MamaGravity good back-story, and good acting

Borserie it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Monkeywess This is an astonishing documentary that will wring your heart while it bends your mind

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

i-marinov I was led to believe that the last few years have marked a new beginning for the Bulgarian cinema since a series of TV shows and movies have been produced and the media mainstreamed the improved acting and directing. Being disappointed of what i saw during the last 10 years I respectfully decided to give this one a chance.On the plus side I have to admit that acting have improved, but just a very tiny step forward has been made. The performance of Baharov and Georgi Staykov were satisfactory. There are a few funny moments as well - especially the poor German translation from one of the house mates in the house in Germany. As far as I can recall this ends the advantages.The main flaw of this movie is the clear continuation of a script lacking any challenge for the viewer, which is the main issue of the last 20 years. Too simple, predictable, boring script, lacking twists and meaningless dialogues. In my view however the successive exploitation of the political transition period in the Bulgarian post- communist film making era is the major problem- we have had enough of this. Either they are still trying to create the Bulgarian Goodbye Lenin (far far away to get there with this one) or the directors cant figure out a relevant plot. The thing is that people are fed up with this topic and they want to see something more up to date and less politically soaked. Less depressing and a little bit brighter settings could also make a difference. That is why I can say that there has been a slow movement from the disasters produced during the last 20 years in terms of acting but the main problems still exist. As much as I want to say it this could not be an Oscar 2012 even close to a nomination. In a nutshell improved acting, bad direction and a crappy story.

Plamena Berberova I didn't expect much and that's why I'm neither disappointed ,neither fascinated. We all know that the situation in 1989 was not pink. We all know a lot of stories, a lot of movies have been made about the so called"transition".And yet again the same story.I'm tired of watching the same story again and again. The forbidden love and the s****y communistic rules. The actors are new, they are fresh and may be they made me like the movie a little bit more that the others. So as a final: Not bad movie , could've been much better, but ... we can't change it now . It is not total crap , it is not an Oscar winning movie.

Nedret Recep As a coincidence I was at the age of the those guys on 1989 when the regime change happened in Bulgaria. I am sorry but my own life and the lives of many of my friends were much more interesting and dramatic than this movie characters'. Starting from the title - Tilt has the usual Bulgarian movie title of at least 3rd 4th level of abstraction. Boring story, so straightforward, nothing original. The love story shown within 2 minutes in sooo cliché-way succeeded with that typical sex scene in the locker room. Hey, we've seen love stories and sex scenes. This was far weak to be a basis for the rest of the movie. Dialogs are so difficult to hear and understand and this not because of some original language, it is because of the majority of the actors just cannot act. The main character is boring, his mates are boring, the girl is boring. I remembered none of the names of the characters. And they must be kidding by proposing this as a nominee for Oscar awards.

dwigt-schrute Although many Bulgarian directors choose the fateful events of the end of 1989, and the subsequent transition to municipal democracy as background to their films, TILT is definitely not clichéd or melodramatic.The story encompasses the fall of the Communist behemoth in Bulgaria and its metamorphosis in the early 1990s into the mafia that will corrupt a good part of the Bulgarian population in various ways.My primary criticism in Bulgarian films used to be cinematography. TILT is, however, beautifully shot and the color grading accentuates the mood of the film.The music/score was also superbly used, giving TILT a fresh breath of air. The storytelling was decent.My only criticism of the film is the excessive use of profanity--after a while it felt forced.10/10