gridoon2018
A moody, absorbing, intelligent thriller. For a lot of its running time, I thought the main twist was easily guessable (especially if you've seen the 1991 amnesia thriller "Shattered"), but in the end the film proves to be at least one step ahead of the viewer; I only THOUGHT I knew what was going on. But the film is not all about the twists; at its center there is a complex, deep-rooted, emotional relationship between two women, exceptionally well acted by Tuppence Middleton and Alexandra Roach; though Middleton has the more showy role(s) (and exposes more flesh), Roach is the revelation of the movie - I bet she will have a great career. Ultimately, "Trap For Cinderella" is a triumphant success. *** out of 4.
robert-temple-1
Iain Softley is one of the most original and talented of all British film directors. He has directed so many astonishing films that one's mind has long been boggled by them. There was K-PAX (2001, see my review), a film which entered another dimension and got the best out of Kevin Spacey. Softley's first film was the excellent BACKBEAT (1994), followed by the innovative and gripping HACKERS (1995), where the young Angelina Jolie pushed the envelope. And then there was the wonderful Henry James adaptation, THE WINGS OF THE DOVE (1997). All of these were first rate films. And now he has made a masterpiece of modern film noir, based on a French novel by Sebastien Japrisot, from which Softley has written the screenplay himself. Japrisot (pen name and anagram of Jean-Baptise Rossi) is a well known writer, one of whose novels gave us A VERY LONG ENGAGEMENT (aka UN LONG DIMANCHE DE FIANCAILLES, 2004) with Audrey Tautou and Jodie Foster, and he also wrote THE CHILDREN OF THE MARSHLAND (aka LES ENFANTS DU MARAIS, 1999), which is very difficult to find with subtitles but is well worth the search and, I fear, the price. This film is based on his novel PIEGE POUR CENDRILLON, which was filmed previously in 1965, though no review of it exists on IMDb. The earlier version was scripted jointly by the author and the famous playwright Jean Anouilh, along with the director, Andre Cayatte. Not having seen the earlier film or read the novel, I cannot speak of their endings. Nor do I intend to reveal the ending of this film, except to point out that it is not to be found within the film itself. That may sound like a contradiction, but let me explain. I have never seen, in all the mystery films I have watched over the years, a film constructed in such a way that the viewer is intentionally left to figure out the ultimate mystery of the film himself or herself, after the film ostensibly ended. All of the evidence is there, and the director throws down the challenge to the viewer as if to say: I have hidden the answer in plain sight, now will you open your eyes please? Really, that is such an exquisitely sophisticated thing to do that I am full of admiration. In a way, you could say that this film is a classic intelligence test. But we are not talking about any old whodunit, this is a psychological thriller par excellence. The main characters are two girls who have known each other since childhood. One is beautiful, rich and a raver, and the other is demure, attractive without being beautiful, doting, dependent, adoring of her friend, and tending towards madness. In fact, both girls are tending towards madness, and in their case, one plus one makes ten. The actresses playing the girls are simply spectacular. The more amazing performance of the two is that by Alexandra Roach. She has such sensitivity that she is like a violin that plays itself simply by being hung up on a peg in the wind, free to vibrate in a series of harmonies and disharmonies, as each scene requires and as the wind of the story blows. She plays the dependent friend, named Domenica Law, who is called 'Do'. Her performance is the key, and makes the whole film work. One can imagine other actresses playing the other girl, but I can think of no other actress who could have played 'Do' so well. The other lead actress has the charming name of Tuppence Middleton. She must have had very whimsical parents and endured a great many jokes about her name at school. She is certainly worth more than that. Miss Two Pennies has a special quality of what I would call 'languid allure'. This works very well in the quieter moments of her performance, and when she is meant to be raving, she ceases to be languid and becomes frenetic instead. The end result is a nicely balanced portrayal of a girl on the edge. Kerry Fox plays a sinister and enigmatic protectress, who may be a mantis. The study of the intimate friendship between two girls who cannot bring themselves to part even though they are wholly incompatible is handled with elegance and sensitivity. Perhaps Iain Softley is really a girl. This is a deeply intriguing, intensely ambiguous and mysterious film with all kinds of resonances, some of them out of the range of hearing but nevertheless efficacious. The film reminds me of Tartini's 'third tone'. And that remark also is an intelligence test.
liveandlove-ak
After reading previous reviews, I can only assume that most people have not actually read the book, "Piege pour Cendrillion." For most of the reviews complain about the ridiculous plot, which is not the fault of the producer, but the author of the original book. I do admit, this plot is not at all realistic. But first: realize the book this film was based on was FICTION. Fiction is not supposed to be or held to be realistic. Second: realize that if one wanted to make an adaption of the BOOK, they would not be able to greatly deviate from the novel's plot, considering they would have had to obtain the author's consent. So if you did not like the plot, do not blame the screenwriters or the actors; blame the author of "Piege pour Cendrillon." Yet I have a feeling most people have not actually read the novel, therefore, you have no place to comment, considering this is an ADAPTION OF THE NOVEL.I thought the actors, directors, and producers gave a great performance based off of what they were given. Cheers to all involved in this movie.
yargevets
Get with it, anyone who says its slow. Clever story, where you sit smugly thinking you worked out the final twist, until all of a sudden it's a double bluff, with a final triple twist. Well acted by Miss Jones - FDLT. Beautiful 1963 E-type Jag.One problem, I would love to know where it was filmed. Been to South of France a few times and didn't recognise the village.I liked this film.But what else can I addIt works well on NetflixPs Everton lost today, but I'm still OK I rode 20 miles on my bike this morn
