CommentsXp Best movie ever!

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

pinchton-32695 I saw this drama a couple of years ago now on YouTube... alas it has disappeared. What a wonderful story of the growing friendship and later love between two gentleman in the later years of their life. With all the rubbish that is put out on DVD though the question has to be asked why this excellent drama has never been released on DVD.

fnorful The introduction and initial development of the two main characters is very well done.We first see Ray with his mates at the local pub when they all rush out in order to rumble with a visiting rival soccer club's fans. Although Ray and one of his older friends are winded even getting to the fight, they manage to pummel well enough and add one more row to reminisce about from their good old days of brawling. We find that Ray owns and drives a cab, is widowed, has two grown children and keeps his old home. Despite being widowed for 8 years he can't bear to change anything that relates to his departed wife.We next see Jim at the school he attended as a boy and from where he is now retiring as a master. The story of "Beaky" (so nicknamed because of his prominent nose) unrolls as the cab called to take him to the airport (driven by Ray) is instead directed to a clinic where the nose is made less prominent. Jim's forgotten safari jacket and personal notebook left in the car provide the start of the relationship as Ray returns the items and is also where we find that Jim wants to: 1. fall in love, and 2. see the world.The relationship and the story develop so very well, so comfortably, so believably, so tastefully. The acting here is superb and the screenplay solid. Supporting characters are realistic, consistent and help move the solid plot along. Motivations are shown, difficulties are encountered, decisions are made.An elegant and lovely story of two older men finding new lives for themselves make this a rare movie and a highly enjoyable one.

juho69 I watched 'When I'm 64' out of curiosity. I was attracted by the preview of this drama about the friendship of two older men. As I was not certain if I would be in that evening, I recorded it. I am so glad that I did!London taxi driver Ray (Paul Freeman) is in his middle sixties and a widower. He has two grown-up children and grandchildren but grieves deeply still for his wife. One day, he is called out to a private school to collect newly-retired bachelor school master Jim Bryant (Alun Armstrong). The two men's lives are destined to change for ever.At first sight, they seem to have little in common. Ray is a former football hooligan, tattooed, with a London accent who spends his free time down the pub with his mates. Jim is a well-spoken, well-educated public school teacher who collects stamps. Gradually, however, as their friendship grows, they find life opening up windows of opportunity for them in ways they never could have imagined. The story is structured well as it charts the development of Ray and Jim's relationship from professional to something closer. The rounded characterisations of the two leads, coupled with the appearance of their families and friends, reveal to the watcher what has made the two men how they are, who and what has brought them to this stage in their lives. Good use of settings helps convey the contrasting lifestyles of the characters.Paul Freeman and Alun Armstrong are excellent as the two leads. It is difficult not to think of Paul Freeman as the villainous French archaeologist in 'Raiders Of The Lost Ark' - but, it is credit to his skills as an actor that he is as believable (and much more likable) as the very different London cabbie Ray. Alun Armstrong, often in authoritative roles, is convincing and sympathetic as Jim, the somewhat stereotypical English public school master who is yet so desirous of breaking away from the life he has known after he retires. Thanks to the chance meeting with Ray, he is able to fulfil his ambitions to "see the world and fall in love".Strong performances are given also by the supporting actors and actresses. Special mention should be made of Ray's friend Billy (Karl Johnson) who adds a touch of black humour to the story. (Trivia point: Karl Johnson was one of the musicians on 'Rainbow' in its very early days).Perhaps I should mention that, although fairly conservative by nature, I did not think the scene upstairs was offensive; rather, I found it innocent and touching. Whatever may have happened, however, the most important aspect of the relationship is their friendship. Jim and Ray were two lonely men who would have probably remained so had they not found each other. At the end, I was on the edge of my seat, willing the story to end the way it did and I was so pleased with the outcome.'When I'm 64' is an unconventional but touching story with its theme of 'it's never too late'. All the threads of the story are brought together effectively and carefully whilst its potentially controversial scenes are handled with sensitivity. I find it hard not to like Jim and Ray nor to wish them the best of luck. It deserves to be called a classic.

wood_bee This is quite simply the best single drama the BBC have delivered in years. Just when you thought they were dumbing-down and wasting the licence fee on makeover shows, they hit you with this beautifully observed and painstakingly constructed story of love in later life which gives clichés a wide berth and delivers honest and believable characters coping with the kind of situation that, frankly, just does not get enough exposure in the media.Downtrodden Jim, reaching the end of his usefulness in the teaching profession, wants to experience 'life' before he dies. Unfortunately he's saddled with looking after his elderly father and it begins to look as if he's going to be exchanging one form of stultifying prison existence for another. Then into his life comes Ray, taxi driver and ex-football hooligan, who is serving his own life sentence, enslaved by a family who neither appreciate him nor have any sympathy with his ongoing grief for his dead wife.The two men are opposites in almost every respect, but as they each begin to resolve their personal dilemmas and come to terms with homosexual longings they have suppressed for decades the viewer is on the edge of his or her seat willing them to succeed. By the time they reach the bedroom their tender clumsiness together has been so well established that no graphic details are necessary; we know they'll muddle through somehow.Alun Armstrong is an actor of great depth and integrity and any project bearing his name is always going to be worth watching, but he's a revelation here; his sensitive and understated performance never once strays in the direction of camp parody. Paul Freeman, on the other hand, was a real surprise; not being familiar with his other work I had no idea what to expect but he made Ray a whole person, a man who at last found himself open to the adventure of falling in love. Nor was there a single member of the supporting cast who hit a wrong note anywhere, and the direction and production design were disciplined and - for want of a better word - sane. The whole tone of the play was matter-of-fact and sympathetic; "Hey, guess what, men *do* sometimes fall in love with each other." It may not always be tidy or convenient, but then nor is any *other* aspect of life.Thank you, cast, crew, writer, commissioning editor and everyone else who had the foresight to be involved in this - but most of all, Mr Armstrong and Mr Freeman, thank you for making me believe.