Hellen I like the storyline of this show,it attract me so much

Claysaba Excellent, Without a doubt!!

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

dianamercedeshowell It is at least a five because I watched it to the very end. Harrelson is utterly inappropriate for the role of a gay escort of DC's bored housewives, but you cannot take your eyes of of him. I was about to pop out the disc when his character did something really dumb. I had to continue watching to understand why he did that. The Walker isn't a literal remake of American Gigolo, but Paul Schrader is recycling the same material. Carter Page III (Harrelson) thinks he has everything under control. Gets involved with the wrong people, the rich and powerful are always evil, right? Discovers these people aren't really his friends after he is suspected of killing a lobbyist and doors begin to slam in his face. Plenty of cameos by really good actors...Ned Beatty, Willem Dafoe, Lily Tomlin, Lauren Bacall. It isn't the script that keeps you watching, it is watching pros execute their craft. Except for these cameos and Harrelson's charisma, this movie has no pulse.

CitizenCaine With The Walker, director Paul Schrader continues the the isolated man theme he's explored several times in the past with Taxi Driver, Hardcore, Raging Bull, American Gigolo, Light Sleeper, and even Affliction to some degree. Woody Harrelson is Carter Page, a walker for society women who must make public appearances without their spouses or with someone if they have no spouse. Harrelson has a stable of women he works with including the legendary Lauren Bacall, who is amusing indeed in a limited role, Lily Tomlin, and Kristen Scott-Thomas. Scott-Thomas is Harrelson's focal woman in the group and of Schrader's plot. She pays a visit to her lover with Harrelson in tow only to discover the lover murdered. Harrelson, of course, becomes the prime suspect. As Carter Page, he undergoes somewhat of a personality change as he is forced to shed the superficial airs he puts on for his society friends in favor of taking a more active role in the investigation that follows in order to simultaneously save his own skin and maintain his integrity with his society friends.Schrader has always had an ear for dialog and has drawn excellent characterizations, and the characters in The Walker are no exception. Woody Harrelson is quite different as Carter Page than most audience members are used to seeing him. The cinematography by Chris Seager is rich with detail and serves as a counterpart to the artificiality of Washington politics surrounding the goings-on in the film. In tact is Schrader's isolated man against himself, others, and society as in all of the previously aforementioned films. The film tends to drag just a tad but accelerates nicely after the murder. It's not one of Schrader's best, but average Schrader is still above average when compared to other filmmakers. Ned Beatty has a key small role as a politician, and Willem Dafoe, a Schrader favorite, also has a small role. *** of 4 stars.

S.R. Dipaling Carter Page III(Woody Harrelson,out of his ordinary element and better than I think he believed he was),a product of Southern noblesse and high politics,has been living a comfortable,if perhaps lackluster and even(to greater or lesser degrees)disappointing lifestyle. Openly gay and a known quantity perhaps more for his famous name(his father was a governor;older generations were Virginia movers and shakers,slavers and whatnot)than for anything he's done or become,he glides through Washington D.C. society with relative ease,friendly with a number of senator's wives. He "walks" them to society benefits and social events,hence the title of the film.When one of his friends(Kristin Scott-Thomas,icily cool as ever)leaves the scene of a murder,Car(as he's called)decides to cover for her. That turns out to be a mistake,as he instead attracts a loudly public investigation by a one-time family rival. Soon,the crime,no matter how much it seems to have nothing to do with him,still sucks him in,as he finds himself trying to cover for his lady friend AND cover his own behind,as well as protecting his boyfriend(Moritz Bliebtreu).Some pretty notable supporting cast-mates(Lauren Bacall,Lily Tomlin,Ned Beatty and Willem DaFoe,in an inspired cameo)flesh out the rest of this story,which clocks about an hour forty but moves at a steady,unhurried pace. Writer-director Paul Schraeder purposefully makes this movie ENTIRELY a character sketch and builds story around that character,which is almost entirely Car Page. Harrelson's performance may look a little ill-fitting for a guy more known for more athletic,bravura roles(White men Can't Jump,Natural Born Killers,Kingpin,People vs. Larry Flynt,Zombieland come immediately to mind),but I think he still carries this off with remarkable poise and intelligence. The plot seems to dawdle some for something that is ostensibly pushed as a "thriller" or "suspense",but given the pedigree of this film and the material of the story,it's really neither incongruous nor disengaging.Another film that went VERY quietly from theatrical to DVD shelf,people who don't care to know anything detail about or get involved in their movie's stories can stay away from this. For anyone else,this is worth a look.

M. J Arocena To be a walker is to be something if not someone or, if you prefer, a walker is someone without being something. Whatever way you look at it, there is something that it's desperately not there. Woody Harrelson and his character, act. Acting as a way of life. Trying to be trivial all the time runs the risk of making triviality something truly important. We're standing on the sidelines looking in without seeing because if we saw, well, if we saw, things may be dramatically different. This is a film by Paul Schrader - a master in getting into the hearts and souls of the outsiders - and Harrelson is an outsider living in, with a very specific awareness. Great! A film to savor and listen to, attentively. Not very often one can actually say that. Other than Harrelson, Lauren Bacall, Kristin Scott Thomas and Lily Tomlin shine.