Scanialara You won't be disappointed!

Jeanskynebu the audience applauded

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

MartinHafer I saw this film on Turner Classic Movies recently and was disappointed with the captioning. It was captioned decades ago--when it was common to use white captions that tended to blend in with the picture (making them hard to read). In addition, the captioning was poor--only translating what the translator felt like you should know. Many times, people talk and what they say isn't translated at all---particularly if they are yelling or muttering to themselves. As for me, I am a purist--I want everything to be translated and translated clearly--and most foreign films are.Marcello Mastroianni plays a cab driver who is very, very proud of his new cab. When a couple guys try to steal it and it's damaged in the process, he's furious and wants to catch them. Their female accomplice (Sophia Loren) is the only clue to their whereabouts and Marcello searches the city for her--and, frankly, considering how stunning she was, it's not surprising that that he sees her once again. When they do meet up again, however, she is quite disarming. She invites him home and he thinks she has a wonderful family (especially Vittorio De Sica)--though they are all in reality a pack of thieves and liars. Poor Marcello is a bit dim and he doesn't seems to catch on that they are NOT the sweet family he thinks they are.After a while, Marcello falls head-over-heels for Sophia. After all, she is amazingly charming...and amazingly beautiful. But, when he realizes that the gift she just gave him was stolen from his boss, he's determined to have it out with her. However, every time he's ready to 'have it out with her', he ends up smashing his new cab. Eventually, he even ends up in the hospital and deep in debt. After a while, the cab is a wreck and so is poor Marcello. What's he to do?! This is a cute little comedy. While certainly not among the best, it is well worth seeing and has nice acting. Plus, since Marcello plays a cabbie, you get to see a lot of Rome--and I liked seeing the Coliseum, Forum and many other sites. My only misgiving is that the film makes thieves seem kind of cute--which is far from true--especially if you've been victimized by one. Plus, in Rome, apparently families of thieves are still a serious problem--definitely not cute in any way.By the way, is it me or didn't one of the thieves in the movie look a bit like Woody Allen?! Maybe it's just me...

st-shot One of the last century's great life forces Sophia Loren is on fine display in this entertaining piece of screwball Italiano as she teams up with Marcello Mastroianni for the first of fifteen pairings. Loren is Lina Stroppiani who along with her father (Vittorio De Sica) are professional thieves. With two male accomplices Lina attempts to steal Paolo's (Mastroianni) taxi but instead of taking her to the police he grudgingly and through much frustration falls for her.Too Bad's thin and inane plot is brusquely carried along by the energetic, suave and sexy style of its cast. Loren's face, breasts and hips seduce the camera and dominate the scenery as she understandably flusters the comic Marcello. Loren's presence negates anyone stealing the film from her but De Sica as her father shrewdly manipulates with a suave charm, especially in one of the film's final scenes where he all but takes over a police station.Over a half a century later Too Bad She's Bad retains its comic energy and entertainment value much in part to the ideal melding of opera and screwball and the earthy blinding presence of the stunning Ms. Loren strolling the sidewalks of Rome.

Neil Doyle Wow! Until you hear SOPHIA LOREN speak in her native language, you'd never guess how fast she can talk--especially when it comes to a breezy comedy like this involving a family of thieves run by VITTORIO DeSICA and trying to fleece, among others, MARCELLO MASTROIANNI from his cab while trying to stay one step ahead of the authorities.Her fast talk is exceptional--and funny--considering the situations she gets into. She has a fluency in Italian that she never showed in her English speaking roles and a terrific sense of timing and humor. She also looks fabulous.But the real star of the film is VITTORIO DeSICA as the smooth talking and very elegant head of a family of thieves. Grandma is adept at stealing wallets and the kids are handy at stealing tires off cars. From the start, it's obvious that Sophia (as Lina) and Marcello (as Paolo) are bound to fall in love despite the stormy relationship that has them embroiled in arguments over all of their mishaps.It's amusing from start to finish, which has the predictable ending which has the two of them in a clinch from which they're in no hurry to abandon after a quarrel, not even with a bunch of onlookers wondering why he slapped her first.It's a pure joy to watch these pros at work, but it's clear that DeSica has to be one of the most consummate actors of Italian cinema--just as wonderful before the camera as behind it. And Sophia and Marcello keep up with him every step of the way.Watching this with subtitles is worth it, even though they speak so fast that you'll spend a lot of time just reading the English captions.

zolaaar Paolo (Marcello Mastroianni), a Roman cab driver, picks up beautiful Lina (Sophia Loren), who tries to steal his car. The complaint to her father Signore Stropianni (Vittorio De Sica) is no use - he is the head of a whole family of thieves. After Paolo realizes that involving authorities into the criminal doings of the Stropiannis is for nothing, he decides to fall in love with Lina.It's a zippy, very funny and entertaining comedy with the young screen couple Loren/Mastroianni and veteran De Sica, who really shines in here. Lina is an attractive woman, desired by many men and is never at loss of words. Paolo, a man of integrity and good will (at least it seems like he is), is not as faithful as his rich passengers would have assumed. Together they get deeply enmeshed with each others criminalities.The film was very successful in Italy and regarded as one of the highlights of the Italian comedy series of the 50s. Mainly the rising star of Sophia Loren (and Marcello Mastroianni), who shaped up well to serious competition to sexbomb Gina Lollobrigida, contributed to the success. And that made Hollywood keeping an eye for her talent (three years later she starred in Kramer's "The Pride and the Passion" among Cary Grant and Frank Sinatra).