Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Portia Hilton Blistering performances.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

gladblade Unfaithful is a movie driven by mystery and rogue of a housewife and a mother Coonie Sumner that encounters a young man who tends to become her secret lover, the movie's title brings the plot's ideology like a charm of what to be expected.The plot's ideology reveals what a small mistake might snowball into but despite of what is moral; the implicit ideology carries its own set of value of a lonely house wife's that wishes to know how it feels to be romantically loved and pleasured. Coonie's husband is a workaholic that tries so hard to give her attention (when he has the time) but his attempts are poor and uncharming, so Coonie turns to the Unfaithful side and gets what she was craving for but at a very high price. reviewed by KGB 2

seymourblack-1 Early on in this movie, there's a storm brewing and when it ends, we're left to consider the sheer devastation that it's left behind. The "storm" in this update of Claude Chabrol's "La Femme Infidele" (1969), takes the form of a steamy affair that so intoxicates a seemingly happily-married woman that she recklessly risks the privileged life that she has with her loving family so that she can indulge in all the excitement, thrills and danger that she experiences in her encounters with a handsome stranger. Despite some moments of guilt that she can't escape, she carries on relentlessly until her husband becomes aware of her betrayal and reacts in a way that neither he nor she could ever have imagined and in so doing, destroys any hope of either of them ever being truly happy again.Connie Sumner (Diane Lane) lives in a riverside mansion in the suburbs of New York City with her caring, good-humoured husband Edward (Richard Gere) and their 8-year-old son Charlie (Erik Per Sullivan). With a wealthy husband (who runs his own business) and a housekeeper, Connie doesn't need to be employed or to be at home too much and so spends her time shopping, socialising and fund-raising for charities. One day, when she's been shopping, she collides with a young man in a Manhattan street and grazes her knee. Because it's very stormy, the taxis are all full and she can't catch a cab to take her home. As the collision had happened just outside his home, Paul Martel (Olivier Martinez) invites her up to his apartment where he makes her a drink and gives her an ice-pack and a Band Aid for her injured knee. Before she leaves, Paul, who's a book dealer, gives Connie a book of poems as a present.Connie finds it difficult to stop thinking about the good-looking young Frenchman who'd been so helpful and friendly during their meeting and so, when she finds his telephone number in her poetry book, she takes the opportunity to get in touch with him and this proves to be her first step on the road to becoming his lover. After they consummate their relationship, Connie feels incredibly exhilarated, turned-on and also rather guilty when she reflects on what's transpired. Inevitably though, Edward notices some changes in her behaviour at home and starts to become suspicious about what's made her become so distracted. He hires a private detective to follow her and is shocked by what the investigation unearths.Edward finds out where Paul lives and goes to see him at his apartment. Their meeting is conducted in a very calm and civilised fashion but during a moment of disorientation that Edward suffers as he consumes vodka and tries to come to terms with what's happened, he loses control for a moment and does something that proves to be absolutely devastating for him, Paul and Connie."Unfaithful" is compelling to watch because it illustrates how a woman who has everything that society deems to be important and desirable (i.e. wealth, a privileged lifestyle and a loving family), is willing to risk everything to satisfy her most basic needs. It's also a cautionary tale about the dreadful consequences that can follow on from adultery, sexual obsession and deceit.Adrian Lyne's treatment of this story lacks the tension, subtlety and sophistication of Claude Chabrol's version and instead focuses more on explicit sex scenes, some top-quality photography and the interesting use of symbolism at various points. Probably though, the movie's strongest feature is its cast and their impressive performances with Diane Lane and Richard Gere both superb in their lead roles and Olivier Martinez very naturally displaying the charm and flirtatiousness that made his character so irresistible to Connie.

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troydixon-40844 I would love to say this movie was great but...Long and boring, the affair that was supposed to be so sexy was okay but certainly not worth the hype. Acting was good but not great. I kept waiting for the exciting turn but even the death scene was none climatic.There was really no ending, just a long discussion and nothing is done. No tense moments, no twist, no nothing... just 2 hours and then its over.Why the 9 out of 10? well it must have connected with my wife as I got a handi for the 3rd act and that alone is worth the price of admission...