AniInterview Sorry, this movie sucks

CommentsXp Best movie ever!

CrawlerChunky In truth, there is barely enough story here to make a film.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Scott LeBrun This is essentially a rock 'n' roll fable set in a sci-fi environment, as the title band vies for fame and fortune. A gig on a distant planet could be their ticket to the big time, but first they have to get there. Next, they have to learn to start getting along. Judy (Dru-Anne Perry) is brought in to replace the original singer, and Judy has to struggle to be accepted. The balance of director Albert Pyuns' script deals with the girls' being marooned on a desert planet after a near accident in space.The problem for this viewer was that there really wasn't a strong enough story, or characterization, to latch onto and draw him into the movie. The movie is a curio, to be sure, but for too much of the running time, things are rather dull. Most of the gals in the band are interchangeable, although they are indeed a good looking bunch (gotta love that huge 80s hair!). Perry does her best to create a somewhat engaging character. The best value in "Vicious Lips" comes from the look of the movie, with appropriately trashy and colourful production and costume design. The songs are certainly catchy. There are some fun makeup effects courtesy of Greg Cannom, and John Carl Buechler and his team, and one major creature role, "Milo", played by Christian Andrews. Milo creeps on board the ladies' spaceship and sneaks around, but it takes too long for him to actually interact with any of them. The names of these people are fun; lovely Pyun regular Linda Kerridge ("Fade to Black") plays a band member named "Wynzi Krodo". Mary- Anne Graves seems to be having a good time as rock promoter Maxine Mortogo, but Anthony Kentz is simply annoying as Vicious Lips manager Matty Asher.A late-in-the-game plot twist is groan inducing, but the resolution creates some good vibes as Vicious Lips rock the joint with a ditty dubbed "Lunar Madness".Five out of 10.

Woodyanders Shot in a hypnotically funky-punky neon 80's New Wave style (y'know, loads of bright lighting and smoke swirling in the corners of the frame throughout), with a bouncy'n'catchy soundtrack, a cool and colorful array of bizarre extraterrestrial creatures, a quirky sensibility, and amusing touches of flaky humor, writer/director Albert Pyon's offbeat tale of an all-female rock group from outer space who aspire to make it big starts out well enough, but alas runs out of gas at the halfway point and stalls prior to kicking back into energetic first gear for a lively climactic musical number. The key problem is that the weak and meandering narrative seriously lacks the necessary cohesion to come together as a satisfying whole, which ensures that this picture never completely realizes the full potential of its inspired and promising central premise. The erratic stop'n'go pacing counts as another major flaw. Fortunately, the zesty acting by the enthusiastic cast keeps the film watchable: Linda Kerridge as the vain Wynzi Krodo, Gina Calabrese as the sweet Bree Syn, Dru-Anne Perry as spunky goody goody two shoes Judy Jetson, Shayne Farris as the snippy Mandoza, Anthony Kentz as smarmy hustler manager Matty Asher, and Mary-Anne Graves as bitchy rock promoter Maxine Mortogo. Moreover, the gaudy make-up and humongous hairdos give this honey a gnarly 80's period charm while the rather primitive (not so) special effects are a hilariously hokey sight to behold. An acceptable outré diversion.

Brian Bell I am a big Albert Pyun fan (The Sword and the Sorcerer and Cyborg being my favorites), I will watch anything he does. I just came across Vicious Lips on Netflix, and remembered thinking (as a kid) that this movie was a lot of fun. So I just watched it for the first time in probably 20 years. It's fun, if for nothing else, for the 80's big hair and synth music. The premise is simple (and never gets any more interesting), an intergalactic all girls band (in total 80's big hair style) gets a chance for their big break, if they can make it to a club on another planet in time... Yup, that's the plot! So the girls board a space ship carrying a caged monster (don't get excited, it's not at all as cool as it sounds) and head off to there gig...I remembered this movie being really funny and having lots of T & A, neither is true. I'd classify it as cute (not funny) and it has next to no nudity (except a brief scene with two beautiful ladies on the sand planet). And the caged "monster" is more of Lon Chaney Jr Wolfman than a monster. The all girl band is fun, with all the girls being fun and believable as and 80's hair band. One of the biggest problems is there are only a couple locations in the movie, and it restricts the story immensely (even for a Pyun film!). Once the girls are on their way (about 30 minutes into the film), the ship crash lands on a desert planet, and the rest of the movie takes place here. The films lack of budget shows, and didn't even try to look like it had one. If you are an Albert Pyun fan, check it out, its definitely worth a watch. If you like bad sci- fi or bad 80's movies, give it a try. All others should probably stay away...

Azundris "Vicious Lips" is set in the far future, where a band finally gets the opportunity for That Breakthrough Gig -- if they can make it to an "in" club on another planet in time...Given that the plot features no major twists, turns or surprises, given that the set is extremely trashy, the number of locations limited and the choice of them not overly inspired, Vicious Lips seems like a longish episode of the original Star Trek sans the familiarity with the characters we all know and love -- so whatever persuaded me to rate it "excellent"?I'm a sucker for Big Hair, and The Music of the Eighties, both of which the movie has plenty of, since the all-girl band's guitar-and-synth sound is vaguely reminiscent of the early Kim Wilde's, if both "rockier" and catchier (and a lot like that of "Radioactive Dreams", another Albert Pyun-movie of that era with a more coherent plot, but no big hair). Last but not least, the general air of ultra-trash somehow utterly fails to be annoying, lending a certain charm to the movie instead, soon turning the initial impression ("Hey, I could do that!") into a burning desire to phone up all your friends:"Let's make a movie!"