Vatel

2000 "Some men are too noble to live among aristocracy."
6.6| 2h5m| NA| en| More Info
Released: 01 May 2000 Released
Producted By: Canal+
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Budget: 0
Revenue: 0
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In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king's newest mistress. In Vatel, she finds someone who's authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?

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Director

Roland Joffé

Production Companies

Canal+

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Vatel Audience Reviews

Hottoceame The Age of Commercialism
Cathardincu Surprisingly incoherent and boring
VeteranLight I don't have all the words right now but this film is a work of art.
MoPoshy Absolutely brilliant
Gibbers Siemon If you enjoy historic/period films, this is one to see. There is a weak link - Ms. Thurman- but her performance does not ruin the whole. I confidently proclaim all other performances top notch, from the "Sun King" to the title character, to the vast staff in the kitchen of the Prince de Conde's estate in the countryside. Excellent! Transporting! The effort and attention in production is exemplary and never gets in the way of the mood of the movie and the viewer being sucked in. It is an an example to try to match. "Vatel" is a convincing travel back in time to the opulence, ridiculous behavior and systems in the royal court of 17th C. France. The viewer really feels like a fly on the wall, observing the behaviors, politics, seductions, binding and imprisoning codes of conduct and misconduct that were easily paraded by the royal court. I enjoy this film to this day despite a couple dozen viewings.
Gordon-11 This film is about a servant of noble values having to prepare an extravagant feast for the King's visit.Vatel understandably focuses on one single character, Francois Vatel. To me, everything else in the film seems to be subplots or minor characters. Much time is spent on portraying Vatel as a hardworking, bright and noble person. He even knows his subordinates' life history by heart! Vatel's noble virtues contrasts with the corrupted mortals of high social status. The film's dark theme is sometimes overshadowed by the merry atmosphere of the feast. The extravagant sets and amazing costumes are very dazzling. The film is worth the watch just to see the feast scene!
jglass1 The film's production value is in league with the best sci-fi films; yet it was a legit piece about European Court in the 17th Century and the impact of the monarchical system of government on love, money, culture and politics. If you've ever experienced an unrequited or forbidden (not illicit) love, you'll empathize with the plight of François Vatel, played by Gérard Depardieu, whose performance is characteristically excellent. The movie's historical elements offer a surprising look at the available technology, even if the applications were anticipated. The love story is not original (stations interfere with true, but conflicted, love), but the context and visual surroundings -- and the fact that it is historically based -- add an unexpected dimension to the viewing, which is best appreciated on a large screen.
dbdumonteil This is a movie made for His Majesty Gérard Depardieu,with an absurd supporting cast and lots and lots of wasted money. Depardieu is everywhere in the movie and reduces the others characters to walk-ons.Roland Joffé films everything he can,and tries to impress the audience with fireworks,audacious camera tricks,Fellini-inspired settings but he does not create anything.The Sun King is featured but he pales into insignificance ,which is a shame all the same!His brother is first shown as a wicked perverse man (in the French tradition:for that matter,take a look at the "Angélique "series)when the historians describe him as an admittedly gay man but a human being who was courageous,generous with the vanquished at war,and finally gentle(see "Monsieur,frère du roi" by Philippe Erlanger).At least his last line shows his real nature but it's too little too late.But the biggest bomb is Tim Roth's Lauzun!The duc de Lauzun was a Gascon ,who was always cracking jokes ,a bon vivant,fond of women ,so insolent that he was finally sent to the Pignerol jail where he met again Vatel's former master,Nicolas Fouquet -the movie briefly hints at him-.Tim Roth's sullen face is by no means duc de Lauzun,this joker who would marry the king 's cousin ,la grande Mademoiselle,a spinster,for her dough:oddly this colorful dowager does not appear at all.Montespan,La Vallière do,but they do walk-on parts.(Only one line each:Montespan:"I'm coming up" Vallière:'I'm coming down",the only touch of humor in the whole movie) Queen Marie-Therèse is not well portrayed either:she was rather ugly,gauche and self-effacing.Here she seems to outshine Montespan,which is rather odd!