Cubussoli Very very predictable, including the post credit scene !!!

Cathardincu Surprisingly incoherent and boring

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

SnoopyStyle Sheldon Bart (Fred Ward) is a con-man drifter. Cashier Arlene Stewart (Cindy Williams) looks the other way when he shoplifts grocery. He reconnects with his traveling preacher friend Bud Sanders (Harry Dean Stanton) and performs in a fake healing. The homeless Sheldon starts sleeping and living with Arlene. He dismisses her obsession with UFOs as craziness at first. She dreams of a spaceship landing and gains a following with fellow UFO enthusiasts. Sheldon and Bud use their preaching skills for their own gains.This is built like an indie with a bunch of quirky characters. It's an odd little movie with some usual characters played by veteran actors. Cindy Williams never got to be a big movie star. She does these weird little comedies. This low budget story does meander a little. This has an unique appeal from filmmaker John Binder although his humor doesn't always hit its mark.

moonspinner55 Supermarket cashier in a tiny town outside of Las Vegas believes a U.F.O. is coming soon to take on passengers, and that her role is to spread the word about an intergalactic Noah's Ark. Writer-director John Binder has a very nice feel for desert border towns littered with gas stations and fast food stops but, by taking on so much responsibility behind the camera, his movie comes up short (he obviously could've used some help). Playing this breathless, starry-eyed working gal, Cindy Williams is very appealing; despite some artificial affectations (probably picked up from television), Williams knows how to play for laughs yet also seem sincere about it. She also has a beautiful moment while riding in the car with drifter/boyfriend Fred Ward, excellent as usual. The last reel is squashed and incoherent, but until then this is a pleasantly eccentric outing with no mean agenda other than to provide some quirky fun. **1/2 from ****

Woodyanders Cindy Williams gives a superb, luminous, heart-warming performance as daffy, but endearing small mid-western town grocery check-out girl Arlene, whose constant, deep-seated belief that she'll soon be visited by alien beings from another planet brings together a motley collection of New Age religious kooks, shiftless no-hoper losers, snoopy media newshounds, and other such colorful societal oddballs which include longtime Western movie bit player Hank Worden as a senile World War II vet and fellow ubiquitous Western character thesp Harry Carey Jr. in one of his standard affable good ol' boy roles. Arlene's nutty notions also attract the attention of aimless grifter drifter Sheldon (a grungily engaging Fred Ward, who's rarely been better) and amoral, cynical, opportunistic phony roadside preacher Brother Bud (the inestimable Harry Dean Stanton doing a splendidly sour reprise of his avaricious fake blind priest part from "Wise Blood"). Capably directed and smartly written by John Binder (who co-wrote the equally off-beat "Endangered Species"), with smooth, sparkling cinematography by David Myers, a lovely, lulling honkytonk score by Richard Baskin, and a top-rate country and western soundtrack (several choice Waylon Jennings and John Prine tunes are prominently featured herein, while the always great Roger Miller exuberantly belts out the wonderfully wacky theme song), this beautifully quirky and amiable sleeper offers a delightful, astute, pleasingly eccentric seriocomic look at how one person can indeed have a substantial positive impact on other people, the profound need to live a happy life, and how the ability to believe in something -- hell, man, just anything -- gives life purpose and meaning, thus making it easier for one to persevere and prevail through that dull, unceasing, sometimes disheartening daily grind we all must contend with. Intelligent, affectionate, often funny, and ultimately quite moving, this simply lovely favorite rates a sunny, uplifting, totally terrific little beaut.

jim-600 I haven't seen this gem in years, which is my loss. I came to IMDB hoping to see that it was out on DVD. Alas, no. The characters are funny and quirky (not Hollywood phony-quirky) and the story unfolds organically. Having grown up in the 1960s, there were moments that made me laugh out loud in recognition.Two in particular: Toby (Darrell Larson) a wide-eyed hippie-innocent and his wife are cuddling their newborn son. Toby asks her "Do you think JesusKrishnaBuddha is too heavy a name for him?" Later, when supermarket checker Cindy Williams asks him if he believes in flying saucers. He replies, with a beatific smile, "I believe in everything." It's a great companion line to the hippie in Louis Malle's "Atlantic City," who is cautioned to buckle her seatbelt on the airplane and replies sincerely, "Oh, I don't believe in gravity."