KnotMissPriceless Why so much hype?

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Staci Frederick Blistering performances.

vincentlynch-moonoi The story behind this film is more interesting than the film itself. Edward G. Robinson was tiring of the constant gangster films that Warner Brothers was giving him, so off he went to England to make a different kind of film. This was the result. And it shows! Robinson is clearly having a great time in this film...and not a gangster to be seen. Unfortunately, the film was relatively unsuccessful at the box office, so it didn't do much to dissuade WB from plopping him back down into primarily gangster-related films. But if there is one reason to watch this film, it's to see Robinson enjoying himself so much here.As to the plot...well, it had potential. An over-the-top product promoter isn't appreciated by his American bosses, so he quits and goes to England to visit his distant relations...and gets caught up promoting a new metal which will revolutionize life...only to be outfoxed by a British entrepreneur. The script seems a bit shaky, as I often find in old films...but usually those made in the early 1930s. Additionally, I'm generally not a fan of British movies from the earlier days of the cinema...and this is no exception.Most of the cast doesn't mean much to Americans, but you will enjoy seeing Nigel Bruce in his typical buffoonery. And Ralph Richardson (with a rather young receding hairline) is here as the British entrepreneur that does the outfoxing.I doubt this one will find much favor among viewers unless they are die-hard Robinson fans (I'm a fan, but not a die-hard). But, judge for yourself.

MartinHafer The Atlantic Film Company only released one film--"Thunder in the City". I know nothing about this British company but was surprised to see a big star from the era, Edward G. Robinson, slumming it with a small production company instead of working with familiar old Warner Brothers. Regardless of why he agreed to this, it turned out to be an enjoyable sort of movie.The film begins with Robinson being fired from his job. It seems his way of marketing didn't sit well with the company, as they didn't like his hard sell techniques. On a whim, he decides to travel to the UK to look up some relatives and ends up coming up with a crazy scheme to market something that he knows nothing about--a mineral called magnalite. And, he actually is able to pull it off with a nationwide crazy blitz that got the Brits abuzz about this 'miracle metal'. However, the path to riches isn't all THAT easy, as he's about to discover the hard way.Robinson turns in a rather delightful performance as a good-hearted huckster. However, he's ably supported by a nice cast that includes Ralph Richardson and Nigel Bruce (among others). Not a brilliant film by any means but enjoyable throughout. Fluff? Perhaps...but enjoyable fluff!

bkoganbing In the middle of one of his disputes with the Brothers Warner, Edward G. Robinson went over to the United Kingdom to make this feature about a fast talking promoter who essentially inflates the value of some mining stock to get more money for the owner who is being squeezed by a tough minded businessman in the purchasing negotiations. The owners are Nigel Bruce and Constance Collier and the businessman is Ralph Richardson in one of his early screen roles.The role Robinson is playing is one Pat O'Brien probably would have been better suited for, it's the kind of fast talking ballyhoo artist that O'Brien did in his sleep. Bruce and Collier are fine, but Ralph Richardson really gives the best performance with Donald Calthrop as a French chemist who has patented the process to manufacture the 'magnalite' ore from the Bruce/Collier mines, a close second.If anyone can tell me what magnalite is I'd like to know. Robinson promotes it in the way that Rock Hudson promoted Vip in Lover Come Back.Thunder in the City is a great deal cheaper on the production values than anything Robinson was doing at Warner Brothers and unfortunately it shows. Still it's not a bad film and it certainly shows British business practice sure ain't different than American ones.

John Seal I'd love to know how producer Alexander Esway landed Edward G. Robinson for this low budget British feature. Robinson plays a crafty American businessman who relocates to the old country in order to pick up a few pointers--in addition to teaching the locals a few tricks about wealth creation. Nigel Bruce is delightful (and typically fuddled) as the nobleman who sells his stake in some Rhodesian mines to Robinson, Ralph Richardson is nice and chilly as the villain of the piece, and sexy Luli Deste is adequate as the film's love interest. For a low budget effort, the film is very well made, and features a few impressive sequences, most notably a brief scene in the Escher-like Challoner Hall that seems to consist primarily of staircases leading nowhere. The old Madacy Video tape leaves a lot to be desired, however: their print is worn and washed out. Thunder In the City is no classic, but it deserves to get cleaned up for DVD.