe in the characters while still wondering whether or not they are the traitor. The only big name in the cast is Brian Cox, who is great as MI5 head 'Daddy', however the rest of the cast more than hold their own; most notably Tom Hughes who plays Joe and Shaun Dooley, who plays DC Jim Fenchurch, a policeman brought into assist MI5. These spies certainly aren't in the James Bond or even the 'Spooks' mould; they are almost bland in their ordinariness; something that suits the story perfectly. As the series approaches its end the tension mounts nicely as we learn just how dangerous Operation Glass is. Overall I'd say this is well worth watching and hope BBC2 continues to provide us with more quality drama like this in the future.

enofile Perhaps this reviewed is skewed since I grew up during the Cold War, but although the filming, acting, and atmosphere are spot on, there are inexplicable discrepancies in the plot that simply make no sense. Bodies are knocked out and left prone with no attempt to interrogate. Wire taps are set and the listeners just far away enough not to prevent the obvious disaster. Comedy is interjected at inappropriate moments and seems ridiculous, rather then funny. Also, the writers have thrown historical accuracy to the wind, and the story takes on a "Twilight Zone," science fiction tone. If I provide exact examples, I will spoil the show for those viewers who simply desire snappy entertainment. Thus, I will show restraint. The Game could have been a TV LeCarre, but alas, it is more pop then intrigue.