Stellead Don't listen to the Hype. It's awful

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

morrison-dylan-fan Sharing details on a number of titles from 1968 I've recently seen,I started talking to a former IMDber about movies from the year,and ended up getting a list of their top films from 1968. With the superb adaptation of And Then There Were None being the only Soviet Union film I've seen,I decided to not wait for Monday to view my second movie from the Union.The plot:Becoming one of the most respected teachers at the school, Ilya Semyonovich Melnikov becomes sick of lies going round that he is having a secret romance with fellow teacher Natalya Sergeevna Gorelova-who used to be a student of his. Going to the head teacher, Melnikov gives his notice in,and declares that he is working his final week. For his final lesson,Melnikov asks the students to write an essay on how they understand happiness,and gets some surprising answers.View on the film:Attempting to ignore the whispers linking her with Melnikov, Irina Pechernikova gives an immaculate performance as Gorelova,who faces disruption from her class and fellow teachers,but is given a head- strong, determined attitude by Pechernikova. Handing in his notice to the head teacher, Vyacheslav Tikhonov gives an incredibly brittle performance as Melnikov,which strikes in snappy dialogue exchanges,that Tikhonov cleverly gets to break into shock,on Melnikov's final school day.Joining the students and the teachers in class, the screenplay by Georgi Polonsky superbly grinds intimate personal lessons,where one misplaced sentence from a student can set off an abrasive chain reaction from Melnikov. Offering glimpses into Melnikov's humble home life, Polonsky invests everything Melnikov has into the school, as the final lesson of Melnikov is given a heavy dramatic weight. Appearing to have been filmed at a real school, director Stanislav Rostotskiy & cinematographer Vyacheslav Shumskiy close in on Melnikov in sharp- edged close-ups,as the lesson ends.