ThiefHott Too much of everything

Exoticalot People are voting emotionally.

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Zbigniew_Krycsiwiki This fourth Zatoichi film in fourteen months The recurrence of a lost love might have made for an interesting change of pace, and change of tone for this series, but that mostly takes second stage to a contrived, yet shallow, story of redemption, without much resolution.The climactic battles are reasonably good here, but it all feels alternately a bit too choreographed, and poorly choreographed, as the innumerable thugs all seem to politely wait their turn to attack Ichi, who barely gives them a passing glance, before they fall over dead, bloodlessly, and without even so much as a tear to their clothing.I found the sake bottle scene to be too silly of a gimmick, like the slicing of candles with his sword, as well.Still watchable, though, but a drop in quality from the earlier installments.

mevmijaumau Zatoichi the Fugitive is the fourth Zatoichi film and the second one in a row directed by Tokuzo Tanaka. I must say I didn't really like this one. It's kinda forgettable and blends in with the previous film for me even though the storyline is quite different.The story to this movie was really complicated for me to follow and I quick lost track on who is who. Not only that, but the pace was too slow for my taste this time, so I didn't enjoy following the goings-on here at all. The movie gets significantly better during the final fight scene of Zatoichi vs. a group of nameless thugs, and the final duel with the main villain, and this particular scene looks like it just came out of a Sergio Leone film. Tane (from the first two films) re-appears, and personally I don't really like that the series is still burdened by continuity; I'd rather see Zatoichi meet new people and all. The score by Akira Ifukube (who also scored Godzilla) is really good and fits in nicely, and the cinematography (done by the same person who shot the previous film, Chishi Makiura) is once again really nice and the shots are a pleasure to look at. I especially like the way the actors look when captured on this particular type of color film, the way their faces are pale and covered in plenty of dark shadows.Highlight of the film: the villain threatens Zatoichi by cutting a sake bottle in half with his blade. Zatoichi responds by perfectly throwing a dice into the second sake bottle (which some guy is holding), then swings his katana in the air. The guy drops the bottle, which is revealed to be bisected in half, same as the dice that was inside it.

MartinHafer Perhaps I would have liked this fourth episode in the Zatôichi franchise had I not watched the third one the same day. The third, "Shin Zatoichi Monogatari", is probably my favorite of the series and after watching it for the second time, it just reinforced this in my mind. The fourth episode, unfortunately, just doesn't have the same depth of story--though it is well worth seeing nonetheless.The film starts with our hero Zatôichi fighting sumo matches at a festival and winning them all. It's an interesting juxtaposition to go from the height of success to a crushing defeat so quickly, as almost immediately after the matches, a lone knucklehead tries to kill Zatôichi--quite unsuccessfully, I might add. As the man dies, Zatôichi begs him to tell him why he tried to kill him. It seems he needed the money for his mother. In an odd case of contrition, Zatôichi goes to the dead man's mother and begs forgiveness--and gives her the bounty that was on his own head. Surprisingly, the lady stated that her son was no good and quickly forgives Zatôichi for having to kill him in self-defense.In this same town, there is the usual power-struggle. This time a young and weak yakuza recently inherited his father's business but is beset by rivals vying for his power. One of the men, interestingly enough, is with a woman who loved Zatôichi in his youth. Will Zatôichi get her back? Is she worth getting back? Will her current significant other kill Zatôichi? And, what of the young boss? Tune in to find out all these answers. Sadly, however, none of them seemed all that compelling to me--just the typical Zatôichi film plots and not a lot more--other than the relationship between Zatôichi and the mother of the man he killed at the beginning of the film.The usual excellent camera-work, writing, music and more is all here. It's just that with almost 30 films in the series, this one doesn't have a lot to make it stand out from the crowd.

Michael_Elliott Masseur Ichi, the Fugitive (1963) *** (out of 4) The blind swordsman Ichi (Shintaro Katsu) angers a large yakuza after defeating them in a wrestling match, which will lead to a bigger fight. Directed by Tokuzo Tanaka. This here was my second film in the series and while I enjoyed most of the first one, this one here just doesn't cut it. There's way too much talking going on and none of it is even mildly interesting. Even worse is that the actual swordfights are rather lame as well. The concept of a blind swordsman is really the only thing that keeps this film (and perhaps series?) afloat.