Comwayon A Disappointing Continuation

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Shadman Sadik I never thought i'd be watching this movie but i am pretty much happy i watched. I felt intense till the end every frame is countable. The Protagonist Nicole is vulnerable but it will give you hope. I also loved the music.

PhilLag I remember that during the premiere of Tu Dors Nicole at the Cannes Film Festival, many viewers left the theater before the end of the film and some left after only 30 minutes. Does that mean that the film proposed by Stéphane Lafleur is of no interest? After watching it in its entirety, I must say that it isn't the case. His film is full of interesting ideas disseminated throughout the duration. One possible cause of the desertion of the viewers would be the rhythm. Even if the movie is only 93 minutes, the slow pace might irritate some. However, considering the subject (a young woman killing time during summer in the suburb), the pace helps to reflect the odd situations that Nicole (good performance by Julianne Côté) lives and helps to explain her jaded character. We recognize the touch of its director in the universe he presents us with some strange, almost dreamlike, elements that reminds his precedent works such as En Terrains Connus. The soundtrack and the black-and-white cinematography help to give this impression of strangeness from situations or places that are at the same time familiar. There are some elements from the cinematographic language that are used to add relevant symbolism or to amplify the comic tone. The best example would be the character of Martin. This little blond kid in his preteen is endowed with the virile voice of a grown-up. The scenes where he tries to seduce Nicole, who's his babysitter, with some mature speeches are so entertainingly funny and, at the same time, offer a lesson taught by a ten-year-old boy about enjoying the little pleasures of life. The humor works almost every time and is well dosed. Some situations involves misunderstandings between the characters that have at least the merit of making the viewer smile. In the end, with the above-mentioned elements, Tu Dors Nicole is some kind of cinematographic UFO. But the film as a whole works well and depending on the patience of the viewer, it'll prove to be worth the time spent. Just for the atypical character of Martin, the film deserves to be seen and listened to in its entirety.

zetes Odd but wonderful Quebecois film about a young woman, Nicole (Julianne Côté), who is spending a lazy summer at her parents' house while they're away. Much of the time her best friend (Catherine St-Laurent) is hanging out with her, and her brother and his two band members also spend most of their time there, practicing. The mood of this film is quite different: it's very quiet, relaxed. You really get the sense of the ennui of Nicole's existence. Many will find it slow, but I found it both lovely and sad. It's also quite funny. Maybe not laugh-out-loud funny, but slyly amusing. The cinematography is a crisp black and white. I loved it.

Red_Identity I definitely expected something different than what I got from this film. On the surface, it's a simple premise, a seeming coming-of-age tale of a young woman in the brink of adulthood and her feelings about growing up. A lot of the film works in the quiet though, all of the performances are incredibly understated but very effective (even more effective than the lead actress is Marc-Andre Grondin, who really shows us the loneliness and yearning to stay a certain way). Many will not take to the film, which is understandable because it's not at all plot driven by any means. However, it's only as it goes on that you really feel like you are watching something special, most evident when the extraordinary ending comes.