Claysaba
Excellent, Without a doubt!!
Dynamixor
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
FirstWitch
A movie that not only functions as a solid scarefest but a razor-sharp satire.
Logan
By the time the dramatic fireworks start popping off, each one feels earned.
notstudyinglaw
Like everyone else it seems, I was looking forward to this show. But, I hate to say it; it is just plain old bad dumb TV. Bad plots, bad dialogue, bad production values. Sad, sad, sad. For some reason I thought that the name "Kevin Williamson" would indicate some level of quality. Then I looked back at Williamson's filmography- is he really all that? The Scream series is brilliant and witty, and Dawson's had moments. But beyond that, when you add Glory Days to the pile, his inane juvenile panderings are seriously starting to outweigh his insightful fresh offerings. Yes, Glory Days has been cancelled. It did have potential- I'll admit I watched beyond the dreadful premiere. But it never seemed to realize that potential was not enough. In order to succeed and satisfy, it desperately needed to honestly evaluate what works and what doesn't from the genres it was drawing on. Perhaps if they had left behind the unbelievable soap-opera-ish set-ups, which are the annoying hallmark of suspense shows directed at the older set, including Murder She Wrote and Diagnosis Murder, I could have swallowed it? After all, it ain't the gray hair that keeps me away from those shows, it is the endless parade of Scooby-Doo like "mysteries." Yes, the amusement park owner, or the new boyfriend, or any number of stock "killers" really DID do it. Did the fun twists of Scream wear Williamson out? Or what if they'd tried harder to make us care about the main characters, as Williamson was somehow able to do in Dawson's? I fully acknowledge that Williamson is no Whedon, so I knew better than to expect anything actually thought provoking. But even slightly believable, or engaging, or entertaining, could have kept this show afloat. Good Riddance. But here's to hoping the WB will try its hand at the genre again.
ehosh2494
I was excited to hear that the WB was airing this new, creative series created by Kevin Williamson, and I have seen the majority of the episodes and I am absolutely hooked on this show, it's incredible! The setting is a small island town called Glory and the main character is a writer named Mike who along with the town sheriff, Rudy, and the medical examiner, Ellie, attempts to solve eerie mysteries dealing with murders, kidnappings, supernatural occurrences and other strange events which plague the town. This show is scary, fun and I really like the characters because there is always something interesting going on between them. I am hoping this show gets picked up again because only about 10 episodes have aired, as some sort of mid-season replacement I guess, and I have not heard whether or not it is being picked up again. Hopefully it will be, this is a promising new show that is very enjoyable and fun to watch every week, I know I always look forward to new episodes.
CaliforniaKara
Take one part "Picket Fences", add a dash of "Twin Peaks", stir in kids who are fluent in "Dawson's" speak, and throw it in a Kevin Williamson blender powered by Weinstein. The result?The series debut of "Glory Days".Welcome, kiddies, to the WB's first attempt at a *gasp* suspense series. Mind you, I entered viewing with a severe case of unenthusiastic trepidation. When I first heard of "Glory Days" last spring, my heart was all aflutter at the thought of fresh material from one of my favorite scribes, Kevin Williamson. The show's original premise revolved around a one-hit wonder whose severe case of writer's block rendered him unable to write a follow-up to his best-selling debut novel "Glory Days." It sounded just like something we'd expect from the WB: a "Dawson's Creek"-type show focusing on romantic relationships and light situations.Enter the squelchers of all things creative, aka Network Executives, and pretty much in came the official Big Rewrite. When all was said and strewn on the cutting room floor, there lay a show that still followed the original premise of runaway novelist who must face his demons upon his homecoming. Only no "Dawson's", no romantic relationships, and no light situations.Welcome, instead, to Bizzaroland.Let's review the players (at least the ones I care about so far):Mike Dolan (Eddie Cahill) – The Prodigal Son, who wrote a book using most of his family and close friends as characters, returns. Said loved ones are, of course, less than thrilled with his depiction of them.Ellie (Poppy Montgomery) – Town coroner and a close dead-ringer for Julie Benz (the original female lead) who partially buries dead bodies in her garden to study decomposition rates. Quirky in that sense, yet needs to be flushed out.Rudy Dunlop (Jay R. Ferguson) – Deputy Doug, er, I mean Sheriff Doug, er, I mean Rudy. Mike's former best friend who was falsely characterized as a Card Carrying Friend of Dorothy in Mike's novel, "Glory Days."Sara Dolan (Amy Stewart) – Older, slightly neurotic sister who inherited the editor-in-chief title at the family-owned newspaper when Mr. Dolan died.Sam Dolan (Emily Vancamp) – Little sister who missed her older brother terribly. Her relationship and interactions with Mike remind me of the Claudia/Bailey dynamic on Party of Five.Zane (Ben Crowley) – Sidekick to Sam.Mitzi Dolan (Frances Fisher) – Kind of crazy mom to Mike, Sara, Sam and Mike. Let me just lay this out on the table from Day One: I LOVE HER. How could you not with lines like, "Sara, he's your brother first, jackass second." *snarf*If you've read my other analyses, you'll know I hold a certain bar to "Party of Five" because of the well-written details and moments from that show. I'm seeing glimmers of PO5 in this show, and that gives me hope. Finally, another series comes along that concentrates on developing characters.THE CORONER'S REPORT (my high points and low points for the episode):
Mike and Rudy playing Hardy Boys amused me to no end, though the interrogation of the boy felt forced. - Gee, hmmm, saw a few Miramax and Dimension commercials. Do ya think Harvey and Bob got a cut on ad rates? - Wow, an actual laugh out loud moment when Rudy said, "It's ‘cause I cried when Goose died in Top Gun, isn't it?" in reference to why Mike thought he was gay. - The ferryman's widow is a pretty sharp shooter for a drama queen with a penchant for wearing bad wigs. - Did they take their stock shots from the same bin as Dawson's Creek and ILM mountains into the background? I was this close to hearing "I don't want to wait…" on the opening credits when the camera panned from marina to shore.So I did it. I made it through the hour, and am actually looking forward to next week's installment. "Grim Ferrytale" (oh, Kevin, clichés should be beneath you by now) pleasantly surprised me. Between all the rewrites, lead character changes, and dire predictions from the trade magazines, I thought this one was DOA. I really, truly thought I was not going to be able to physically sit through the entire episode.Kudos to you Kevin, for crafting a well-written tale that concentrates on characters, I say, "Welcome back, we missed you." You're not so up the Creek as I thought you'd be.Kara ScoopMe.com "Glory Days" reviewer
jacksonblueman6
Well, I've only watched this show twice so far, and both times I have been disappointed. It's not scary at all, and it has absolutely no gore. I was thinking that Kevin Williamson, the guy who brought us waste such as Dawson's Creek would make this be more like Scream which he wrote. Unfortunately, it's not anything like Scream. Not only is it lacking gore(notice that I stress this), but it's also lacking the sharp wit that the Scream movies and I Know What You Did Last Summer had. I'm sure its target audience is 12-15 year old girls. I'm a horror movie fan and was really looking forward to a thriller on t.v. Freaky Links, a show that was canceled without ever getting a chance, was a superior thriller. It had some gore, had a few scares, and despite its Scooby Doo-esque formulaic plots, I liked it.