The Theory of Flight

1999
6.6| 1h41m| R| en| More Info
Released: 22 January 1999 Released
Producted By: BBC Film
Country:
Budget: 0
Revenue: 0
Official Website:
Info

A dreamer who aspires to human flight is assigned public service after one of his attempts off a public building. This leads him to meeting a young woman, who is dying of motor neuron disease. The strong-willed woman admits her wish to be de-flowered before her death. The man, struggling to maintain his relationship with his girl friend, declines but offers to help pay for a gigolo to do the deed. The following events play off the inherent comedy and drama of the circumstances.

Genre

Drama, Comedy, Romance

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Director

Paul Greengrass

Production Companies

BBC Film

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The Theory of Flight Audience Reviews

Stellead Don't listen to the Hype. It's awful
CommentsXp Best movie ever!
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
funky_cherry86 Kenneth Branagh is one of my favourite actors having seen some of his work in Dead Again & Mary Shelley's Frankenstein his performance was both clever and incredible. Helena Bonham Carter's portrayal of Jane a young woman dying from motor neurone disease was touching and heartfelt, you see the character go through the difficulty of the illness and sympathize with the situation.When I saw this film I began to enjoy it after the first few minutes it was funny, heartbreaking and a little romantic. One of my favourite scenes was when Jane asked for help to lose her virginity, the expression on Richard's face was hilarious and yet stunned.The Theory Of Flight is a charming story filled with enough comedy, drama and the right amount of romance to keep viewers entertained.
jotix100 Imagine the plight of Richard, a painter, whose real passion is flying. When we first meet him, he is seen atop a building in London wearing his home made wings. He has ripped his canvases and other works, at the height of his despair, and fashions a flying device for his jump. When he falls into the protective police contraption, he doesn't suffer a scratch, but it lands him in front of a judge who orders him to do community service. Richard, whose relationship with Anne apparently ended badly, decides to relocate to a rural area where he finds a place in the country with a large barn he plans to use to construct his own plane.Richard ends up trying to help Jane Harchard reluctantly. She is a young woman suffering from A.L.S., or Lou Gehrig's disease and is confined to a motorized wheel chair. Jane is extremely intelligent, but has a dark side and a salty vocabulary. She uses a hand held device to speak sometimes, as her speech is not clear. What Jane loves to do is to lose her virginity, at any cost. Jane and Richard clash as they meet, but a mutual tolerance soon makes them comfortable with one another.Jane, who watches porn on her computer, has a notion for finding someone like Richard Gere in "American Gigolo", who will, for a fee, have sex with her. When Richard takes her to London, they find the right man for the job. His fee is exorbitant, but they agree. Since they have no money, Richard decides to rob a big bank. Unfortunately, things don't go according to plan when Jane realizes that she can't go through with what she had wanted. At the end, Richard takes Jane for a ride in his crudely built plane for the thrill of her life, something that brings them closer, as they find an affinity with one another.Peter Greengrass directed this quirky film which presents an unusual situation. Jane is clearly not the romantic heroine in mainstream films, and yet, she has such a sweet aura about her that is hard not to feel for her and what she is trying to accomplish. Mr. Greengrass shows an affinity Richar Hawkins' material he wrote for the film. The movie doesn't try to be cute or give a rosy picture of a young woman afflicted with an incurable disease.Helena Bonham Carter is the main reason for watching the film. She makes a wonderful Jane. On the other hand, Kenneth Branagh doesn't seem too well suited for this type of comedy. Somehow, he has problems of his own in the way he interprets Richard. Gemma Jones has some good moments as Anne, Richard's former love."The Theory of Flight" shows a good director. No doubt Peter Greengrass will go to bigger and better things.
jbuys This movie truly captures the feeling of freedom.......and what the freedom of your own integrity is worth....in the most delightful, light-hearted way. Not a serious, but hilarious adventure.The story mirrors life. We don't always get what we want right away but we find out we get what we need to to understand why we didn't get what we wanted....which results in us getting more than we thought we would get! You will get this once you see the movie. And this movie is truly about finding love and knowing one has found it and that it totally changed one's life.It is one of my all time favorites......not easy to find but worth the hunt.........I guarantee you will watch it more than once!
Stephen-12 Despite its low-key release in this country, and its apparent disregard in other countries (the 'R' rating in the States can't have helped - honestly, just because HBC uses the C-word!), this is actually a fine piece of work. The sentimentality does occasionally threaten to choke it, but it's overcome by the playing of the two leads.It's easy to win plaudits just because you're playing a physical or mental cripple (Daniel Day-Lewis, Geoffrey Rush, Dustin Hoffman, etc.), and Helena Bonham-Carter may not quite capture the physical degradation of MND, but her vocal stretching and ruthless emotional drive compensate entirely. In fact, almost all her performance is conducted through her eyes (and what eyes!). This is an intelligent turn from an actress who is rapidly undoing her English Rose reputation, and emerging as a figure of some stature. Awards must surely follow, though not, alas, for this fine performance.Branagh, one feels, has never quite given his best on film (except possibly 'Hamlet', and there his playing was diluted by the large cast). Here, though, he tops his other appearances, playing to the hilt a self-loathing, unstable, ultimately lovable guy with a subtlety he hasn't always displayed, and exhibiting both intelligence and depth. In short, we believe him, just as much as we could NOT believe him as Frankenstein, as the priest in 'The Proposition', as the lawyer in 'The Gingerbread Man', even as Andrew in 'Peter's Friends'. This is surely his finest performance yet - so why could he not produce the goods much earlier?As a film, it looks more like a television offering, and without its stars it probably wouldn't amount to very much. But it's been a pleasure to see this pair perform their socks off like this, and I eagerly await more from them (though not 'Love's Labour's Lost'...). 8 out of 10, but Branagh and HBC get 10 out of 10.