Cathardincu Surprisingly incoherent and boring

Freaktana A Major Disappointment

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

bkoganbing In the great Oscar winning best picture Patton, Karl Malden as Omar Bradley explains the difference between himself and George C. Scott. Malden is a professional soldier trained to do a job, whereas Scott just lives for the action because he loves it. That's what Steve McQueen is as a hotshot bomber pilot who has a crew of Karl Maldens who just want to do a job and get home alive. Oddly enough a year after The War Lover came out Steve McQueen would play another hotshot pilot in The Great Escape. A pilot who's been grounded and temporarily enjoying enemy hospitality. I wonder how the two McQueens from The War Lover and The Great Escape might have viewed each other.McQueen's co-pilot Robert Wagner dislikes McQueen's living on the edge style though he knows this guy has the skill to back up his brag and has done so. But things could be going further south in their relationship as McQueen makes a play for proper British woman Shirley Anne Field whom Wagner likes as well.It's an interesting role that McQueen has and he pulls it off. He's not a nice person, but you can't help rooting for him. Especially in that last close run thing he attempts at the close of the film.The War Lover is a good war picture and will satisfy the fans of Steve McQueen who are still legion in this world.

zardoz-13 Steve McQueen gives an outstanding performance as U.S. Army Air Force Captain 'Buzz' Rickson in "Reach for Glory" director Philip Leacock's World War II gripping aerial epic "The War Lover," one of those rare movies where McQueen qualifies as more of a villain than a hero. Robert Wagner co-stars as his straight-laced co-pilot and beautiful Shirley Ann Field with her sultry voice provides the love interest in this black & white film based on author John Hersey's 1959 Pulitzer Prize winning novel. "Casablanca" scenarist Howard Koch penned the screenplay. Leacock and Koch have created an Allied World War II movie where the conflict is confined within the ranks of the 8th Air Force. Furthermore, aside from some stunning aerial footage of an actual Luftwaffe Messerschmitt Bf 109G armed with 20 mm cannons blazing away at the B-17s, filmmakers never present the Nazi side of the war. In other words, we neither see the Germans nor the swastika. This snappy Columbia Pictures release was lensed on location in England at RAF Bovingdon in Hertfordshire, RAF Manston in Kent, around Cambridgeshire, and at Shepperton Studios in Surrey. Aside from Henry King's "Twelve O'Clock High" (1949) and Boris Sagal's "The 1000 Plane Raid" (1969), "The War Lover" is one of the very few World War II movies about the Boeing B-17 Flying Fortress in combat over Europe. Former R.A.F. pilot Captain John Crewdson and his company Film Aviation Services flew three vintage B-17s in "The War Lover." Clearly, it was testament to both Leacock and Crewdson that these three bomber look like an entire squadron. In fact, the belly landing was taken from "Twelve O'Clock High."Captain 'Buzz' Rickson (Steve McQueen of "The Magnificent Seven is an arrogant pilot who enjoys flying bombers and dropping bombs on the enemy. He lives to fly and flies to fight. In the opening scene, Rickson is flying to blow up some German submarine pens when the squadron commander reports that the cloud cover is so thick that they cannot attack their target. He gives the squadron orders to turn around, drop their bomb load in the sea and return home. 'Buzz' refuses to obey orders. Instead, Rickson and his squadron continue to the target and Rickson orders his pilot to descend through the clouds to about 85-hundred feet and drop their bombs. Although the submarine pens are destroyed, Buzz loses one Flying Fortress on the return journey and gets chewed out by his commandeering officer. Actually, this first scene is reminiscent of director Raoul Walsh's wartime aerial film "Desperate Journey," where Errol Flynn's impetuous bomber pilot descends below the clouds to clobber a target but in the process gets shot down.Later, on another mission, Rickson gets upset because instead of dropping bombs on the Jerrys, he has to drop propaganda leaflets. He shows his rage when he returns to base by flying low over the base. Indeed, he lives up to his nickname 'Buzz' because he buzzes the base. Buzz is such a tremendous pilot that his commanding officer lets him get away with it. Lieutenant Boland (Robert Wagner of "Prince Valiant") refuses to part company with Buzz when his superiors offer him an aircraft of his own. According to Boland, Buzz is one of the best pilots and flying their ship 'The Body' more by instinct than my instruments. Although Buzz is a hotshot in the air, he isn't popular on the ground and he comes to resent Boland's ability to land girls, particularly British beauty Daphne Caldwell. Daphne and Boland hit it off right away and become lovers much to Buzz's chagrin."The War Lover" reaches its climax when Buzz has to fly deep into the heart of Germany on a special bombing raid. Back in the base briefing room, a soldier discovers a rabbit's foot. We are led to believe that the rabbit's foot belonged to Buzz, but the connection is never concretely established. Before this top-secret, hush-hush raid, Buzz gets to intrude on Daphne after Boland has left his sweetheart. Leacock and Koch never show us watch happens as Buzz enters Daphne's house at her request. Indeed, he slaps her around, but he doesn't take advantage of him. Later, once they are aloft, Buzz confides in Boland that Daphne broke him. After they reach the target and blow it to hell and gone, our heroes turn back for home. A crew person informs Buzz that a bomb has been caught up in the bomb bay and was never dropped. Messerschmitt fighters attack Buzz's plane on the return trip, and he loses not only his ball turret gunner, Sergeant Junior (Michael Crawford of "The Knack . . . And How To Get It"), but three of his four propellers. Buzz orders his surviving crew members to bail out and pushes Boland out. Afterward, he climbs back into the cockpit and struggles to bring the ailing airship back to base. Instead, he smashed the bomber into the White Cliffs of Dover. Boland and Daphne are seen walking away at Cambridge."The War Lover" is one of those odd World War II movies where the Allies are not depicted in a wholesome light. Buzz is insubordinate and selfish. He thinks of nobody but himself and he lives up to his villainy when he invades Daphne's house and roughs her up. Later, when Buzz wants to save the B-17 instead of bail out, Boland tells him t hat he is a coward because he is afraid to kill. Generally, if you analyze the career of Steve McQueen, he played characters for the most part who were whitewashed. Buzz Rickson, however, is an exception to the rule. Buzz embodies both heroism and villainy. "The War Lover" isn't a great W.W. II movie, but McQueen's sterling performance, the vintage B-17s, and the fact that only a handful of such Allied aerial films have been made about the European Theater of war makes it an exemplary combat picture.

ianlouisiana Arguably "The War Lover",along with Len Deighton's "Bomber" is a top contender for the best novel written about the air war against Germany. I understand Mr Deighton has insisted on full control over any adaptation of his masterpiece - a proviso that has so far kept it out of the hands of the studios .Even a casual view of the movie version of "The War Lover" would seem to vindicate his position from a writer's point of view. Arthur Hornblow has made a good film about the USAAF's bombing campaign in Europe in much the same way as John Huston made a good film about catching whales out of "Moby Dick". The perennial problem of translating a work from one medium to another remains unresolved,quite possibly unresolvable unless a director resorts to a scene-for-scene adaptation.An ideal solution perhaps to salve the delicate ego of a novelist,but not to retain the attention of a moviegoer. Mr Hornblow settled for a no nonsense approach this story about a menage a trois in wartime England.Miss Shirley Anne Field is the object of affection for both Mr Bob Wagner and Mr Steve McQueen. Mr Wagner is the nice sensitive guy,Mr McQueen is the arrogant womaniser.As they both fly the same B17 this tends to put a strain on their relationship.Miss Field rather niftily steals the film from under the noses of her illustrious co - stars.The daughter of legendary British Music Hall comic Sid Field,she had beauty,brains and talent in abundance.The Film Industry's failure to make the most of this fine actress's abilities is scandalous. Mr Wagner does well as her original lover,introspective,with a quiet strength of character.Mr McQueen cleverly combines cockiness and vulnerability as the eponymous "War Lover",a character who - in the novel - lacked empathy to the extent of being almost sociopathic. But the iconic Big - Assed - Bird is the real star of the movie. Bloodied,battered but unbowed,the Flying Fortress brought back its crews time and again from the hostile skies over Europe,often with incapacitated pilots at the controls,almost as if it was willing itself to bring back safely its cargo of brave young men whose collective will and courage helped destroy Nazism. In the Grand Scheme of things,men like Buzz and Bo ,their personal affairs and their fate was of little consequence,but from time to time it is appropriate to remind ourselves that the Grand Scheme is made up of a lot of Little Schemes that involve individual human beings and their individual lives.That is what "The War Lover" does - and it does it rather well.

info-5918 Nice action piece, with some nice period detail of what it was probably like being a US bomber pilot in the US in the war. While not the movie mainly focuses on the the relationship between the three main characters, it also focuses on Buzz's character, a vaguely psychotic bomber pilot.Motivations and the lives on the bomber crew are shown, I quite liked the setting and the portrayal of these guys. The relationship between Buss, Boland and Daphne is a tad clichéd...and really seems to be one of those war movies that are spoiled because it was felt there was a need to fit a romance into it.Lots of great footage of bombers, including some amazing footage of a bomber landing on its belly with no undercarriage, and some low level stunt stuff that has to be played with a good sound system. However some of the effects are a tad dodgy, and all the Luftwaffe fighter footage is obvious grainy stock footage..shame that they went to the trouble to use real US bombers, but couldn't get hold of a few Messercshmidts!