VeteranLight I don't have all the words right now but this film is a work of art.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

ronryanlaw-1 It has been said that X was to Los Angeles what the Ramones were to New York. But X was far more brilliant. Their musicianship was superior and their songs were clever and intelligent in a fun way. When you mix super-coolness with excellence you really have something special. Otherwise stated, what happens when you mix punk rock with true musical and artistic genius? One of the biggest travesties of fate in music, was the fact that they did not become commonly known nationwide and did not have the opportunity to sell out the larger arenas. There is still time for many more to be introduced to them by obtaining their albums and having the opportunity to see them perform live. Their first two studio albums, Los Angeles and Wild Gift, were ranked by Rolling Stone magazine as being among the 500 greatest albums of all time, and 1981's Wild Gift was named "Record of the Year" by Rolling Stone, The Los Angeles Times, The New York Times, and Village Voice.

bradlewis98 I have seen an unholy amount of punk documentary and biopics; maybe even more than that. For whatever reason every band that half filled a bar has a film about their career/supposed influence. Once Arab On Radar got their own film you knew things had gone too far. Those quickie fan films can be exciting, and occasionally interesting...and sometimes you even find yourself half drunk and screaming in the background. But they rarely achieve the status as film, really just home videos for the die hards.The Unheard Music is the exception that proves the rule. Maybe due to being produced when the market/distribution plan would have been nebulous at best, this comes across as an independent and brilliant piece of art, which just happens to feature one of the first wave LA's best punk bands. Unheard Music is constructed like a collage, like one of those bootleg video mixtapes that were floating around the underground back in the day. Your basic interview, performance, rehearsal sequences are intercut with found footage and various Exene based weirdness.The true greatness of the film is the illustration of how X could never possibly find themselves in any subsection of the mainstream. For a band that is so informed by the classic sounds of American rock and roll, for a band that would have had dance hits in 1957, it is disheartening to listen to sleazy label suits babble about how the entire country would not "get" X. It's obnoxious at best to think those weasels are making value judgments about my taste based on geography. But then maybe that does explain Nickelback.This is a fresh an exciting film about not just X, but what a statement it once was to say you were into punk. It took a certain amount of effort since the powers that be actively kept you from hearing this music. Wasn't on the radio, TV, or in suburban record stores. Makes you really understand how much of an uphill battle artist-musicians have.

mstomaso Before I present my review, please note that I have been an X fan since 1979, and was a first-generation American punk rocker. I do not state this as credentials, but rather because I am going to directly contradict some of the views of other reviewers who were there. Of course, this is all a matter of opinion, but - in my opinion - seeing "The Unheard Music" only as a tribute/biopic/fan movie about X misses the point by a wide margin. The genius of "The Unheard Music" is that it simultaneously provides a solid biography of X and an indictment of the American popular music industry - two stories which are, unfortunately for X, inescapably connected. As an X fan, I especially appreciated the artistry of the film - which nicely mirrored Exene's aesthetics and poetry, and highlighted her as both John Doe's muse and, in many ways, the driving force behind the band. X was an almost leader-less group. With Billy Zoom - a very talented RnR/Rockabilly guitarist, John Doe - an excellent bassist and song-writer, DJ Bonebrake - a solid and innovative punk drummer and Exene - the brilliant bizarre and strangely beautiful poet and lead singer, they really did not need a leader. The film depicts and appreciates each band member's personalities accurately, and unlike most fan films, does not soft-soap them or go out of its way to make them all look good. X was fascinating in concert - the juxtaposition of Billy's endless stiff smile and totally suppressed energy, Exene's inexplicable obsessive weirdness and often avant-garde vocal style, John's wild energy and exceptional vocal talent, and DJ's pounding rhythms - all welded into tight, exciting and loud but still very melodic and musical Rock and Roll. X, like many punk and old school hardcore bands, sincerely enjoyed their own gigs - and it was apparent. The band had great chemistry and excellent presence. All of this shows up nicely in the film's occasional live clips. The film's story is nicely summed up in their classic song "I Must Not Think Bad Thoughts""Will the last American band to get played on the radio please bring the flag"and"Woody Guthrie sang aboutb-e-e-t-s, not b-e-a-t-s"X welded traditionalism (both in lifestyle and musical form), patriotism and radicalism (much like the libertarian political philosophy of the American founding fathers) and punk DIY ethics harmoniously. This hybridization produced a remarkably distinctive, original, yet familiar and fun musical repertoire. Unsurprisingly, the music industry was not ready for them. Despite critical acclaim and a few 'album of the year' awards, only an open-minded independent label would sign them early-on, and they were systematically mismarketed and mishandled by distributors. The flip-side of this, however, is that X was not and would never be a sell-out. Unlike more contemporary 'popular punk', X retained their uniqueness, their originality, their obscure politics, and their artistry, throughout their largely successful career. It is worth comparing this film to Jim Fields' "End of the Century: The Story of the Ramones" (2003). Though the Ramones were a larger commercial success than X, End of the Century paints much the same story for them. I believe that this is a trope which has come to identify post-punk sentiment. There is a considerable amount of whining to be done about the injustices of the pre-home-studio-cheap-cd music industry, for sure, but perhaps we should try to remember what happens to the musical integrity of almost every band that actually does emerge from the underground to the harsh light of commercialism - The Clash, Metallica, etc. Think about it - most people really don't have a great deal of taste when it comes to music. They simply want something to dance to, or something to distract them from life, or something undemanding in the background. I liked the Ramones DESPITE their commercial success. I loved X because of what they did, who they were, and how they sounded. I can't say the same about any of the neopunk groups signed to major labels and spreading expensive designer 'punk' fashion all about magazine covers today. What is a looming commercial monolith on the surface is a barely recognizable shadow in the underground.Nicely filmed, wonderfully edited and compiled, with never a dull moment. X: The Unheard Music is a great introduction to X, the music industry, and American punk. Highly recommended.

trollkillah I just saw a recent screening of a new 35mm print of this film, at the Museum Of The Moving Image, in New York. It was, in my humble opinion, a transcending experience, in other words, it was freaking awesome! The director, W.T. Morgan, was there afterwards, for a question and answer session, and that made it even more compelling.As someone who's been into Punk since 1977, and has seen X live many times over the years, lastly in 2006, I couldn't believe how much new found respect and admiration for the band I came away with. The band members are so talented yet humble, they give sincere props to those at the musics roots, probably not what many would expect. This movie was the embodiment of the punk DIY spirit, (do it yourself); W.T. Morgan saw them play live and was so blown away, he decided to make a film about them. This film was a labor of love, that took about five years to put together, always tottering on the edge of the abyss; from financial ruin, to technical issues, to personal reasons, as explained afterwards by the director. As so well and humorously put forth in the film, mainstream record companies wouldn't touch X with a ten foot pole, then Ray Manzarek,(The Doors and former UCLA film student), stumbled across, fell in love with, and opened a few doors for the band, (pun intended). This is the best band documentary I have ever seen, and the soundtrack is simply amazing; most songs are played in their entirety and if I'm not mistaken, there's one or two that are film exclusive, (not on vinyl). At the start of the film, on screen it says, "Play Really Loud". That they did! As mentioned in the screening, this film has been added to the Sundance Collection for eternal preservation, a great honor, given that films selected are the embodiment of the indie landscape. Due to ownership issues just recently resolved, a new, special edition DVD is going to be put out in the very near future, (there's one currently available, but it's bare bones; wait for the new one). This film was WAY ahead of it's time and has aged well. It needs to be widely re-released for viewing on the big screen, but shy of that, the new DVD should do. As an added bonus for us old-timers that were there, there's some unbelievable archival footage and montage, that begs to be seen using the pause button of the remote. Just remember: "Play Really Loud"!!