Matialth Good concept, poorly executed.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Raymond Sierra The film may be flawed, but its message is not.

Dana An old-fashioned movie made with new-fashioned finesse.

Leofwine_draca This unusual Italian adventure film from acclaimed director Enzo G. Castellari benefits from a unique location - a barren desert land - and a wealth of slow-motion action scenes for which the director was famous. Sure, it has its fair share of flaws and errors, but these are easily outweighed by the assured direction, good performances and wonderful locations. For once, the story of a desert warrior fighting for justice is an uncliched one, which makes a change from the various post-apocalyptic rip-offs that Castellari had directed the year previously.Another unusual thing is the film's themes of justice, power, honour and the portrayal of the Tuareg tribe's way of life in the desert, where they abide by their own laws and dislike intrusion by the outside world. These issues, along with some sweeping visions of an isolated desert, give TUAREG: THE DESERT WARRIOR a kind of epic feel, something you wouldn't expect from a cheap Italian action flick. Here, the action complements the story, unlike Castellari's LIGHTBLAST from 1985, in which the action WAS the story. My personal favourite scene is an atmospheric moment where Gacel Sayah and his companion venture into an empty desert land and discover a huge graveyard of animal bones and forgotten belongings - the impact is strengthened by the sudden silence on the soundtrack, and the eeriness and power of the desert instantly made the hairs stand up on the back of my neck.Elsewhere, it's business as usual, with Harmon fighting off loads of soldiers and eventually massacring an army station at a remote prison, where he is briefly tortured by a sadistic guard (the director in a cameo). Castellari's use of slow-motion comes into play here, making for some brief but spectacular explosions, people getting bloodily shot and flying through the air. Other scenes include a realistic sword fight, a fine moment where Gacel gets his revenge on a cruel captain by slitting his throat (ouch!) and some jeeps blowing up in the desert.Mark Harmon - the imported American lead - is actually very good indeed as the just Gacel Sayah, creating a believable hero who fights for his own beliefs. The supporting cast - from his companions, to the soldiers, to the officials - are also fine in their respective roles, and the film is accompanied by an appropriately sweeping musical score which helps bring the mood of the desert to life. Some scenes - such as Harmon killing his camel and drinking its blood to stay alive - are destined to stick in the mind and make this a minor yet memorable mood piece.My only complaint is with the ending. After a massive build-up, you're left expecting some kind of final massacre, perhaps like the one at the end of COMMANDO, and yet nothing happens. Instead, Harmon ends up shooting the wrong guy in a sudden bleak and pessimistic moment which is at odds with the rest of the film and ends things on a very downbeat note. However, this doesn't spoil the rest of the film, which is worth a look for all who might be interested by the premise, as it certainly deserves kudos for what it does.

Red-Barracuda A mysterious man from a feared Saharan tribe, the Tuareg, makes it his mission to hunt down a group of soldiers responsible for abducting a man his tribe gave shelter to. He uses his highly developed survival skills, honed from life in the harsh desert, to deadly effect.Italian director Enzo G. Castellari was something of a specialist when it came to action movies. He made several in different popular sub-genres of the day – spaghetti westerns, poliziotteschi, post-apocalypse sci-fi, etc. But with Tuareg - the Desert Warrior he made an action film which was decidedly less derivative than most other Italian actioners. It was unusually set in the Sahara desert, with an Arab warrior as the hero. Having said this, I felt while I was watching it that it definitely played out like a spaghetti western in terms of structure, characters and action. After all, it features a mysterious illusive loner hero with highly developed weapon skills who embarks on a mission to take out nasty villains who have committed criminal acts against powerless civilians and he does this pretty much by himself. There have been a ton of Italian westerns that followed that template, so this one is fairly derivative plot-wise but benefits in distinctiveness from its desert locations and Arabian characters. It's for these reasons primarily that this one gets plus points, as well as a somewhat interesting climax in which the central hero's ignorance of western politics leads to an unexpected climax. Adding some additional class also is a dramatic score from the ever dependable Riz Ortolani. All-in-all, this is not great stuff by any means but it's certainly one of the more individualistic Italian genre flicks from the 80's.

ma-cortes This Spaghetti/Paella adventure tells how a Tuareg (Mark Harmon) receives an important fugitive (Luis Prendes) who is given water and refuge . Soldiers (Aldo Sambrell , Alfonso Sabato) from the new Arab government arrive and demand to be turned over to them . The warrior refuses and soldiers breaking the hospitality's Tuareg law . Harmon sets out in pursuit for executing a relentless revenge against military that broke the sacred laws of hospitality . The Tuareg mounts his camel and rides off to rescue his abducted guest . From the beginning to end the action-packed is unstopped , including spectacular shootouts where explode and die a lot of people , being a little bit violent . In the film there is thriller , suspense , emotion , frenetic action , fast-moving and for that reason is amusing . The picture has breathtaking outdoors in gorgeous cinematography , being well photographed by John Cabrera , like is splendidly reflected on the spellbound Sahara desert landscapes . Mark Harmon is fine as a tough and cold Arab , doing one army man , though he appears whole film with a scarf on his face . A varied support cast is mostly formed by secondaries from Spaghetti Western , such as Aldo Sambrell (Leone's Western) , Ennio Girolami (director's brother) , Claudia Gravy and Ken Wood . The picture is based on a novel with same title by a successful Spanish author , Alberto Vazquez Figueroa , who gets numerous cinematic adaptations (Ebony , Manaos , The Iguana , Ocean , Rottweiler) . Special mention for musical score by Riz Ortalani , it is exciting and atmospheric . The motion picture was compellingly directed by Enzo G. Castellari that had many hit-smashes in the action cinema and Spaghetti , in fact the film is an Italian Western developed on the desolate desert . He made several Westerns as ¨ Johnny Hamlet¨ , ¨Kill them everybody and came back alone¨ , ¨Seven Winchester for a massacre¨, and spoof : ¨Onion Colt¨ and in similar style ¨Tedeum¨ . His masterpiece was ¨Keoma¨. Some of them are serious , others are goofy and plenty of slapstick and slapdash . The pic will appeal to Eurotrash fans and Italian-Spaniard productions enthusiasts . Rating : Mediocre but amusing .

mfaume I don't know how many times I have watched this movie when I was a kid; It was one of my favorite movies. Action packed and I mean a good action flick.It's worth watching!