Karry Best movie of this year hands down!

BootDigest Such a frustrating disappointment

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

JohnHowardReid The Mystery of the Leaping Fish (1916) presents Douglas Fairbanks in a character role as a dope-drilled detective. Despite this two-reeler's reputation as a cult classic, I found its humor laborious rather than witty, its direction ponderous and its players wasted. Fortunately, the main feature on this Grapevine disc is the superbly entertaining "When the Clouds Roll By" (1919) directed with pace and style by former ace cameraman, Victor Fleming (this seems to be his first credited film as a director - at least in studio publicity), and very charismatically acted by zesty Fairbanks, heroine Kathleen Clifford, shifty Frank Campeau and villainous Herbert Grimwood. The story is highly original. Despite its clever interweaving of comedy, drama and weird special effects, it has never been re-made (or even hinted at). In fact, this movie is a real treat and it's available with "The Mystery of the Leaping Fish" on an 8/10 Grapevine DVD!

wes-connors As our story opens, otherwise normal New York gadabout Douglas Fairbanks (as Daniel Boone Brown) has been unknowingly the "guinea pig" in a bizarre experiment. For three months, Mr. Fairbanks has been secretly the subject of possibly mad scientist Herbert Grimwood (as Ulrich Metz). "The power of suggestion can destroy both mind and body," Dr. Metz explains, "But first I weaken the power of resistance in my subject by implanting psychic germs of fear, worry, superstition and kindred annoyances." Fairbanks has become superstitious and frantic, but maintains his good nature..."When the Clouds Roll By" was a United Artists showcase for its box office star. The plot collapses as episodes lead to a revelation that doesn't exactly fit the (doctor's) introduction; we have been led astray. However, it doesn't matter if you take the story as a surreal fantasy from the opening credits. Also involved are Fairbanks' courtship of conveniently placed Kathleen Clifford (as Lucette "Lucy" Bancroft), plus business intrigue involving his uncle Ralph Lewis (as Curtis Brown) and oily rival Frank Campeau (as Mark Drake). Somehow, Fairbanks and Victor Fleming fit it all together.******** When the Clouds Roll By (12/28/19) Victor Fleming ~ Douglas Fairbanks, Kathleen Clifford, Frank Campeau, Herbert Grimwood

wmorrow59 It's a mystery why this delightful silent feature isn't better known and more widely appreciated. I've seen several of the comedies Douglas Fairbanks made prior to his switchover to swashbucklers and they're all great fun, but for my money When the Clouds Roll By is the best of the lot: it's funny, fast-paced, action-packed and highly original. To call it "original" is quite an understatement; this movie is absolutely off the wall and constantly surprising, even for buffs. The plot is convoluted enough to keep you guessing, and just when you think you know what's going to happen next, the filmmakers throw you another curve-ball. Speaking of originality, it's worth pointing out that a number of gags and bits of business found here were borrowed by others and used again in later years, so while this movie proved to be a rich source of inspiration for Fairbanks' colleagues who saw it in 1919, the source material itself seems to have been largely forgotten.Much of the comedy derives from the screenplay's satirical jabs at the still new field of psychology. Doug plays a good-natured young man who is harshly victimized by a sinister psychologist named Metz, who lives nearby. Why the doctor has chosen to treat Doug worse than Pavlov's dog isn't explained until late in the story (and I won't reveal it here), but let it suffice to say that Doug is subjected to a distressing series of "Gaslight"-style mental manipulations intended to convince him that he's losing his mind. The evil Dr. Metz even contrives to invade the world of Doug's dreams by controlling his diet, and the ensuing nightmare is a surreal cinematic highlight, combining such techniques as slow motion, double-exposure, and the very same "wall-walking" stunt Fred Astaire would employ in Royal Wedding in 1951, performed more elaborately in this early rendition. The dream sequence begins inside Doug's body, where we witness a battle between the foodstuffs he's been eating at Metz' behest: an onion, a lobster, Welsh rarebit, a slice of mince pie, etc., each represented by actors dressed in the appropriate costume. They duke it out on a "stomach" stage set, an effect that is both bizarre and hilarious, and a throwback to the early cinematic style of Edwin S. Porter's Dream of a Rarebit Fiend, or the trick films of Georges Méliès. We're reminded of early cinema again later when our hero reaches a crisis and thinks he's finally lost his mind for real; the title card tells us that Doug's Reason is Tottering on Her Throne and his Sense of Humor has been defeated, while his mind is being assailed by Worry and Despair. This struggle is then enacted before our eyes by performers representing these traits, like some kind of Medieval morality pageant.These quirky comic sequences are a real highlight, but meanwhile there's an earthbound plot involving Doug's relationship with a girl, his conflict with the girl's former suitor (a vulgar crook), and a scheme by the crook to defraud the girl's father. This story-line is more conventional, but greatly boosted by the surrounding craziness and further enhanced by a series of genuinely funny title cards that maintain just the right level of breezy insouciance. There's also a cute series of running gags concerning superstitions that both Doug and the girl believe in, not only still-familiar beliefs involving black cats, ladders, and the number 13, but also more obscure notions involving dropped knives and opal rings. The plot culminates in an impressive storm sequence combining miniature sets with large-scale action, all of which may remind buffs of the finale of Buster Keaton's classic Steamboat Bill, Jr. of 1928. Buster didn't use miniatures, but it looks like he and his crew might have borrowed a gag or two from Doug!I was fortunate enough to see this film at a recent public screening at the Museum of the City of New York. There was much laughter throughout, and afterward a lot of people were saying "Why haven't I heard of this movie before?" Clearly, this is a silent comedy that deserves to be better known, a movie that cries out for full restoration, more public screenings, broadcasts on TCM and a DVD release.P.S. December 2008: I'm pleased to add that this film is now available in the newly released Fairbanks DVD box set. Many thanks to the folks responsible!

Kieran Kenney Some spoilers herein.Yes, it's true, this is one of the weirdest movies ever put before acamera. Let's see, it starts with a maniacal doctor informing hisstudents that he is going to kill a man in the interest of science.Then we meet his intended victim, the dashing but horriblysuperstitious and paranoid Douglas Fairbanks, who eats fordinner onion, lobster and mince meat pie, only to have thesedishes dance about in his stomach, causing a stomach ache.Doug then goes to bed and has a strange dream where he ischased by the same food he just ate. During the dream, hefore-runs Fred Astair's antics in Royal Wedding by walking up awall and then across a ceiling, and quite convincingly.So, from there, the craziness only increases. Doug leaps overdining tables, hangs from cross-beams by his feet, climbs up theside of his apartment building because a black cat crosses hispath and ends up impersonating an insane asylum official.There's a huge deal made about an opal ring, a pretty blonde, aclimactic flood and did we mention that it's a musical? Well, it'snot actually a musical. But it does have everything else. And it'shard to find, too. Go look for it.