AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Tad Pole . . . who was portrayed in the docudrama THE LAST KING OF SC0TLAND. When a favored aide makes love to Amin's youngest wife in his biopic, the outraged husband has her filleted--literally. When YEELEN's 13th Century King Rouma Boll suffers the same loss of face at the hams of HIS junior consort, Attou, he merely exiles her with the seducing royal aide, journeyman wizard Niankoro. Which is a shortcut to understanding that the film YEELEN is much more similar to a HARY POTTER flick than it is to the "House of Blood" horror genre films that SC0TLAND, THE BANGBANG CLUB, WINNIE MANDALA and many other features set in a more contemporary Africa portray. Though the white subtitles used here are NOT very legible during the brighter daylight scenes, this movie is visual enough that you don't miss much from this technical snafu.

nihao Here is a great opportunity. The chance to discover how human beings were BEFORE getting trapped in the WEB (excuse the pun) of technology. Man's respect and position in/for nature, reminiscent of those ties which still (barely) exist amidst the Maoris and Eskimoes, and the surviving Indios. Africa, the mother of mankind. Magic, NOT as Hollywood sees it. And for N.Y. intellectuals and Viennese literati, a Freudian twist which is as old as Mythology. The Father/Son clash. This ranks alongside the best of Satyajit Ray, and , in some ways, shares his themes. This is Brother Africa as Ray is Sister India. This is the intense celebration of Man's strength, and of his weakness. An African masterpiece. A patient sequence of revelations. A real JEWEL. And if you are here, you are either a lucky newcomer or a lucky viewer. Thankyou Sissé. Thankyou Africa!

kelli-26 If you're looking to see a mythic quest about a boy who, struggling to become a man, travels throughout his country, taking on quests and facing difficulties while searching out his father, Yeelen is a good candidate. If you're looking for all of this within the context of Hollywood western life, complete with explosions, a fight scene, love affairs, and something scandalous and otherwise unnecessary, then go see something fresh out of Hollywood. No, this is not a film made in the western tradition as a previous comment harped upon, but made in the national cinema.Made in 1987 by a French film crew in Mali, Yeelen (or "Brightness") is a composition of old Mali myths put together to create a mythic quest of Nianankoro, a boy who travels to a distant uncle to find the second piece of the fabled Kore's Wing, needed to defeat his father who is set of taking his son's life. Throughout his journey, Nianankoro faces the daunting challenges of hunger and thirst, battling tribes, leopard-prophets, his father's wrath, and then his own final battle which eventually causes his death.Yeelen is primarily an art film which represents an important part of Mali mythology and culture with subtle political undertones. By entering this film and judging it with the idea that it is a "western movie," you will surely not enjoy it. Instead, enter it with an open mind. Dump all preconceptions of Hollywood, open yourself to international film, and enjoy the power messages that Yeelen sets upon myth, culture, and art.

Brabo This fascinating and esthetically moving film should be seen by all who want to understand the deeper meaning of initiation and its role in a not-so-primitive society. It is useful if not indispensable to have some knowledge of sub Saharan Africa, and to realize that these Dogon and Peulh people not only have a detailed cosmogony but believe in reincarnation and know of stars we only see through a telescope. Their metaphysics were so powerful that one of the first Islamic universities, in Timbuctoo, was created for them. Aside from this, the directness and superior acting make Yeelen one of the Eighties' best cultural products.