Solemplex To me, this movie is perfection.

VeteranLight I don't have all the words right now but this film is a work of art.

CrawlerChunky In truth, there is barely enough story here to make a film.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Mr_Ectoplasma "Tragic Ceremony" follows a group of hippies (three men, one woman) whose car dies during a rainstorm in the English countryside. They end up at a large estate where the lord and his lady offer them fuel for their car and a place to sleep. Unfortunately, the house guests are subject to a black mass and attempted human sacrifice that goes awry; they escape the event, only to be picked off one by one in the ensuing hours.This generally weird and largely unknown horror flick was briefly unearthed by Dark Sky Films, who released it on DVD in 2008, but it's still one of the lesser-known oddities of early seventies Italian horror. The film starts out rather orthodox with its young adult characters stumbling into a large mansion, but it doesn't follow the narrative trajectory one would expect. The film's centerpiece is undoubtedly the explosively gory black mass sequence, but rather than occurring at the climax, it instead happens about midway through; this gives the film's narrative arc a remarkably unusual shape that destabilizes the audience's expectations, be it for better or for worse.While this central scene boasts some creepy imagery and surprising gore, the dreamlike second act of the film is what I found to be most unsettling. After the surreal black mass sequence, the audience follows the four characters in the aftermath of it, which plays out with heady overtones. The heightened black mass scene seems to have the effect of unsettling the audience as much as the flummoxed characters who are trying to piece together what they witnessed, and from there onward the film begins to unravel in the style of a supernatural slasher flick. Their retreat to the country house offers a few chilling scenes, but perhaps most memorable are the one-on-one scenes between Jane and Joe in the penultimate sequence in the woods. There is a quiet, unsettling tone that is rather masterfully achieved in the last half of the film, and this sequence in particular offers some chilling images and atmosphere.Camille Keaton stars here as the female lead, just after she'd completed her debut work on the giallo "What Have You Done to Solange?" She has an ethereal but disquieting screen presence as always, and the performance is understated but effective. She is surrounded with three Italian/Spanish male actors, each of whom play off of both her and each other fairly well as disaffected hippies. The film has a clever twist at the end that is unfortunately marred by a slipshod imitation of the conclusion from "Psycho," which feels totally unnecessary and tacked on with little forethought.The silly handling of the conclusion aside, I still found "Tragic Ceremony" to be a weirdly unsettling film. It is certainly not a masterpiece, but the bizarre narrative arc combined with the moody cinematography and Keaton's haunted performance really lend some vitality to the proceedings. The last half of the film plays out like a dream (or a nightmare), and there is an appreciable sense of foreboding that can't be shaken by the audience anymore than it can the characters on screen. 7/10.

GL84 Engaging on a cruise together, a group of carefree youths become stranded in the wilderness and seek shelter from a raging storm in the mansion of a coven of witches which is the start of their troubles when they escape from their clutches This here was quite the enjoyable and entertaining slice of Eurotrash. One of the film's strongest points is the fact that it manages to evoke and exploit the Gothic trappings of the past with the elegant sleazy thrills allowed in that time-period, offering up a chilling and sensual offering. The trappings within the house, from the long twisting hallways filled with stone and steel arrangements and billowing curtains are suitably Gothic and chilling, lending a far older throwback feel to the scenes of them being shown around once they arrive or the scenes of them seducing her into essentially sleepwalking through the mansion grounds to their ceremonial meeting place within the basement hall, and when coupled with the driving thunderstorm and howling wind constantly in the background there's a rather fun ambiance to this one. It's certainly helped out by the majority of these scenes requiring candelabras or other such lighting to take place so the scenes of the interrupted first sacrifice attempt with the coven in the satanic basement with the large Gothic settings providing some nice thrills in accordance to the fine massacre that breaks out where they begin brawling with the coven and generating some nice kills along the way. There's also the rather intriguing storyline idea about the fact that they actually manage to escape from the group rather than spend the vast majority of the film in their clutches unknowingly with them, and the fact that it takes a slew of twists and turns throughout here which manages to show that they've still got to deal with the followers of the coven as the series of strange encounters they come across are quite fun and enjoyable, from finding the desiccated body of their friend to the discovery of the suicide attempt in the bathroom. Given that it all turns around following the TV incident of their encounter at the mansion which is quite fun and enjoyable with the rest of the film taking place as if their curse is enacted on them for what happened and just completes the Gothic atmosphere present here as this is all added alongside the hypnotic visions and cheap-looking gore that really works nicely for this one. With a fine twist and some nice sleazy gore and nudity, there's a lot to like here even though there are some problems here. Among the few flaws to be found here is the fact that there's such a languid and dreary pace in the first half before they arrive at the mansion as the scenes of the group getting stranded and basically showcasing their rotten luck getting there isn't all that interesting. Going step-by-step in getting them from the beach to the gas station to the mansion isn't all that much fun to see played out in the manner depicted here and there's a bit of a hurdle to get over with this one. There's also the fact that this one really doesn't make much sense as for why it changes around the traditional second half storyline with their escape and then subsequent violent hallucinations which are quite chilling as they play out even though in the interim they don't make any sense. It's a little disjarring and makes for a somewhat disjointed feeling as it carries itself along here in not really making for a cohesive storyline. Coupled with some rather cheap and rather unconvincing gore during the attacks, these here are the ones that hold this one back.Rated Unrated/R: Graphic Violence, Language and Nudity.

gavin6942 Camille Keaton (best known for "I Spit on Your Grave") stars as Jane, one of four young people who run out of gas and are forced to spend the night at Lord Alexander's mansion. But Alexander and his wife are into some diabolical games -- Jane is hand-picked as a "virgin sacrifice". A ruckus ensues and the second half of the film has the gang of four trying to hide from police when they feel they might be implicated i na murder.This film, more properly titled "From the Secret Police Archives of a European Capital" is considered by some to be a cult classic. I don't know why. It has some things going for it -- Camille Keaton, who is alluring in a strange way (she shouldn't be attractive but in some scenes has such an innocent face). Some of the deaths are incredible, such as a head split in two (though this is diminished when they flash back eight times). And the makeup is astounding, particularly on Camille later in the film (I won't give this away... wait for it).But, overall, the film is nothing special. The camera work is awful ("shaky cam" all the time), the editing is very rough, with cuts tat don't line up right. And other than five minutes at Lord Alexander's mansion and the last few minutes, it's a boring plot. Mostly just kids sitting around and we're not really told their relationship to each other (Jane seems to be dating all of them). Oh, and plot holes. Who is the mysterious man at Bill's mother's house? What's the story with the pearls? Even the "twist" revealed later on has some hard-to-believe elements in it. Maybe I need to see it again, but I found most of this to be just a bit bland.The best and worst of the film is with the gas station attendant. On the plus side, we have a gas station encounter leading to a murderous house. I have often given "Texas Chainsaw Massacre" credit for starting this trend, but this film has a contentious claim to it as well. Someone should explore the history of this more. Why is this also the worst? Because the attendant is said to be "a relative of the devil" or "a ghost" but this is never explained. If the writer of this film lives, I need to track him down and beat him until he gives me answers.After these complaints, you'll be surprised to see me saying that you should see this film. But, if you like "cult films", Camille Keaton, old Italian movies or the 1970s approach to horror, this is a good title to be aware of. I do think it deserves a second chance from me... Oh ,and don't try to play the smoking game to this one (smoking whenever characters smoke) because you'll lose.

Jonny_Numb Few international starlets have gained as much notoriety from such a limited filmography as Camille Keaton, and not without due cause: "I Spit on Your Grave" was made a must-see cult favorite by the condemnations of Siskel & Ebert, while her other films have remained in relative obscurity. "Tragic Ceremony" is an early Keaton offering, an Italian-made mindscrew that takes aim at the '60s hippie culture and the eccentricities of the bourgeoisie, while crafting a fairly suspenseful, surrealistic tale in the vein of Roman Polanski's "paranoid-apartment-dweller" trilogy and the art-drenched works of Mario Bava. The ringmaster of this free-association nightmare is Riccardo Freda, who uses a lot of avant-garde techniques (the shaky-hand-held motorcycle ride; the wide-angle 'ceremony'; low angles and long shots) to establish a purposely inconsistent mood--it's a disorienting experience that uses a cliché setup (freewheeling hippies vacationing in the country run afoul of rich Satanists) to subvert our expectations time and again; the 'climax' seems to occur midway through, and just when we wonder where else the story could possibly go, Freda extends his creepy surrealism right up to the end (even if the final scene is marred by an overly awkward explanation that isn't really necessary). Even the violent moments (while clearly the product of a low budget) transpire in a style that exists somewhere between reality and the exaggeration of a dream. And, of course, Keaton is wonderful to watch, possessing the kind of understated demeanor that made her signature performance in "I Spit" so memorable. Now that it's on DVD, there's not excuse for any fan of Euro-horror to miss this "Tragic Ceremony."