The Texan Meets Calamity Jane

1950 "THE WEST'S MOST FABULOUS GUN-TOTIN' BEAUTY...tangles with six feet of fightin' he-man!"
4.5| 1h11m| NA| en| More Info
Released: 15 November 1950 Released
Producted By: Columbia Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Info

A western in which Calamity Jane's rightful ownership of a gambling hall is challenged. She nearly loses the business to a shady crook, but Texas lawyer Ellison puts up a legal battle to help her stay in charge. After a sensational fight, the letters proving her right are discovered.

Genre

Western

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Director

Ande Lamb

Production Companies

Columbia Pictures

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The Texan Meets Calamity Jane Audience Reviews

SunnyHello Nice effects though.
Smartorhypo Highly Overrated But Still Good
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
martin lane That was the title on the pretty Trucolor print shown on the Encore Western's channel....and I thought the film was a pretty likable low budgeter. The cast was professional...and the writing and direction told the pleasant enough story well. The depiction of Calamitiy Jane's love for the late lamented Hickock...and her reluctance to be caught up in a flirtation with lawyer Eliison give the film a slight air of gravity and romance missing from most b westerns of the era....I like the strange ethereal unreality of well used two color systems...and the use of pink and orange and green in this one is a treat....and well worth a peak for he curious...
TRunfalo Yep, it is so bad that it is almost good. The acting, other than Ankers and Ellison and Ingram , is pathetic. Lee "Lasses" White almost drove me to drink. This movie has virtually no credibility and no saving graces, except that the Trucolor photography is excellent...as excellent, that is, as two-color photography will allow. Struss does an excellent job in the color photography department which is the real reason I stayed with the film. The Trucolor photography has an unreal look to it...almost like a pastel painting. I only wish Gene Autry had made at least one Trucolor film in addition to his two Cinecolor films. All in all, watch it late at night with a bottle of Jack Daniels and relax....after all, it's only a movie!