Hellen I like the storyline of this show,it attract me so much

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

Serkan Cakarer I saw this film some years ago. Then i saw it again. In one part there is a sentence which describes the film most: "we thought we can change the world, but now i can see the world changed us"The scene where guest appearing of Fellini and Mastroanni during the shooting of La Dolce Vita, creates a memorable part in the film. At the end of this scene a police officer wants to meet with Fellini personally to say him hello. But he confuses and says to Fellini "Glad to meet you Mr. Rosselini" Funny.At the end of the film, you get the feeling of the golden era of cinema where filmmakers, actors everybody is very special, very much in daily life, theaters are full of people etc. Which absolutely is not the case anymore..."C'eravamo Tanti Amati" is a must to see to understand the elements of Ettore Scola films.

futures-1 "We All Loved Each Other So Much" (Italian, 1974): A film by Ettore Scola. We follow three men-friends through 30 years - weaving in and out of each others their lives, alone or in various combinations, with one particular woman. They met as "brothers in war" during the Italian Resistance of WWII. With eventual peace, each traveled their own paths, crossing and remeeting every so often. The b/w photography is beautiful, the scoring perhaps a little heavy-handed (but considering the time – 1974 – downright subtle), the period "looks" seems accurate enough, and the acting by all involved is good. I enjoyed some of the film's devices, such as all the actors freezing in position and the one "in thought" getting a spotlight, the occasional near-repeat of a scene/incident, the actors sometimes speaking directly to you, and other breaks with the "reality" of a film. No doubt Woody Allen saw this work before his making "Annie Hall". You might also think of this film as a more somber, sophisticated version of "The Big Chill" with fewer main characters and more internal assessment.

Gerald A. DeLuca Director Ettore Scola weaves a sensitive comedy-drama about the friendship of three men and the one woman each has loved. The men meet each other near the end of the Nazi occupation of Italy. As the next thirty years pass they remain friends although their lives take very different paths and become tinged with sadness and regret. The woman who pops in and out of their lives is Luciana (Stefania Sandrelli), an aspiring actress whose career peaks when she is cast as an extra in a Fellini movie. The three perennial friends are played by Vittorio Gassman, Nino Manfredi and Stefano Satta Flores. Veteran actor Aldo Fabrizi (the priest in OPEN CITY) does a remarkable turn as a powerful industrialist who is as grotesquely unlikeable as he is grotesquely corpulent. Film buffs will enjoy the way Scola has cleverly included footage of DeSica's THE BICYCLE THIEF along with scenes of De Sica explicating that famous movie of his. They will also enjoy a funny re-creation of the filming of the Trevi fountain scene from LA DOLCE VITA, complete with Marcello Mastroianni and Federico Fellini. This is a very beautiful film about how individuals and society change over the years while friendship, "amicizia", remains an enduring value.

André-7 Scenes just jump out at you. The three friends going down the steps as one of them describes Eisenstein's Battleship Potemkin and another breaks down and cries. The fantastic re-enactment of Felini's most famous scene. The game show in which the nerdy film teacher gets a film-related answer wrong on a technicality (shades of John Turturo in Quiz Show). The three friends looking over a fence in a freeze frame at the end... Their expression stuck in one final disapointment.