Alicia I love this movie so much

VeteranLight I don't have all the words right now but this film is a work of art.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

davidjanuzbrown This is a movie that I like more then most people. I am not of Basque Heritage, so I cannot say what they did wrong as far as a culture and language is concerned. But if you watch the movie you will see that it is the Basque Settlers ( who needed to plant grape vines they brought from France) as opposed to the American trail guide, Lon ( Jeff Chandler) that comes up with the plan to defeat the Indians. The best one in the movie is Gabrielle Dauphin ( Susan Hayward) who is in a loveless, arraigned marriage to Andre. She is the walking definition of a spitfire, which you see in her flamingo dance and the settlers want to quit and she keeps them going, and when she pulls a gun on Lon and he knows she will use it. Andre simply cannot handle her ( even his mother calls him old). Andre is eventually killed by accident, but by tradition his younger brother Pepe must marry her. Of course, the one she really loves is Lon. Spoilers ahead: The way the Basque and Lon take to the mountains and defeat the Indians is something to watch. At the end Lon finds the perfect spot to plant the vines, which he shows to Gabrielle and Pepe, and Pepe sees the love that they have for each other. Pepe said to Lon " The best way to marry is for love." and he lets him have her. 9/10 Stars mostly for Hayward who dominates every scene she is in.

weezeralfalfa The theme rather reminds me of the HMS Bounty, in which water rations for the crew were minimal, so that fresh water on the ship could mostly be used to keep the breadfruit seedlings alive during the long voyage from Tahiti to Jamaica. In this case, fresh water in the desert portion of the journey is scarce, thus Chandler's wagon master character (Lon) wants the Basques to pitch their cherished grape vines so that the livestock and people have enough to survive. Even though some of the horses die of thirst, the Basques refuse to give up their vines, most vocally by Susan Hayward's character(Gabrielle).Hollywood films of this era usually played loose with historical and geographical accuracy, but this one is especially bizarre. The Basques are from the French side of the Pyrenees, and claim they left their homeland in the wake of post-Napoleonic unrest, one claiming he fought with Napoleon. Lon claims he fought with Washington in the Revolutionary War. Yet, this is supposed to be 1847(or 1850?)!. Historically, it's true that many Basques, especially on the French side, emigrated after the conclusion of the Napoleonic Wars, and that their economy was then in bad shape.Strange that Basques are characterized as introducing grapes(or at least their favorite cultivar) to California. Historically, it was the Spanish missions that established the early plantings in CA, Basques most commonly initially serving as sheepherders in the American West. I was unable to find evidence in support of the supposed Basque customs emphasized in the film of keeping the hearth pot burning perpetually, nor childhood betrothal. Also, the Spanish Flamingo dance near the beginning apparently isn't a Basque trait. The striking ululations made by the men on several occasions apparently are a Basque feature, but are not used for long distance communication nor for war whoops, as featured. Jacques Bergerac, who played Pepe, the brother of Gabrielle's husband, grew up in then Pyrenees region, although I don't know if he was a Basque. The screenplay includes some common features of wagon train films. Of course, there's a confrontation with Native Americans, rather late, not far from their destination. It was staged in the unique Alabama Hills, near Lone Pine and Mt. Whitney, were many a western was partially shot. In fact, most of the film was shot in various locations around Lone Pine, including the Olancha sand dunes,to the south. The prairie fire segment is rather reminiscent of that in "The Texans", filmed 2 decades earlier, except that they had to fight the fire and the Native Americans simultaneously in that one.Like "Westward the Women", when the wagons encounter a stretch of sand it must cross, the wagon master orders all heavy, not absolutely essential, items to be tossed. Historically, this most commonly occurred just before crossing the Rockies, with the fear that the pulling team would otherwise be reduced to a slow crawl up steep slopes. Also, as in "Westward the Women", and, no doubt, some other wagon train sagas, the footloose wagon master is tamed by a beautiful and forceful young woman(Gabrielle in this case) in the train. Presumably, she believes that this hard drinking. womanizing, loner can be made to be satisfied with a sedentary life. But, we Never find out if this works out. However, unlike Taylor's character in the former film, it's Lon who is doing the pursuing of very reluctant Gabrielle, who is married, and then promised by tradition to the brother of her deceased husband(Pepe), when her husband is accidentally shot. Although Lon and Pepe are then enemies during the latter part of the journey, Pepe finally give into Lon when they reach their 'promised land', with the excuse that old customs can be discarded in their new land. Actually, Lon is obnoxiously arrogant when it comes to his self appraisal of his desirability as a lover or husband vs. Gabrielle's husband or Pepe.

cruhl32 At age 12, I saw this picture in a theater when it was first released. It impressed me mainly because of the way the Basque fought -- making huge leaps between boulders, so when I saw it was on TV, I recorded & watched it again. Today, it looks like a very silly story. There are no acting performances or cinematography that redeem this picture. The Basque who have made other reviews on this site needn't be offended -- Hollywood rarely, if ever, depicts American history correctly -- let alone other cultures. The synopsis says this is a western set in the 1850's & that makes sense for Basque immigration (as near as I can tell), but Lon tells the Basque that he fought with Washington (who's last battle was in 1781)while the Basque tell him they fought with Napoleon, which I can date to prox. 1809, maybe earlier. Also, it made no sense to attack the Indians when the wagon train had guns & the Indians only bows & arrows. Women would not have been wearing pants, even riding pants in the mid 1800's. Hayward has many find performances that have stood the test of time & Chandler might have, if he'd lived. This movie is just a curiosity.

dbdumonteil ....or how History repeats itself.At the end of the 8th century,the Basques beat Charlemagne in Roncevaux in the Pyrénées mountains !When Bergerac evokes his ancestors' feat,he was historically accurate;later the chanson de geste "la chanson de Roland " (which enhanced Charlemagne's so-called nephew count Roland) forgot the Basques and turned them into Sarrazins. ....so the end of the movie is a second "Roncevaux" ,the Indians replacing good old Carolus Magnus and his fair knights.For the rest of the movie,as I do not know anything about the basques traditions,I will not argue with the precedent users who complain about the lack of knowledge of basque culture of the writers.The director used a lot of French actors -Heyward and Chandler are like Martians in such a company- ,all virtually unknown in their native country,even the lead Bergerac.This is a rather short film,mainly if we consider that the beginning consists of singing and dancing (Heyward 's flamenco,more Spanish than Basque,being one of the highlights of a fairly tepid story).Sometimes the Basques speak French,most of the time English,even between them,which makes the story unconvincing.Susan Heyward,as gorgeous as ever,contents herself with a few words .