Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Janis One of the most extraordinary films you will see this year. Take that as you want.

Mauro P. I'm Italian and I grown up with the charming stories of my grandparents, about the works in the countryside, the long walks for go to school and to the church, the frugal diet, the attempts of cheat to the bailiff (il fattore) and to the owner (il possidente), the killing of the pigs (la pista, that I saw more times in my childhood), the meeting between young men and women... this movie is a perfect reconstruction of their stories. I have some books too, written by old men and women of my region lived at the beginning of the century, and all the scenes in this masterpiece are written in these books. Some scenes could seems cruel to the eyes of a citizen, and the seven minutes where you can see the killing of the pig would be impossible to make in this century (the animalists would became crazy), but this is history, and make more sweet the history doesn't have sense. This is the history of Italy, history that you can find yet in some part of the peninsula, and watching "L'albero degli zoccoli" can help you in understanding better my country. It isn't an action movie, and if you are looking for sci-fi or action be aware that even a masterpiece like this one could be boring to wrong eyes.

Shakkhar Director Ermanno Olmi's ambition is colossal, and he will settle for nothing less than an epic about the whole spectrum of human existence. The film is unusual in the sense that it rarely focuses on a character or a plot. Yet Olmi threads a unity with mastery unmatched by anything else I've seen before. Also, the background score provides a nice touch. But this is where the good things end for me.The film suffers from an abundance of religious propaganda. The scene where a terminally ill animal recovers miraculously after drinking some sort of holy water really disgusted me. Also, I felt like the film idealizes peasant life to some extent - especially the women. It seems like the only thing the women do is pray. (Of course, the director may have a point here.)I think the lack of a dedicated cinematographer shows. The focus is off in a number of shots, exposure within a scene is not always consistent. There are interior scenes where you can see two or three overlapping shadows of the same person cast by different sources - supposed to be candles. But candles don't cast that kind of hard-edged opaque shadow. I am not sure if it's just me, but the lighting seems really amateur.While the film is beautiful, a work of genius and is a must see for anyone interested in serious filmmaking, beware of the religious stuffs, if you are not into that kind of things.

Jackson Booth-Millard I knew it was an Italian film, and that it featured in the book 1001 Movies You Must See Before You Die, so that was the best reason for me to try it. There is no plot as such, it is basically a documentary style film seeing life on a peasant farm in Lombardy, Italy, at the beginning of the 19th century. So in the film we see all farm work and activities going through all the seasons, including hay loading, gutting and cutting up a pig while partially alive, a little mucking out, and caring for horses and cattle, oh, and going to church. The only tiny hints at a story are a clever child sent to school instead of getting help, and having to walk miles to get there, and when his shoes are ruined, they can't afford a new pair. Also, one of the farmer's finds a very valuable coin while doing his task with the horses, and to make sure no-one finds it, he hides it under one of the horse's hooves, but this doesn't work. Starring Luigi Ornaghi as Batistì, Francesca Moriggi as Batistina, Omar Brignoli as Minec and Antonio Ferrari as Tuni. I think, if it wasn't for the lack of plot (which isn't all bad, but still), and the length at just over three hours, this would have probably been given five stars, but it is still an essential period drama. It won the BAFTA Flaherty Documentary Award, and it won the Cannes Film Feastival Golden Palm (Palme D'or) and the Prize of the Ecumenical Jury. Very good!

RanchoTuVu A mosaic of peasant life in Lombardy at the turn of the twentieth century that slowly moves along for three hours but never comes close to losing interest thanks to the wealth of details and (though amateur) moving performances. In the title lies the heartwrenching conclusion abruptly reached after the meandering and soulful journey that is taken into the lives of a group of peasant families, with the butchering of a goose and later a pig, a marriage, a boatride to Milan, and a dinner amongst the sisters of a convent while the stirrings of political change and repression stay mainly in the background but are there to see. While the focus is on the peasants, the world that the movie creates is more like being there than any other film around.