Lovesusti The Worst Film Ever

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.

GManfred Does that sound redundant? It's not, you know. Think of all the 'mysteries' that show the murderer in the first few scenes ("The Big Clock", "Sleuth", etc.). "The Third Secret", on the other hand, waits until almost the last scene to reveal the murderer, which makes it a much more satisfying mystery.But what sets "The Third Secret" apart is an exceptionally well-written script with some of the most intelligent dialogue to come down the pike in years. What a refreshing departure from the current fare, loaded with f-bombs and other obscenities. This picture is written for grown-ups by a grown-up. Couple this with flawless performances from all concerned, and you have a picture worth at least a seven in our rating system.I can go no higher because this movie is a bit long-winded, with protracted scenes of very capable actors engaged in aforementioned dialogue to the point of tedium. You will, however, enjoy the overall premise - that the death of a well-known psychiatrist was a murder and not a suicide. Very cleverly handled with a twist ending. "The Third Secret" is well worth your time. It's just that it seems to last longer than it actually does.

Deusvolt Among murder thrillers involving psychopaths, I have more empathy for this movie than for the blood curdling Psycho of Hitchcock which elicits disgust rather than sympathy. Somehow, despite its somber black and white Zone 5 photography, The Third Secret seems romantic and not only because of the delicate vulnerability of the beautiful Catherine (portrayed by Franklin) and the caring gentlemanliness of Alex (Stephen Boyd) but also because of the tone and mood emanating from the locations and sets.It is a very quiet film with none of the scary music and jarring sound effects widely used in this genre. But the seemingly calm voices of the main characters somehow carry you along towards a crescendo of excitement and terror.If you liked Pamela Franklin as a little girl in the Innocents, you'll like her even better as a teenager in this film.It seems obvious that the murderer of Catherine's father, the psychiatrist, was one of his patients. But which one? Since he treated severely disturbed patients, most of them are likely suspects even Alex (Boyd). To discover the murderer, you must understand the nature of the third secret.And what is the third secret? Spoiler ahead: The first secret is the secret you share with others. The second secret is the secret you keep only to yourself. And the third secret? Well, that's the secret!

reve-2 One of the slowest, most plodding, and dreary movies that I have ever seen. No action at all unless you consider frequent lapses into hysterics by various characters as action. Skip this one folks. It's horrible and the ultimate conclusion is so obvious as this dull story inches along as to be painful to watch.

Aldanoli A British psychologist has apparently committed suicide, but his teenage daughter is convinced it was murder and asks one of his patients (Stephen Boyd, as an expatriate American journalist) to investigate. Somber, brooding, introspective tale, with Boyd well-cast in the lead; elegantly written (worthwhile just for the dialogue), and moodily shot in black and white. Regrettably, the film is inaccurate in its portrayal of psychiatry; despite what the script says, people suffering from paranoid schizophrenia are no more likely to be murderers than anyone else, and people with schizophrenia cannot hide their illness as though they were undercover spies. That small suspension of disbelief aside, the film ruminates on all sorts of interesting ideas that fit together like inlaid wood.The film is enhanced by an excellent cast, including Jack Hawkins, Richard Attenborough, and Diane Cilento as the three suspects, the now-legendary Judi Dench in her first credited role, and the much under-rated child actress, Pamela Franklin, as the psychologist's daughter. In particular, though, Attenborough's performance as an awkward, insecure art dealer stands out as a remarkable contrast to his performance in another film of 1964--"Guns at Batasi," in which he plays a tough, almost indestructible British Army sergeant.