Lovesusti The Worst Film Ever

Cleveronix A different way of telling a story

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Tweekums In a remote corner of China the diabolical criminal mastermind Fu Manchu has dynamited the pass leading to the province and sent word to the authorities suggesting there was an earthquake. Free from outside interference he plots his revenge against his nemesis; Assistant Commissioner Nayland Smith of Scotland Yard. This scheme is inevitably devious; he has kidnapped a doctor and his daughter and forced him to perform plastic surgery on a man to change his appearance so that he looks like Nayland Smith. He then arranges for the real Nayland Smith to be kidnapped and replaced while on holiday in Ireland. While the real policeman is put in a crate bound for China the imposter commits murder and is put on trial… killing Nayland Smith won't be enough for Fu Manchu; first he must be thoroughly discredited in the eyes of the world. Meanwhile it emerges that a senior member of the American criminal underworld is heading to China to talk to a potential leader of world crime.I first watched the Fu Manchu films as a child in the seventies and this is the first one of the series that I've watched since then. Watching again it is clear that this is far from a classic film but it is rather fun. In this day and age it would be unacceptable to have a European playing a Chinese character but Christopher Lee does do a fine job as the diabolical Fu Manchu; thankfully he doesn't attempt a dodgy 'Chinese' accent. Douglas Wilmer does a solid job as Nayland Smith, and his doppelganger, although the real policeman spends much of the time in captivity and the copy is unspeaking and emotionless. Tsai Chin impresses as Fu Manchu's daughter, a character who is clearly a chip off the old block. The story is pretty silly… but then it wouldn't have been interesting if Fu Manchu had done the obvious thing and just had Nayland Smith disposed of. The action scenes are decent in a fairly bloodless way; certainly not too violent for younger viewers. Overall it is a bit dated but I rather enjoyed it; perhaps for nostalgic reasons but also because it was rather fun.

davecountryfan Dr Fu Manchu – along with Bulldog Drummond – is now a bit of a hot potato in adventure fiction and a liberal shorthand for the shockingly racist excesses of our past culture. Indeed, Sax Rohmer's books – initially a trilogy in the mid-1910s before several more appeared in the '30s – were borne out of a xenophobia for East Asia grandly termed 'the Yellow Peril' and were offensive to some even then. Surprisingly, the character himself rarely showed up in his own franchise. Most of the action followed his enemies, the Holmes and Watson avatars Sir Denis Nayland-Smith and Dr Petrie, in a series of exotic, ludicrously pulpy plots.The 1960s saw contentious producer Harry Alan Towers revive the character for a cycle of five independent British films so cheesy that the ushers must have handed out crackers on the way in. Christopher Lee – best known at the time, of course, as Dracula in several wonderfully schlocky Hammer productions – played Fu Manchu in yellow-face in what basically amounted to a series of extended cameos. The Holmes and Watson connection remained with the starring of Douglas Wilmer, who had played Holmes on television for the BBC, and Howard Marion-Crawford, who had been Watson to Ronald Howard's Holmes in the drily amusing 1954 TV series. This third film jettisoned the director of the first two films, Don Sharp, and replaced him with Jeremy Summers, who had made the deservedly obscure Gerry and the Pacemakers film Ferry Cross the Mersey but also episodes of many of my favourite ITC series.The plot in this one is thin but does the business sure enough. After previous encounters with his English foe, Fu Manchu is so hungry for vengeance – hence the title – that he forces a plastic surgeon to change one of his servants into a doppelgänger for Nayland Smith. As the servant is also Oriental, we get a reverse Gustav Graves from Die Another Day.Is it me or do many of these bad-guys make the most unreasonable demands? So while the real Nayland Smith is captured and brought to Fu Manchu's wilderness lair, the lookalike replaces him, moves around like a robot and commits murder. He is then arrested, tried and scheduled to hang, thereby ruining Nayland Smith's reputation as one of England's finest. Fu Manchu plans to do this to several other prominent law-enforcers across the world, thus undermining that whole law and order thing that bothers him so much. Meanwhile, he plays host to a seedy man in a cowboy hat who is apparently – and this bit I loved – the Ambassador of the American Underworld.There's a fair bit of filler, of course – a boring meeting with Interpol, a nonsensical fight on a boat, a sprawling bar fight with sailors, an FBI character who does nothing at all and an unnecessary lounge number – but there is some surprising shots of the Chinese mountains and a couple of exciting ninja scenes which, while doing nothing for the Bruce Lee fan, does bring the energy up. Christopher Lee is listless as ever while Douglas Wilmer somehow keeps his dignity while he is bundled into a crater, a prison cell and a hay cart and inexplicably walks around with what appears to be a door around his neck. It's all wonderfully silly and, despite lagging at some points, is exciting enough. As long as you're in the mood for some cheesy fun, it's worth a watch.

Leofwine_draca The third outing for Christopher Lee's oriental tyrant (following on from THE FACE OF FU MANCHU and THE BRIDES OF FU MANCHU) is starting to wear a bit thin even in my tolerant expectations as the plot is simply rehashed again from the first two films (and there are still another two to go in the series!). I mean how many times can we go through the same old 'kidnapped scientist' scenario? Still there are a few minor thrills and chuckles to be had for those of us who are fans of this kind of '60s wackiness, and of course the nostalgia to be had from any of the items from this jam-packed decade of cinematic obscurities.This time around the comic book style is even more apparent than normal, with a bare minimum of plot merely serving as a basis for a series of fights, scraps, and one or two huge brawls. Once again these fight scenes are a lot of fun, but there are lots of other familiar ingredients in the film to enjoy too. These include strangulation, hypnotism, a fairly explicit decapitation, some torture (the rack and branding irons are brought into play) and much, much more. Obviously the changing, more liberal attitudes of the decade are evident here in the increased violence content, and now evil Chinese minions are stabbed on screen instead of off.The acting is all up to standard, and if the characters are clichéd, at least they're fun. Douglas Wilmer reprises his role as the heroic Nayland Smith, this time with grey hair after his tiring skirmishes with the yellow peril, and his wooden acting is spot on when he has to play a mindless double of his real self. Tsai Chin is wicked as Fu Manchu's daughter, while Christopher Lee has better makeup this time around (his slanted eyes are far more prominent) and is fun as always. Any film which has a character replaced by an evil double deserves to be watched, in my book at least.

LeonLouisRicci The Third Entry in the Five Film Series seems Longer than its 91 minute Running Time.There are a few Flourishes of Note. The Location Shooting adds a Grandiose and Beautiful Backdrop, some Torture Scenes are Visceral with Gruesome Devices keeping with the Sadistic Tone of the "Fu' Films, and Christopher Lee again Strikes an Imposing Figure as the Towering Megalomaniac.The Plot, however, is not Worthy of Fu's Intellect. Replacing Law Enforcement Leaders with Doppelgangers, one at a time, seems to be a rather Lengthy, Round About way, of Conquering the World.A Cowboy Hat wearing "Gangster" looks Ridiculous in the Setting, as does most of the Dialog from most of the Non-Asian Bad-Guys. Nayland Smith (Fu's Arch-Enemy) is Reduced to Zombification and is Replaced by another American, a Dull FBI Agent who is used for a Few Weak Kung-Fu Scenes.The Least of the First Three "Fu" Movies and by most accounts the Last that is at all Tolerable.Note...Filmed in part at the legendary "Shaw Brothers" Studio in Hong Kong. It didn't help much.