BootDigest Such a frustrating disappointment

CommentsXp Best movie ever!

Cooktopi The acting in this movie is really good.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

birgey I deeply impressed by this TV Series which I think is the greatest production so that I personally make a image restoration for this. You could click this link to get the playlist: https://www.youtube.com/playlist? list=PLYOE4TJycDxqrgFEPuKY4YSwgSJwZD2haVoice and subtitles are both Russian. Also there two other Chinese version in my Youtube account, welcome to subscribe.

denis888 Soviet films about WWII may be tedious, long or pathetic, but not this one, which is done by the great filmmaker Tatiana Lioznova and since she is a woman the movie has that deep, thoughtful, sweetly painful feeling of heroism, tragedy and bravery. Sure, some things are exaggerated and of course there could never be such an ideal spy as Stirlitz, played here by awesome Vyacheslav Tikhonov. What is very important here is to show what crafty and smart enemy as Nazi were we managed to win over at a cost of 30,000,000 lives. The film is about people who stay human in the fire of war, and about humans who become beasts and cruel monsters. This is the fine example of a great war movie without propaganda or sickly patriotism.

South62 Reading comments I am glad to see that 90 percent of them are speaking about this serial in superlatives. Nothing better could be done in Brezhnev Era but in this context I am not underlining that fact like an obstacle. Russian creativity was always able to overrun political circumstances. I am posting this comment to point out one of the most touching and best acted scenes in entire motion-picture history. Character acted by Tikhonov is Soviet spy enduring 17 years in Nazi-surroundings. Bosses from Moscow Centre know in what kind of psychological pressure he was and want to help him in in some way. NKVD arranges meeting between Stierlitz and his real Soviet wife. They met in one restaurant somewhere in Third Reich. They did not see each other for years but due to security reasons and keeping Stierlitz's under cover job, man and woman must not talk, must not show that they even know each other. They are permitted just to look each other for couple of minutes. Tikhonov made acting bravura: extremely high emotional suffering suppressed by duty. He did not show he knows the lady. Nobody in German restaurant noticed nothing but TV audience understood his pain.

Yuri Ashuev One of the little-recognized deficiencies of spy movies is that 'action'--chases, shootings, explosions, etc.--is dominant content. Of course, the trend caters to modern audiences that are addicted to sound and special effects. However, action-driven spy movies (e.g., James Bond) suffer from 3 major defects: 1)They are not believable 2)They contain little or no acting performances to speak of 3)As such, they are easily forgettable. This is not the case with "17 moments of spring" (hereafter SMOS)The 12 episodes of the series have been specifically shot in Black and White, in fairly simple studio sets, with no special visual effects. What makes SMOS the favorite of audiences, is a gamut of absolutely incredible acting. Each role, even a minor one, casts an "all-star" Soviet actor, and they deliver deep psychological performances. Tikhonov is an obvious star as Stierlitz, but consider Leonid Bronevoy as Mueller, the friendly, always suspicious and incredibly cruel inside Gestapo chief. Or Oleg Tabakov, as cheerful Schellenberg of the German intelligence. Or Plyatt as very vulnerable and very human Pastor Schlag who nevertheless embodies the power of the Church. So essentially SMOS is not a spy movie, but a tight psychological drama. But we must not forget the subject, and it is an important one, based on a major real life event: in early 1945, trying to finish off the Nazi Germany, the Russians found out that SS-gruppenfuehrer Karl Wolff (essentially a representative of the odious Himmler) attempted to negotiate a separate piece with the Americans in Italy. The talks were top-secret (OSS star Allen Dulles was the US negotiator) and essentially meant a betrayal of Russia by its anti-Nazi allies. SMOS is about how the Russians discovered the secret and forced the end to negotiations. In short, this is one of the greatest all-time spy thrillers. Just as "Rosemary's Baby" is arguably the best horror movie because of its acting and directing, so does SMOS shine through the mediocrity we are fed today. I wish it were shown to the wide Western audiences, so that they can see for themselves!