Micransix Crappy film

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Catalin Ignat This series starts a bit grim. First half hour is a dark, bit boring, but most - is confusing for one having no clue about the novel. But boy, was I happy to stick around.Show combines edgy topics about politics, personal freedom and choices with a high technology setup and master craft of British drama. Apart from first half of hour, it is captivating. Multiple facets, many people acting by their best judgement, and above all, a hero. Byrne is doing a great job, yet the character could have been better composed. It is difficult to get emotionally attached to it, but is sure easy to get attached to its actions.Strongly recommended. Yet be warned, this comes from a guy who considered Downton Abbey the best show ever. Until now.

robert-temple-1 This is a superb British TV thriller series. It is the second series based upon a novel written by Chris Mullin, formerly a Member of Parliament and a Government minister, who is a member of the Labour Party. The novel was called A VERY British COUP and it came out in 1982 and was originally made into a TV series in 1988. This new series bears little resemblance to the old. The new series stars Gabriel Byrne, an excellent choice, for his face now that it is older looks like something discerned in the shadows of a Rembrandt painting, and just looking at him creates a brooding and mysterious atmosphere. He doesn't speak that much, but thinks a lot, which makes the whole series even more ominous. When he becomes Prime Minister, he looks so gloomy that one wants to console him for his career success. Rupert Graves is so oily, treacherous, deceptive, and cunning, as a political villain who is a scheming Chancellor of the Exchequer determined to move next door to Number Ten, that he makes the flesh creep. The series was produced and directed by Ed Fraiman, who lives in California, graduated from the Polish Film School, and directs British and American TV series, so is clearly a cosmopolitan character. He has done a brilliant job of this one. In between all those different countries, one wonders how he came to know modern Britain so well. The pace and the tone are perfect. A great deal of the credit for this series working so superbly must go to Robert Jones, who wrote the scripts. The story of the series has been updated so as to be entirely relevant to the present day. One of the villainous organisations in the tale is a bank called Royal Caledonia Bank, which is described as being 88% owned by the British taxpayer because of a bailout. For those who don't know, Caledonia is a name for Scotland. This is therefore apparently a transparent disguise for the Royal Bank of Scotland (RBS), which is 84% owned by the British taxpayer. The story's attack on the banksters can't get more specific than that while still avoiding a libel action. The Chairman of the bank repeatedly sneers smugly at the Prime Minister and lets him know in no uncertain terms that he is a mere nobody, and it is the banks who are in charge of all the governments. When Byrne protests that the British Government owns the bank, the bankster brazenly says he can move the headquarters offshore at any time. It would be difficult to find a single informed person in Britain today who would find these scenes in any way unrealistic, as it is so obvious by now that the banks are in charge and the politicians really are mere nobodies, that not even an eyebrow is raised anymore when this comes up. The international bank bailouts are merely gigantic transfers of public funds into the private hands of an elite international group of crooks, and it takes a pretty stupid person not to see that by now. When it was revealed that the international banks were conspiring to fix the LIBOR rate, why was no one surprised? After all, it only affected a few trillion dollars worth of transactions a year, and what is a few trillion dollars between bankster friends? It seems that there is no politician willing to stop any of these abuses, because at the least he would lose his position, and at worst he might have 'an accident'. And in any case, many of the politicians are personally benefiting financially from being cooperative, especially when they have safely retired and settled comfortably into the pocket of some bank who needs their 'advice'. What famous grinning person is it who is paid £2 million a year for 'advising' a major bank? Can you guess? Try really hard. So the series addresses these issues, and does so in a bare-knuckled assault on the massive and overwhelming corruption in our public life. As Byrne sadly remarks, when reminded that he is the Prime Minister: 'You get to the top and then you find out it's only the middle.'

pavanratnaker Loved this series from the first episode. The plot is superb and the story draws you in beautifully and keeps you wanting more hence the writer deserves the highest accolade. The cast is perfect and do a stellar job. The direction is fabulous too as no thriller can do with sloppy work. Only negative is that it ends too soon, it deserved at least 10 episodes. Thats one view point, other view point says that maybe it was exciting because it was a short series. Hopefully we'll have a longer series 2. Kudos to Channel 4 for this one. So political thrillers are back and back with a bang and this one matches the era we live in.

Flossie Cat Back in 1987 Channel 4 led the UK in cutting edge dramas. Last week we got episode one of "Secret State", allegedly 'loosely' based Alan Plater's superb adaptation of Chris Mullin's book "A Very British Coup". What a difference. The premise was good, a Bhopal style disaster in Teeside, the casting included some of Britain's finest talent, and the production values were very good.All this was completely wasted by a script that was puerile, full of clichéd soundbites, and by lousy directing and a cast of stock characters that would have made it into Michael Green's "The Art of Coarse Acting". We had a gonad crunching ambitious female politician, a smarmy yuppie-type ambitious politician, a drunken journo/ex-spook who knows where the metaphorical and possibly literal bodies are buried, and a young feisty journo who pops up with information nobody else has ever heard of.Has Mr Jones never watched "Yes Minister" or "The Thick of It"?His opening scenario was ludicrous. In real life the deputy PM would not be sitting in a local school hall being harangued by angry residents. That thankless task would have gone to some junior underling at the Energy Department. Nor does a pathologist have the power to withhold bodies from being released for burial, that authority lies with the Coroner. If a pathologist had serious concerns about unexplained toxins in body tissue s/he would have consulted their colleagues in the Home Office. Nor would said pathologist be telephoning the Deputy PM as if that individual was the only person with authority in the entire governmental system.Given the apparent assassination of the PM by a possible terrorist plot how did Ms Kane (alias Gina McKee) manage to get past security to speak to the Deputy PM at aforementioned PM's memorial service? Come to that, where WAS the security?And why was the head of Intelligence doing her own surveillance work? Does she not have an entire government department dedicated solely for that purpose?The whole thing seemed to be aimed at not very bright 14 year olds. Do the TV networks really think the viewing public is that dumb? For shame Channel 4. You've exchanged your credibility for dumbed down broadcasting. You have the temerity to advertise dross like this as 'Drama' while your schedules are chock full of freak shows, crass talent shows, and the dregs of society being filmed in their 'natural habitat' in what passes for "reality" television.