Console best movie i've ever seen.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Edison Witt The first must-see film of the year.

Mandeep Tyson The acting in this movie is really good.

Matt Wall It's difficult to know what to say about this well-made, honest, and truly documentary film.On the one hand, as a fan of the band I'm grateful to have such a nice retelling of their story, crisply paced, and full of details I'd never heard.On the other hand, I found myself at the end of it rather sad and swimming in nostalgia, and there's something so creepily unpunkrock about that, I'm not sure the basic message of keep-on-moving, do-it-yourself came out in the end.I suspect that's a distinction between the perspective of the filmmakers, who came upon their subject matter after D. Boon's death and the split-up of the group, versus my own perspective, as a contemporary fan of the group (the number of familiar faces appearing on screen was astonishing.) As such, I also suspect the reaction of the viewer will be quite different depending on whether you were there or whether this is increasingly ancient history.Here's what stands out: -- this is an extremely honest and true-to-the-spirit-of-the-group film in its DVD release format (the one most of us will see, given the lack of major theatrical distribution). The filmmakers have crammed two disks with tons of extras: the documentary film itself and another 20 or so outtakes that didn't really fit into the narrative structure, but virtually all of which are amusing or edifying by themselves; three music videos the band and its friends put together, each with their own amusing moments ("This Ain't No Picnic" had me laughing aloud); an unedited interview with the band from 1984; and on disc 2, three more or less complete performances by the band, one from 1980 that shows the band at its coalescent moment and fresh on the scene, one from a college gig in 1984 that shows the band at it mature and bouncy best, and a sort of Minutemen-unplugged all-acoustic set performed for a cable access channel late in the band's existence. It's a great bargain for fans, and while I'd point newcomers to the still-in-print recordings first, this is a fantastic way of completing the band's catalog.As a standalone documentary, it certainly tells the story well enough in a conventional narrative that it stands as history.-- the band's uniqueness among punk bands stands out with the distance of time, and at the heart of what the Minutemen were is this strangely undying question of what it meant (or means) to be 'punk'. The band challenged authority constantly in the sense they had no training but what they provided to themselves, didn't care about popular notions of success, and had a sound that defied even the conventions of punk: jazzy, funky, explosive, melodic and abrupt all at the same time. But it's important to note, as the film makes evident, the Minutemen defied most of the emerging genre conventions of stereotyped punk. They didn't look like "punks", they didn't sound like the Ramones, they had an awareness of the world around them that went beyond the self-indulgent bemoaning of the here and now. Just when you were up and thrashing this song was over. The Minutemen stood out because they were constructive; nihilists neither in spirit nor deed.-- what I did find frustrating about the film, though, was it never quite closed on the question of how the Minutemen truly got from playing "Smoke on the Water" to penning "Double Nickels on a Dime". We get a sort of catalog answer, in that D. and Mike Watt grew up together and were very simpatico, but is that all there is to the story? There are hints everywhere, but ultimately the interviewees seemed a bit too close to the band to add enough perspective on this question. Of course, this is often the big mystery in music, from Jimi Hendrix to Mozart, where does that extra touch of genius come from? It may be unfair of me to expect an answer in 'We Jam Econo'.-- Context or lack thereof: the film is a bit of a hagiography - there's not a lot of discussion about the band's warts or occasional lack of selectivity in its recorded output, and the negativisms of the scene are dealt with somewhat obliquely (mainly focussing on the gobbing second-wave punk wannabes and thrashers). It's probably that there just wasn't enough time to come out with a fast-paced informative film and deal with more of the complexities of context that shaped the band. It's one thing to note three relatively untutored guys in a working class / military town railing against the creative and political repression of Reagan's America, but with twenty years between the film and the demise of the band, we might be able to start explaining to future generations just what it was like to live under the cloud of nuclear annihilation while living on government cheese. As such, this ended up playing more like a fan's document than broader history. Nothing wrong with that, mind you; it's just there's another movie to be made sometime.-- I also wish there had been a little more attention paid in a way to George Hurley's role in the band. He co-wrote a lot of the songs, and while due credit is given to his incredibly technical, creative drumming, there's little about George's background relative to the details about the relationship between D. and Mike. The drummer makes the band.I do warmly and highly recommend this movie to anybody with an interest not just in the Minutemen per se but pop music history in general. They were paradoxically sui generis while epitomizing the way bands lived, worked, and died back in the day. This is a primary document in that sense.

geneven I was at the premiere too, and was surprised at how undated the music was. I saw the Minutemen a number of times (best was on the boat in San Pedro harbor, with the Meat Puppets) and this film captures their essence surprisingly well. D. Boone, where are you when we need you! I'm here on the Internet trying to find a place to buy a copy of this excellent film. The music is aggressive and lively and always interesting. The film mainly consists of interviews about the Minutemen coupled with amazing live performances; my friend Andrea Enthal pointed out that they got such excellent renditions of Minutemen songs by combining many live performances to get excellent delivery and sound quality of almost every line. The spirit of the Minutemen lives on.

devojane-2 I saw this picture at its world premiere in San Pedro at the historic Warner Grand Theatre on Feb. 25. The place was packed with Minutemen fans, (1500 seats, and it sold out!) and everyone was waiting to see if the filmmakers had done the band justice. We had nothing to worry about, because this is an awesome documentary! The selection of interviewees, the great archival performance and band interview footage, and editing which contributed to a coherent chronological storyline all came together to make this a definitely superior doc! If you don't know that the Minutemen were one of the greatest bands ever, you should see this film and be converted!

megasquid I just attended the premier for this last night at San Pedro's historic Warner Grand Theatre, and man - what a beautiful film. I know that "time sensitive references" are not smiled upon by our IMDb benefactors, but I believe that in this case it is entirely appropriate to put the film in context in this way. A documentary is, by definition, a time sensitive thing - and this one intentionally so as it's release marks the twenty year anniversary of D. Boon's passing. What I experienced last night at the premier is, I think, an integral part of what this film is all about: celebrating the life, and mourning the loss of this tremendous artist. I first heard the Minutemen in 1985, just months before D. Boon's tragic and untimely death, and so for me, as well as for so many others younger than myself, my love affair with this band has been one of grieving from the very beginning - a grieving which, for Angelenos like myself, is a deeply personal and palpable thing, and one from which it seems we have never fully recovered. ---Until last night. The opening of this movie was like the memorial service for D. Boon that most of us never had. All of LA's punk rock luminaries were in attendance (and in the film!), along with as many of her fans and enthusiasts as the theater could hold, and the feeling was one of - at last - a proper, collective acknowledgment of the contribution made by the Minutemen to punk rock, to DIY, to music period, to each of us; an exhale, if you will, followed by a whoot and a raised fist. The audience cheered and hollered as each of their friends and idols graced the screen to share the myriad ways in which this band touched and transformed their lives, booed at the villains, wept openly at the final goodbye's to D... and this is, I think, what this movie ultimately is: finally, after twenty years, a "time sensitive reference" of the greatness and importance of this band - something which everyone over here knows down in their soul, but which now can be shared with the rest of world with the same level of intimacy - in Mike Watt's own words as he drive's his van around Pedro, in the amazing and extensive live footage of the band, in the very spirit of celebration with which the film was made.So, see this movie, buy a copy, share it with your friends - then go form a band, make a record, make a movie, start your own label or production company or zine ---or just go drink and pogo! RIP, D. We love and miss you.