Perry Kate
Very very predictable, including the post credit scene !!!
Stometer
Save your money for something good and enjoyable
MusicChat
It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Fairaher
The film makes a home in your brain and the only cure is to see it again.
Platypuschow
What do you get when you take movie studios from the Czech Republic, Switzerland, United Kingdom & United States and have them unite in making a spy movie starring industry legends such as Michael Douglas and John Malkovich? You have Unlocked.Now what I just described to you should be a sign of something great, all that plus Noomi Rapace, Toni Collette and Orlando Bloom?! How could it possibly go wrong?Well it does, not horribly but pretty poorly all the same. Action, espionage, twists and turns and a whole lot of recycling from other films. James Bond this is not, in fact Johnny English it's not either!The film certainly has it's moments but considerably too few. It feels rushed, it doesn't utilize its great cast and nothing feels even remotely original.One for junkies for the genre.The Good:Malkovich and ColletteThe Bad:Could have used an additional 30 minutes at leastRecycledThings I Learnt From This Movie:After Daisy Diamond I simply can't see Noomi Rapace the same way!Toni Collette plays a badass really well
samgreer-694-680740
Do these gentile actors really not know they are used like rags in these zionist fake Jew productions? Apparently audiences are too stupid for the subtle approach now and the Zionist / NWO plot needs to be rubbed in your face.
Let's see we have 1) Islamaphobia - covered. Those bad arabs are gonna get 'ya. FEAR THEM! Keep all your dirty little foreign invasions going in perpetuity. Go deeper and deeper in debt until the zionist banksters call your note like Greece.
2) Of course a dose of Russia demonization 'cause our military industrial complex can't rely on arabs alone. We need the Russian boogeyman to keep that defense money flowin' to the M.I.C. Bring back the $ cold war $ !
3) Last, but not least, the laughably ridiculous protagonist is a bad-ass who can kick Jason Bourne's ass with one hand. Of course it's played by a 5 foot tall, 100 lb. female to round it out with the rabid feminist agenda. It's the Zionists' holy trinity. Pathetic propaganda they no longer bother to try and conceal in a story. The propaganda IS the story.
dandbone
I enjoyed this. Sure, there were cliches typical to this type of movie, but the acting was competent and the story was well written. There are twists and turns, friends turned foes, as expected from this type of movies. There is also a subtext that maybe not all immigrants came to murder the first born of the locals in Western countries, and maybe some of these terrorists are sponsored or helped by our own secret services/army and political parties. This probably came as a shock to everyone under 5 who watched this movie, hence the low rating on this site.There is also a feminist angle to this movie, as the heroine takes twice the physical abuse of an MMA fighter during a season, and she still survives with the makeup intact.
qeornotqe
This movie was riveting. The plot twists and double crossings were, to my mind, totally unexpected. The casting was superb, and the actors did a damn good job. Noomi Rapace, Orlando Bloom, John Malkovich, Michael Douglas - all excellent. The writing (Peter O'Brien) and direction (Michael Apted) was excellent. This brings me to my main point; are movie critics and/or audiences becoming stupider? How can this EXCELLENT movie receive a Rotten Tomatoes critics rating of 25% and an audience rating of 40%? Maybe the critical reviewers have conscious/ unconscious biases themselves; perhaps related to their own activities? Poor critical reviews by media influencers directly affects the profit margin of a movie. If we can no longer trust media influencers to provide honest assessments of movies (partially because of their own treasonous deeds), then it follows that we need Goy-only media, and Goy-only systematic rating platforms.