Listonixio
Fresh and Exciting
Beanbioca
As Good As It Gets
Plustown
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Staci Frederick
Blistering performances.
Sjohnnieenanita
Poor acting. No emotion in any of the characters. Not a single Irish feeling apart from the opening and ending score.I zoned out after about 30 Min's left it playing on the background in the hope i might find something that i can agree with like many people on IMDb said.But alas there was nothing noteworthy or even mildly memorable about this poorly performed flick. So if you are really really bored and are contemplating on watching this movie just to kill some time then my answer to you is go and clean the toilet or wash your car hell wash anybodies car or toilet just don't watch this. What ever you do.
madinpursuit
The movie is well done and the acting stellar. But it is burdened with a hackneyed plot: talented kid seeks to escape the stranglehold of his low-life culture, but family loyalties are ties not easily broken. This version takes us into the clutches of 1975 Irish-Americans, living their dreary lives in Brooklyn. The talented misfit is an artist with a drunken father, a weak mother, and a gang-banger older brother. The only question for the audience is whether it will end in despair or with a little Hollywood high-five.Yes, the plot is a universal one: you love your family, but you need to escape it and find your own way... A coming-of-age story. This one bothered me because the mother Margaret (Karen Allen) was such a beat- down martyr. Bad enough that the father (Stephen Lang) was the worst kind of put-your-dukes-up cliché of an Irish drunk. But the movie didn't live up to the flip side of the stereotype: the Irish woman who takes charge and who goes all out on behalf of her sons... or at least screams good and loud about it.In the end I just wound up being mad at the whole lot of them.
jackie-135-447584
The film stars Nick Thurston as the wantabe painter. He lives with his mother Margaret (Karen Allen) and father Paddy (Stephen Lang) and practices his art in the basement beneath their apartment, keeping it a secret from everyone but his big brother Danny (Geoff Wigdor). Danny has always taken the beatings of their abusive alcoholic father while Paddy has never laid a hand on Nick. Nick tries to stay away from Danny's criminal plans but he also doesn't want to end up like his soon to be blue-collar friends or his buddy Todd (Zachary Booth), who took a college scholarship (which was unheard of in his neighborhood). He works for a local theater helping the owner, Whitey (Peter Riegert), book local bands. When Whitey books the Rolling Stones for a one hour gig on their way through town it seems like the theater's income problems could be over. Then Brian feels influenced into helping Danny rob the show's loot. He has to deal with tough family love, deciding what he wants to do with his life as well as a possible romance with an old high school crush (Leslie Murphy).
tjbg
This is such an incredible piece of work. A friend of mine had seen it and recommended it to me, and I'm so glad I got the opportunity to see it. This indie has it all: excellent writing, captivating cinematography, and an incredibly talented cast. It was so refreshing to see new talent like Nick Thurston work so incredibly well with the veterans of the cast. Stephen Lang, Karen Allen, and Geoff Wigdor also have captivating performances, but newcomer Thurston really stole the show for me. The story line beautifully carries the weight of alcoholism and the conflict of staying loyal to family while also trying to find your own way. Like any good film, White Irish Drinkers carries the viewer through a multitude of emotions, and they're left with a powerful presentation. You can really feel the director's passion for the story, and the characters' authenticity pulls in any audience. This isn't one to miss.