Stevecorp Don't listen to the negative reviews

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

pammyholiday I wish I lived in France so that I am able to watch all of Elsa Zylberstein's films. Good or bad, I don't care. She is my Catherine Deneuve. Young Catherine and today's Catherine still mesmerizes. Five-years ago, I became a fan of Elsa's after watching I LOVED YOU FOR SO LONG. I Found MODIGLIANI on YouTube--and became obsessed with the artist and his muse, Jeanne. I learned something new. Now UN PLUS UNE has directed me toward India and its unique culture. I NEVER listen to critics when I WANT to see a movie. If I am able to sit through it once. Good. But two or three times is to me a life-changing movie. Loved the dialogue between the two leads. I didn't want this story to end. Reminded me of BRIEF ENCOUNTER. But when Amma, the hugging saint appeared, that part stirred a raw emotion in me--brought me to tears. I became intrigued. Who is this woman now on my Bucket List? I looked her up on the web. Again, I learned something new.The airport scene in Un PLUS UNE seemed a bit off, but it did reveal the Ambassador's, false heart. I don't think he loved his wife. (He did Anna a favour). What made me truly respect Claude Lelouch as an Oscar-winning director was the ending. But you have to stick around until the credits finish rolling.

george karpouzas I have to confess that I have not watched the first film of the director about a man and a woman in order to use it as a criterion of comparison. I simply evaluate this movie independently. There is a certain aspect which I found amazingly pertinent, current and within the realities of modern western life. When the two protagonists speak to each other during certain scenes of the movie the wife of the ambassador played by Elsa Zylberstein describes certain feelings and thoughts she has about self-realization, communication with the universe and other ideas pertaining to New Age spirituality. The protagonist answers with irony. Later the spiritual longings of the lady are satisfied through a pilgrimage to the river Ganges and a visit to a modern day Indian Hinduist saint. In short she has the fascination of the affluent westerners with supposed oriental wisdom. I loved this aspect of the movie as it was portrayed by witty dialogues and the real as well as the esoteric and spiritual journey of the protagonists through India. If you observe the success of figures as the Dalai Lama with western audiences or read magazines such as the French "Le Monde des Religions" you will have a picture of this unmistakable trend in affluent Western countries as France and Britain. It forms the backbone of the film which is also a love story.The colorful depiction of India and the lively and lovely actors as well as the music add to the total impressive ambiance of this movie. But for me the fascination with the East as a place of spiritual self-discovery and the dialogues where Anna Hamon the ambassador's wife played by Elsa Zylberstein expresses herself freely in a flow of New Age speak, stand as monuments of perceptiveness about how a considerable number of women and men in the West think, fantasize and feel about the alleged spiritual qualities of an imaginary East.

writers_reign You could, if you had a mind to, have a lot of fun with this, bringing in the school of thought that some directors tend to make the same movie over and over, recalling that Lelouch gave the world the ultimate chocolate box in Un Homme et une femme and now, half a century on, he weighs in with un + une; in English of course we don't differentiate between definite and indefinite articles so that 'the', 'a' and 'an' are a one size covers all whilst in France un is the indefinite article for a male person or thing and une the feminine. This gives us a new film from Lelouch which translates directly as male + female or more loosely, he plus she, him plus her. Of course if you are going to revisit an earlier success it helps if you don't replicate exactly, so, in A Man and a Woman, one of the couple worked in movies, specifically as a continuity girl as opposed to a writer, director, or actor, Here it is the man, Jean Dujardin, who composes music for films and is doing so now for a new version of Romeo and Juliet set in India. In this case the woman, Elsa Zylberstein, is as far from a racing driver as you can get; she is, in fact, the wife of the French Ambassador to India. With this sort of film it helps if the two leads are glamorous; okay, perhaps the greatest example of the genre, Brief Encounter, featured two ordinary people BUT they were played by Celia Johnson and Trevor Howard and, more importantly, they were working from a screenplay by Noel Coward. Lelouche is taking no chances; Elsa Zylberstein is drop dead gorgeous and Jean Dujardin has so much charm he sends the overspill to Vincent Cassell, who needs all the charm he can get. Charm + beauty is a great combination and Lelouche delivers a pleasant diversion that's definitely worth a look.

Blabli Blublablé My family and I went to see this movie. We were 5, and when we got out, we were so appalled that we decided to laugh instead of crying about this lost moment of our life.From the beginning, Elsa Zylberstein's speech during dinner at the embassy was so embarrassing that we were still asking ourselves if it was meant to be taken seriously or not. I thought to myself that if it was not serious, it might still be a good movie. But serious it was... Every scene of this movie can be anticipated. The Indian landscape? beautiful, colorful, but useless. The only real interaction between the two main characters and the country they are supposed to discover: Dujardin tickling an Indian guy's feet in the train.An initiatic journey? they don't care about the places they pass by, nor the people. Zylberstein repeats that they still need to take "two more trains and a boat" Dujardin is bored, ME TOO.So many elements in this movie have nothing to do with the story, you ask yourself why on earth they are shown. The story about "Juliet and Romeo", music in general (two characters are musicians). They are not linked to anything, and end up just being there...I try to be moderate as often as I can when I review a film. But with this one... it is just too much. I came back home and watched another one, to move on. Embarrassing movie indeed