BlazeLime Strong and Moving!

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

Janis One of the most extraordinary films you will see this year. Take that as you want.

JohnHowardReid Leonard Slye (Roy Rogers), Dale Evans (Betty Weston), Grant Withers (Lukas, the express agent), Harry Shannon (Sam Weston), George Cleveland (Captain Joe of "The Yellow Rose of Texas"), William Haade (Buster), Weldon Heyburn (Charlie Gorse), Hal Taliaferro (Ferguson), Tom London (Sheriff Allen), Dick Botiller (Indian Pete), Janet Martin (singer), Bob Wilke (deputy, "sucker move"), Emmett Vogan (John Ellis), Bob Nolan (himself), the Sons of the Pioneers (themselves).Director: Joseph KANE. Original screenplay: Jack Townley. Photography: Jack Marta. Film editor: Tony Martinelli. Art director: Fred A. Ritter. Set decorator: Charles Thompson. Music director: Morton Scott. Dance director: Larry Ceballos. Sound recording: Ted Borschell. Associate producer: Harry Grey. Executive producer: Herbert J. Yates.Copyright 2 May 1944 by Republic Pictures. No New York showcase. U.S. release: 24 June. Australian release through British Empire Films: 17 May 1945. 6,577 feet. 73 minutes. (Alpha DVD is the cut TV version). SYNOPSIS: Insurance investigator Roy Rogers sets out to clear a man who alleges he was framed for a payroll robbery five years before.COMMENT: What we have here is not so much a western but a darned good mystery thriller instead. There's a bit of action, including a slap- up ruckus in a local cafe, a chase after a runaway buckboard and an ambush in the hills. But the producers have also seen to it that musical tastes are likewise well catered for. Plus a welcome bit of comedy. In all, a solidly entertaining mixture of thrills and spills, songs and sleuths. Rogers is adequate enough, his performance considerably bolstered by William Haade who makes an admirable sidekick, and Dale Evans as the distraught heroine. In fact by "B" western standards, the support cast is unusually strong. Withers, Heyburn, Shannon and Taliaferro are especially convincing, whilst Bob Nolan is in great voice — as are the rest of his boys. Marta's moody cinematography is also a tremendous asset. Most of the picture is set at night, giving the plot just the right spooky atmosphere.Director Joseph Kane, anxious to impress the Republic brass that he was capable of handling more prestigious product (this turned out to be his second last with Rogers), has handled proceedings with remarkable finesse — and even on a couple of occasions, style.

mark.waltz This modern western musical takes place aboard a river show boat for songs and dances and out among the sagebrush for the basic plot of a payroll robbery case being solved after five years. Showboat owner George Cleveland employs entertainer Dale Evans who is the daughter of the man accused of arranging the robbery, and Roy Rogers is the hero who stumbles onto the truth through spending time among the wrongly accused and those who may be guilty. This features songs and dances throughout the film, wraps up after just under 50 minutes, then stages a lavish (for Republic Studios that is) musical revue that is a mixture of corn, fancy Broadway style dancing, and various styles of songs from various areas. It's all pretty innocuous, but the opportunity to hear Rogers sing the title song doesn't come along every day.

MartinHafer There are two broad categories of Roy Rogers westerns--those where there is a story punctuated by songs and those which are nothing but a long series of songs punctuated, occasionally, by plot. "The Yellow Rose of Texas" falls into that latter category. The film has TONS of songs and the plot itself is pretty limp--making it one of the weaker Rogers films.The Yellow Rose from the title is actually a showboat. And, since showboats have lots of singing and dancing, that's exactly what you get a lot of during the movie. Now the Sons of the Pioneers were in better form than usual--but I am sure kids at the time squirmed in their seats when in addition, Roy, Dale and practically everyone began singing through the course of the film! As for the plot (what little there is of it), Roy is (once again) playing an undercover agent. He's insinuated himself on the boat to follow Dale. After all, her father is assumed to have been involved with a robbery and he's missing--and maybe by following her he'll locate the dad. Now here's where it gets pretty limp--when Roy finally finds the guy, he immediately assumes he's innocent...because Dale tells him! And the rest of the film is devoted to Roy the social worker to prove this and help everyone to live happily ever after. A bit typical of his plots--but pretty weak as well.Overall, if you are a Roy Rogers fan, by all means watch it. Others, however, might be better served trying some of his other films first.

bkoganbing Believe it or not Trigger gets his share of appearance in The Yellow Rose Of Texas even though a great deal of the film is on a showboat. Roy Rogers is a performer on the boat which I assume is working either the Red or the Sabine Rivers which do border Texas. George Cleveland is the captain and he's hired both Roy and Dale Evans for his show.But Dale is the daughter of Harry Shannon who escaped jail after serving three years on a robbery charge. He was accused of holding up an express company shipment and he's busted out to prove his innocence. Roy is working undercover for the insurance company and his job was to stay close to Dale should Shannon try to contact her.Of course he does and of course Roy gets his man. But Shannon convinces him of his innocence and the fact Roy's interested in Dale no doubt has a lot to do with it. Roy does start his own investigation and in due course the mystery is solved.Unfortunately I saw an abbreviated version for television and while the plot seemed pretty intact, I'm betting some musical numbers were cut from the tape I saw. If you remember Mitch Miller's version of The Yellow Rose Of Texas from the Fifties, the melody is somewhat different, still Roy and Dale do well by the song.The Yellow Rose Of Texas as a song will live a lot longer than this film will. Still it's not a bad B western and the Saturday afternoon kids loved it back in the day.