Platicsco Good story, Not enough for a whole film

CrawlerChunky In truth, there is barely enough story here to make a film.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Duncan Holding This was so funny I would class it in the same bracket as I'm Alan Partridge (series one) and Twenty Twelve in the modern comedy series. The characters work so well together with the only downside being character of Martin Brown-ironically played by the best actor (Fenton-stevens) in the series so much so the character did not return for the final series... Each episode tended to focus on a different topic which meant the jokes remained fresh.. Watching again 25 years after the show first aired it could be argued the show had dated slightly but comedy of this type does tend to although IMHO it remains superbly funny. It was probably best to end after three series which at least meant the show bowed out whilst the quality was at its best. WELL RECOMMENDED

David_Frames This spoof of the then embryonic SKY TV satellite network surfaced just after UK Television was deregulated in the late 1980's. This meant that the whereas up to that point you'd had 4 television channels, regulated by government to control content and quality and of course free to view (bar the licence fee that funded and indeed funds the BBC) – now anyone in theory could add a t.v channel onto the new satellite based service. In 1989, despite the promise of more channels and therefore more choice, the curious euphemism for repeats, SKY was still considered a bit of a joke – in contrast to the relatively high quality of Terrestrial broadcasting and the pool of talent it had monopolised for 50 years, SKY seemed tacky and low-brow by comparison – toe curling (un)original programming acting as water breaks between streams of cheap US imports, lashings of repeats (something people had always complained about – now they were willing to pay to see them) and as I recall,dreadful Euro stations that no-one wanted to watch – one channel was just a burning fireplace. KYTV sent up this absurd low-brow Daily Star bullsh*t. Coaxing the proles by buying up all the football and therefore bribing them with their own money to take up a service they'd previous enjoyed for nothing, SKY appealed to the viewers worst instincts. Why watch original comedy, documentaries and domestically produced drama made to quota when you could pay £30 a month to see wall to wall movies, footie and of course tits on some of the more racy German T.V networks? Deayton, Atkinson-Wood and co. made it all look very funny – appalling programmes, shameless advertising, terrible presenters. Why KYTV seems even better now than then is that it predicted something no-one could imagine, that one day 10m people would be subscribing to the visual equivalent of dysentery. Who in 1989 would have believed that by 2006 SKY would be a major player in the UK TV marketplace and that despite being no better now than it was then, it would have convinced enough people to pay to support its sports monopoly and maintain a network that offered no original content – just ream upon ream of stuff ripped from the US broadcasters thus allowing Sky to keep its costs down and make maximum bread for News International and that Australian American Scrotum that sits on the top of the cash pile. Meanwhile TV has become more niche marketed because everyone in UK broadcasting wants us to become American – apparently we don't want channels with varied schedules, catering for a variety of audiences; that's akin to some kind of antiquated lunacy. Now audiences decline, hundreds of channels sprout up with nothing to show thus more repeats, low budgets, rock bottom quality programmes and of course no innovation because the market makes risk to, er, risky. That's the current state of play and that, not KYTV is the real joke. If it went out today it'd be part of the Sky Digital package.

Bingo66 I haven't seen it for years, but I'd like to get it on DVD. I remember thinking at the time that it was a lot like the early 80s comedy "Not the Nine O'Clock News" right down to the three-guys/one-girl format. Some of the content was a bit "post-watershed" There was one scene with a topless woman and it cut back to Geoffrey Perkins who said "hmmm... I'd like to have seen a bit more of that." Philip Pope, who was previously with Angus Deayton in spoof group the Hee Bee Gee Bees, went on to success in shows like "Only Fools and Horses", Deayton in "One Foot in the Grave" and Perkins is now a successful producer. Martin Fenton-Stevens has appeared in several commercials Helen Atkinson-Wood seems to have disappeared without trace.Time for re-runs on a cable channel, I think.

Mozart-12 K.Y.T.V. (instead of SKY TV, an english satellite channel) is a parody on not just English television, but ANY television. They've got news, commercialbreaks, TV-dramas, gameshows, talkshows, phone-ins and all the stuff only a TV-channel with no skills and no budget can produce. The writers of this really funny series are Geoffrey Perkins and Angus Deayton, who also stars as the TV-station's anchormen. We follow the rise of the station, from the start (which is postponed almost a year) through the highlights as "Brown-nose day", "Talking Head" (a show on sex, of course), and "The Sexciting Sixties", a trip along the memory lane which ends with a superb documentary on Woodstock 3 - complete with Neil Young, Bob Dylan and Frank Sinatra (?). Every detail in the series of K.Y.T.V. is polished on and gives a realistic impression. It feels like you're watching a real TV-station, only this one is full of goofs, jokes and a high number of puns. It is the most well-written and well- produced show on television I've ever seen. The actors' timing is absolutely impeccable and I'm pleased to see they are mocking the hysteria of TV as a media. I mean, watch an average satellite channel in any given country and you'll find equally funny stuff - not meant to be funny!K.Y.T.V. is english humour at it's best - great comedy to which all of us can relate - we've all watched TV since we were kids, right? So if you're getting a chance to watch it - do!