BootDigest
Such a frustrating disappointment
Raetsonwe
Redundant and unnecessary.
CrawlerChunky
In truth, there is barely enough story here to make a film.
elvisroi
As usual I loved this movie-I have always been a fan of Sally Field-I think she does an excellent job of convincing the audience of the sincerity of her character. I want that pink couch (love seat) that was in the movie. Pink is my favorite color (I have dusty rose carpet throughout my house) and that pink couch would finish the look. Please let me know where I can get that couch! Thank you. Sally is wonderful in this movie and of course made me cry-I can't imagine how hard it would be to be dying and hoping that the children don't argue about anything. Sally made me also laugh with her comments about her "favorite" child.
charlytully
TWO WEEKS has at least three (3) f-words, one of which is right here in the "memorable quotes" section. If you have just two f-words or less, you're eligible for a PG-13 rating. If you have three, you're not. (One exception is ALL THE PRESIDENT'S MEN, the 1976 winner of four Oscars, which got its original "R" rating changed to "PG" upon appeal when the producers explained you could not do a bio-pic about Richard Milhouse Nixon without having at least the 11 f-words which appeared in the final cut.) Believe it or not, most movie production people can count as high as three. Rationing out the f-words is the main way they CHOOSE their own rating. Anyone who watches TWO WEEKS will understand that the totally gratuitous f-words were included to "win" an "R" rating.Regarding that second Oscar which Sally Field did NOT win for TWO WEEKS: yes, EVERY lead character was eligible to be nominated for 2007 acting honors, because the film was playing on as many as three screens during the month of March (see the "Box Office\Business" section here). But no person has been nominated this century in the acting categories for a film with a domestic gross of under $50,000, and TWO WEEKS raked in only $45,816.
TxMike
There isn't anything actually "wrong" with this movie, "2 Weeks", but by the same token, it is hard to find anything "right" about it. While all the actors are good here, the story doesn't seem to have a point other than how 4 grown children might get back together while they wait for their 60-something mother to die.I have always liked Sally Field, all the way back to her days on TV as the "Flying Nun." Here she is good as Anita Bergman, diagnosed with ovarian cancer. One of the symptoms of dying by her particular cancer is the inability to eat, because her intestinal tract is apparently blocked. So she has to be fed through her veins. She is not totally bedridden, but she is confined to her home.There is an attempt to lighten the mood when Anita sees all the others eating ribs and wants some too. So she chews the meat, and then spits it out after chewing it. So, around the table everyone else chews their food and then spits it out. That scene didn't work for me, it didn't make the movie any better.Ben Chaplin is her older son, a filmmaker who earlier had filmed Anita as he asked her questions, to save for posterity. His character is Keith Bergman. Tom Cavanagh of TV's "Ed" fame is the next brother Barry Bergman. The lone sister is Julianne Nicholson as Emily Bergman. And the youngest, with the young wife from hell, is Glenn Howerton as Matthew Bergman.So much of the movie was to see how 4 adult siblings might handle being together for their mother's last 14 days. Marginally interesting, but when I asked my wife what was the message, she answered, "I don't really know." I could not recommend this movie to friends.
drdowrite
I saw "Two Weeks" at the Hampton Film Festival in a packed theater. While "Two Weeks" is a serious film about a family going through a tragic experience, it is also very funny and true. Stockman, who wrote and directed the film, manages to capture the humor and emotion of a family as they cope with of the impending loss of their mother. It is a brave and honest film. Sally Field is wonderful as the strong and funny matriarch who stares death down. Her performance is powerful and complex. Ben Chaplin, Tom Cavanaugh and Julianne Nicholson deliver honest and subtle performances. They truly seem like a family sharing all of the affection, sorrow and conflict you would expect of siblings going through such a difficult experience. The film is funny and moving. I will be going to see it again when it opens in NYC on March 2nd.
