AniInterview Sorry, this movie sucks

Stometer Save your money for something good and enjoyable

Yvonne Jodi Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

thedaver500 I am a little biased because this is the version I grew up on, but since re-watching it as an adult I still believe it captures the magic of the book better than any other version. Unlike the others, this version doesn't shy away from the spiritual aspects of the book. Despite apparent danger, this world is inhabited by magical beings who look after the river-folk. Also, even though this movie is for kids, it trusts it's audience to relate to the internal struggle between wanderlust and responsibilities. Both Mole and Toad share this struggle, but each handles it differently. This is a fantastic lesson for kids to learn. The animation is beautiful and looks like a painting come to life. The voice acting is also perfect. Overall, the presentation is great and the story is rich. This movie will enchant children and adults alike.

Geoffrey DeLeons I was getting along swimmingly with the river characters, and those of the deep, dark woods as well. I enjoyed the characters of Mole, Rat and Badger very much. The illustration was also very well done, through-out. I enjoyed the choice of colors.Unfortunately, at a certain point, it seemed that this story was going to be focused primarily on loud, narcissistic, vain, boisterous Toad. Now, while I'll freely admit that one meets all types at a riverbank, or in the mansions there-upon, the serenity of the story was shredded by this agitating, impulsive amphibian.For me, it ruined the whole story, and I was unable to watch past the point where Toad was preparing for his "song" at the party, having, with the help of his friends, chased the ferrets, stoats and weasels out of his ornate, voluminous abode. In contrast to other animated features, such as Watership Down, The Wind In The Willows seems to have been written with much more coarse excitement and soft violence. I regret that this otherwise-charming story fell victim to our frenetic, aggressive way of life.I heard nary a wind, and saw bare-little Willow. The story needs to be re-written with Toad intermittently appearing, returning from his various and sundry jaunts and sojourns, with something valuable to add to the enjoyment and education of Mole, Rat, and Badger, or whomever else he should meet. Juxta-pose and integrate him with Badger and create some balance.., maybe even some poetry.

SmithWinston This film is packed with nostalgia: of my childhood when I first watched this, of the first novel I read all by myself and of the lovely English countryside.It's a wonderful adaptation of Wind in the Willows (interspersed with a little from Willows in the Winter). The graceful beauty of the river and its surroundings is captured marvellously in aquarelle-like animation. Light colours evoke the breezy simplicity of fond childhood memories of picnics outdoors and long walks. And in all of this there is to be found the yearly grand adventure: seasons changing and new avenues beckoning. Ratty describes it best with his poet's heart when he hears some far off call he feels compelled to respond to.The animation really is beautiful. The style chosen is so fitting for the settings and the story told, that you realise instantly why Disney-like animation would not have been right for this. The plot is dreamy, set in the countryside in warm afternoons and cold winter evenings. The fact that each frame is like an aquarelle painting is what makes the visuals match up so well with this. The paintings are like some old illustrations meant to go with the novel that have come to life and are flowing into motion. I could continue gushing about this forever, but I'll end by commending the artists for having achieved the impossible.Ratty, Mole, Badger and Toad are all perfectly voiced, though I feel a special mention of Mayall's Toad is in order. Whoever thought of casting him in this part was possessed by utter genius. Toad is an over-the-top obsessive character whose energy and zest for life should instantly grab you, and Mayall has caught that completely. It's a troublesome, tiresome, irritating, friendly, genial, loyal animal that can't help falling from one trouble into the next. He's surrounded by friends who stand by him through his silly and at times infuriating antics. There's something endearing about all four of the main characters, but Ratty was always my favourite. Clever and always trustworthy, knowledgeable in the ways of the River, with an appreciation for Its beauty and a respect for Its mysteries. There are many memorable scenes in this film, with adventures within adventures. Some standouts include Toad's frenzy about his new vehicle and the scene mentioned earlier where Ratty is considering heeding the distant call of a new adventure. Michael Palin's voicing of Ratty in this moment takes on a beautiful lyrical lilt and softness. It almost lulls you into the same spell and you want to rush out and follow that same adventure. A particularly memorable scene is one where Ratty and Mole are looking for the baby otter Portly who's gone missing. Whilst rowing on the River searching for it, Ratty hears the mysterious sound of a pan-flute or was it the reeds rustling in the wind? He sees a face through the reeds, calling, speaking to his heart and whispering weird and wondrous things. When they eventually come upon the lawn where Portly has been playing, they just manage to see who the otter baby's been keeping company with. It's some mysterious God (the Greek Pan, I think) gently holding Portly, lovingly looking after it and taking care of it, while every animal was worried it might have met a tragic end. The vision disappears and a happy little Portly is taken back to its delighted father.Later on, when he and Mole are rowing on the River again, Ratty tries to recollect the sight of that strange and wonderful creature whom he describes beautifully. He listens to some song welling up inside of him that is telling him that what he'd witnessed will slowly fade into a dream. And once again we see that strange and magical being dancing around on the grass and playing on its flute, its face slowly fading away through the reeds. Probably to reappear when it wants to dance and play its Panflute in the countryside once more. Or when it wants to make friends among the River's creatures.A very lovely film indeed, for all ages. Highly recommended for lovers of the country and of the book.

armstrongd_uk Having now watched various versions of WITW with my 3 year old son, this was undoubtedly the best of the bunch for both of us, as well as being the most faithful adaptation, and captures the very special and very English magic of the book.Right from the start a warm elegiac mood and feel is achieved, and the voices of the four leading characters are all excellently cast. We especially loved Alan Bennet, who for me made Mole come fully alive for the first time, and manages to very subtly inject real humour into his delivery. Messrs Gambon (Badger) and Mayall (Toad), were also perfect.A perfect way to spend a cosy Sunday afternoon curled up with young (or indeed not so young) family.