Unlimitedia
Sick Product of a Sick System
Plustown
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Cooktopi
The acting in this movie is really good.
Bumpy Chip
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
rupak_speaking
I hear that Brosnan's Bond flicks are not regarded among the best of Bonds, but I don't find much wrong with this one. It is probably his best performance in four of his Avtars if not his best Bond movie (would rate GoldenEye as so). The villain though said to be getting stronger in his terminal days, there is not much of a duel with Bond and does not inspire awe, but who steals the show is Sophie Marceau there. She certainly got a far meatier role than Denise Richards and made full use of it. The action sequences were creative and overall it did quite well in my books. 6.5-7/10. This one does not disappoint.
Leofwine_draca
The latest James Bond outing is a fun, if stale, formula piece which offers up little originality and yet has such a polished, flawless sheen that you can't help like it to a degree. Ideas were very thin on the ground here and the plot is a very loose one involving various traitorous characters swapping sides and shouting at each other a lot. It's all very confusing and to be honest not very interesting - mainly because none of the actors and actresses on screen appear to be getting into their roles, instead looking simply bored.Pierce Brosnan has settled into the role nicely, but his portrayal here is nothing short of lazy. He is also let down by his supporting cast - although to be fair the script isn't really interested in giving depth to our characters, instead preferring to have them as one-dimensional stereotypes. Sophie Marceau was hyped up as the newest femme fatale yet I think she seems out of place and miscast here - she's too sophisticated to be a realistic villainess. Robert Carlyle makes the most of his over the top villain, but he is barely on screen and the script gives him only a few lines.Various other supporting characters pop up, including Judi Dench, who looks even more out of place than usual when she gets trapped behind bars; Desmond Llewellyn is as mischievous as ever as Q, poignantly in his final role, and Robbie Coltrane overacts for all he's worth as a greasy Russian swine. The usual familiar British actors also pop up, including Michael Kitchen and John Cleese. But it's Denise Richards who stands out, for all the wrong reasons, as one of the most wooden Bond actresses out there - until Gemma Arterton came along in QUANTUM OF SOLACE, at least.What this film does benefit from are a couple of show-stopping action sequences, especially the opening boat chase over the River Thames which is the best that Bond has ever been. Unfortunately, things lose their way a bit with a terribly clichéd and unbelievable ski chase and a silly moment where Bond and co defuse a bomb while flying down a pipe (!). Thankfully a moment where helicopters with circular saws demolish Bond's car and a building makes up for these minor mishaps. The ending feels rushed but is pretty good too. Altogether, this is not the best Bond I've seen, and I'd rate it alongside something like THUNDERBALL.
Filipe Neto
Directed by Michael Apted and produced by Barbara Broccoli and Michael G. Wilson, it has script by Bruce Feirstein and Robert Wade and is the nineteenth film in the franchise. In this film, Pierce Brosnan plays 007 alongside Sophie Marceau, in the role of Electra King, Denise Richards, in the role of Christmas Jones, Robbie Coltrane, in the role of Valentin Zukovsky and Robert Carlyle, in the role of Renard. In this film, Desmond Llewelyn made one of his last appearances as Q, alongside his replacement, John Cleese, in the role of R, his assistant.In this film, James Bond will protect the life of Elektra, the young and seductive daughter of an oil tycoon, murdered by the construction of a pipeline in the Caspian Sea. Despite the orders received, Bond will discover that the girl keeps dark secrets from her past, and isn't as angelic and helpless as she seems.Its not the first time that James Bond gives attention to problems related to oil or energy, we already saw something similar in "The Man With the Golden Gun". However, its this film that focuses more directly on issues related to oil industry and the control of oil production, either by countries or by certain firms. Sophie Marceau deserves congratulations for her excellent interpretation in this film, where she had a deeply complex character. Indeed, Brosnan's time's movies, despite its serious flaws, gave some of the most remarkable and memorable villains of the franchise. As for Brosnan himself, he continued to make his role unconvincingly or unsurprisingly, warm as a bread without salt. The film is full of errors, paradoxes, continuity failures impossible to disguise and blatant advertising of various sponsors. The machines are also worth mentioning in this film, in particular the helicopter with saws which, in the most striking sequence of the film, chases Bond cutting a BMW and a caviar warehouse as if they were butter. The opening theme of this film is the longest in franchise so far. Sung by Garbage is excellent although its too long.
Python Hyena
The World is Not Enough (1999): Dir: Michael Apted / Cast: Pierce Brosnan, Sophia Marceau, Denise Richards, Robert Carlyle, Robbie Coltrane: Title can symbolize the attitude of the villain who wishes to conquer until there is nothing left to obtain. Plot regards an international power struggle over the world's oil supply. 007 agent James Bond is sent to protect Sophie Marceau, the daughter of a murdered oil tycoon. Christmas Jones is a nuclear scientist whom assists him. Explosive stunts and action delivered in full by director Michael Apted. This is an interesting choice film for a director famous for Coal Miner's Daughter and Gorillas in the Mist but he seems comfortable with the material. Pierce Brosnan's third outing as Bond and his best moment arrives in a vital scene where he is faced with the possibility of shooting a woman. Marceau is a wonderful in a mysterious role. Denise Richards as Jones is a terrible miscast that nearly sabotages the whole film. Robert Carlyle is effective as a villain with a bullet lodged in his brain that affects his nervous system so that he can feel little pain. We know that a physical confrontation will surface but that is among what loyal fans expect. Robbie Coltrane appears as a former Russian mafia boss who now dwells at casinos. Well crafted entry with its share of creative gadgets that should please fans who cannot get enough. Score: 8 ½ / 10