Tedfoldol everything you have heard about this movie is true.

Spidersecu Don't Believe the Hype

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

calvinnme Peter Sellers plays the most normal of the characters, even if he is a convicted felon, which is unusual for those of us familiar mostly with his later films. Sellers plays one of a group of guys behind bars who plan the perfect crime - they'll commit a jewel robbery and be back in prison before anybody notices. Their current guard is about to retire - as in BEFORE the heist, but they figure the same easy-going type will replace him. They are dead wrong. Instead, Lionel Jeffries was hysterically funny as the tough guard ready to shape up the prisoners. Favorite line: "SILENCE when you're talking to me!" And will it be possible when doing jumping jacks not to think of a particular scene in this film? How are they ever going to pull this off with this guard around? And there are other problems as well.Irene Handl was also wonderful as the mother of the none too bright prisoner Lenny, played by Bernard Cribbins. Mom is upset that he isn't living up to the family tradition of trying to escape from prison.   Of course, there's also Maurice Denham as the prison warden whose vegetable marrow is the subject of several double entendres, and Liz Fraser as Sellers' Monroe-esque girlfriend, and, well, the whole cast, every one of whom knows how play this comic style. I had never heard of the director, Robert Day.   See it if it comes your way.

Chase_Witherspoon A trio of prisoners, aided by outsiders, plan and execute an elaborate escape plan from under the nose of militant prison guard (Jeffries) and the gardening fanatic warden (Denham). Sellers is superb as the mischievous Dodger, with David Lodge and bumbling Bernard Cribbins his cohorts on the inside. Criminal mastermind Soapy Stevens (Hyde-White) who engineered Sellers' incarceration is top of the wanted list, and Sellers is determined to get him his comeuppance. Also hilarious is Irene Handl and Liz Fraser as the 'girls', using their collective skills (brains and beauty, respectively) to aid and abet Sellers' escape plan.Jeffries is the real sleeper here; his comical, gestapo like prison captain, continually tortured by Sellers' antics, earns him the ire of the usually passive warden Maurice Denham (Denham more concerned with the quality and size of his garden produce than Jeffries' constant bleating about Sellers). The bane of his existence, Jeffries promises to catch Sellers out, but of course, he only ends up with egg on his face, again and again. Poor Lionel.Liz Fraser is a voluptuous beauty, and her thick cockney accent and dumb-blonde demeanour make her the ideal vice. Her knack for these type of parts earned her recurring roles in several "Carry On" films later in the sixties, a series that excelled at 'accentuating' her talents, you might say. The mercurial Bernard Cribbins, a relative newcomer in this picture, also had the good fortune to team up in a couple of "Carry On" films, as well as several other Sellers' vehicles.Not just a Sellers picture, all the cast succeed with their timing and delivery, but it's Lionel Jeffries who showed here his diverse ability to express humour, in addition to the straight roles he played throughout his long and distinguished career. Slapstick and farce, simple to enjoy, highly recommended.

lenny1909 I first saw "Two Way Stretch" when I was about 8 years and it is still one of my favourite films. I don't understand the criticism that it is deja vu of Porridge when it came out more than a decade earlier but maybe I'm just not that bright.One point which interests me is that for all his abilities as a character actor mimic and impressionist Peter Sellars is far more believable and as Dodger Lane than he ever was as Inspector Clouseau, any of the Americans he ever played or anyone else with the possible exception of "Pearly" Gates in Wrong Arm of the Law. Is this because at heart actors - no matter how talented - are significantly better at characters and accents they grew up with.I've no doubt that Bob Hoskins would have done a workmanlike Al Capone in the Untouchables but how could a Londoner compare with New York Italian American Robert De Niro. Similarly Anthony Hopkins did a perfectly good Nixon but Jason Robards was Nixon.Would it have been better if Peter Sellars had stuck more to his roots playing Brits rather than trying to become the man of a thousand voices and increasingly artificial, self indulgent and boring in all of them?

bobj-3 One of a brace of classic comedies to come out of Britain in the late 50s-early 60s, "Two-Way Stretch" combines all the elements: great comic actors, tight little story line, fast pace, and not overbroad slapstick. Sellers, Cribbins, and Jeffries reprise (sort of!) their roles in "Wrong Arm of the Law," with Sellers and Cribbins the crooks and Jeffries representing the Law. But this time Jeffries is a delightfully wicked "screw," out to "get" the two lay-about inmates in any way he can. A brilliant piece of work, as was his more "Clouseau"-like performance in "Wrong Arm." And kudos to Wilfrid Hyde-White, masterminding the whole thing from his vantage point as a venal vicar! As usual, there is strong support, as well, from the unsung females, the buxom and zany Liz Fraser as Sellers' girlfriend, Ethel, and the incomparable Irene Handl as Cribbins "mum." A delight all-round!