Evengyny Thanks for the memories!

Noutions Good movie, but best of all time? Hardly . . .

Intcatinfo A Masterpiece!

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

lord woodburry Meet the Battons, living comfortably in an upper middle class lifestyle in suburban Boston. The truth is Bobby Batton (Tom Sizemore) is a mobster. Unbeknownst to him, Batton's boss has decided to terminate Bobby. Batton is tipped to the plot against him when he foils a kidnap attempt on Batton's daughter Suzie. His only way out is Witness Protection and a new identity. We see the pressure cooker turned up when Bratton and his family confronts the limitations of the work-a-day world and have to learn their cover stories. Bob Batton is particularly peeved that he must get a job. He holds the working class in especial contempt.Forest Whitaker plays Steve Beck the FBI coach with great aplumb when he must tell Batton how to get a job. Why do you care? Batton exasperated with Beck's tenacity asks . Because it's my job, comes the smug reply.Cindy Batton is played by Mary Elizabeth Mastrantonio, Agent Beck tells her she's worth maybe $35 G on the labor market if she finishes her paralegal degree and returns to work in a law firm. How are we going to live on that?I won't agree that Witness Protection really does all that this US government propaganda movie says it does to trap real criminals. I do find the concept of adjusting to a completely new life interesting.

Morten Kjeldgaard This movie is the kind that TV airs by the dozen late in the evening. It is not advertised as something special, just a nice thrill to entertain you before bedtime.However, it is a very solid, well turned story, showing another side of the gangster/new identity tale that we have seen many times before. We get under the skin of a family forced into assuming a new identity. A son has to give up his access to a famous college and a daughter has to give up her friends at school and learn a whole new family history. Grand parents are said goodbye to, never to be seen again. All the difficulties of assuming a new identity are well described and explored in this film, and the acting is no-nonsense, to the point and convincing. Forest Whitaker is (as always) perfect in his role, but in fact all actors contribute convincingly to the story.

Silverzero What should be a documentation on the witness protection programme quickly fizzles into a domestic drama. And not a very good one at that. Performances are average but with no real chemistry between the characters. This stuff isn't released as a big movie for a reason. Mainly because it's not any good. "Witness Protection" is as un-memorable as movies come. 4/10.

ktmphd How could anyone say the characters were shallow in this movie? If the characters had any more depth, the viewer would drown in the emotions being displayed.This film is the only one I have ever given a 10 to. It is filled with sturm and drang. There is more angst than one could imagine. The characters are drowning in their own stress and dysfunctionality. One reviewer said that Mastrontonio was shrill. She was not, but her character was and justifiably so. Can anyone view the argument (fight) between her and Bobby (Sizemore) and not feel how overwhelmed she is and how much she feels betrayed?Everyone associated with this film has risen to the occasion and gives the performance of a lifetime. Kudos to the Director, Richard Pearce for so artfully staging the brilliant script written by Daniel Therriault. And, as for the actors, each performs brilliantly. Applause to Whitaker, Sadler, Shawn Hatosy (the son) and Skye McCole Bartusick (the daughter). In fact, as a psychologist, I wonder if Skye was slightly traumatized after the role was over, having to portray a 5 year old who has lost her ability to rely on the world and her family. She is fear personified.Special hats off to Mastrontonio for a superb performance as the wife who stands by her man until he breaks the last straw.Finally, what can be said about Sizemore's performance except it is MASTERFUL! His Bobby Bats makes Gandolfini's Tony Soprano look like an altar boy. Are he and Gandolfini secret twins, as it is hard now to look at one and not think of the other? The breadth of emotion portrayed by Sizemore show that here is a talent to notice. I thought he was good in The Florentine (see it), but this is superior by tenfold.This is a giant of a film. Were it a commercially produced product versus one by HBO, I suspect it would have led to nominations for Best Actor and Actress, Best Suppporting Actor, Best Writer, Best Director and Best Film, that's how good this film is.