RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

Ben Calmes Delightful romp whose sole purpose is to showcase the body and talents of Ann Margaret. Very stylish production clashes wittily with a very dated story line. Ann Margaret is a demure fantasy, the accessible all-American girl, pretending to be a wild swinger so she can get published in a Playboy-type men's skin rag. This is one of the last movies directed by George Sidney who directed early titillations such as "Showboat" and "Ziegfield Follies." His obsession with Miss Margaret is apparent and she responds by letting it all hang out. From the opening credits, where she jumps on a trampoline in a cat suit, to zipping around her hip pad in sheer black pantyhose, her performance is frenetically sexy and out of control. She gets used as a paintbrush in a silly orgy and even does a strip-tease. The centerpiece of the movie, however, is the long photo montage sequence that dresses up Ann Margaret in every conceivable look from freckled school-girl to exotic femme fatale. For fans of Ann-Margaret this movie is a indulgent feast!

Hermit C-2 Anyone who sees this movie thinking it's about the sexual revolution will likely conclude it was a phony war. Here's a movie about the swinging '60's that was made by people still stuck in the '50's. There's lots of leering and sniggering with enough innuendo for two films, but nothing that comes even close to being arousing. Well, I guess Ann-Margret would be sexy even in a nun's habit, but that's about it. She's a writer trying to sell her story to 'Girl Lure' magazine but the editor (Tony Franciosa) won't buy it, so to get him interested she pretends to be the role model for the story's hedonistic heroine. Margret and Franciosa seem perfectly cast for this movie; unfortunately it comes off like an early version of 'Dumb and Dumber.'There's an attempt to give the film a wacky, madcap ending, but that's not much more successful than the rest of the attempts at humor. Make that intended humor. There are plenty of unintentional laughs. Films like this could give the '60's a bad name. It's hard to believe that three years after this one, audiences were watching 'Easy Rider.'

otter Dreadful sex farce that wishes it had the nerve to be soft-core.Sixties starlet Ann-Margret plays an good-girl aspiring author who's determined to sell her stories to a girlie magazine, rather than one where people might read the text. It goes downhill from there, editor Tony Franciosa rejects her writing and asks her to pose semi-nude instead, and of course that makes her fall in love with him. And set out to convince him that she's enough of a slut to interest him, by doing things like letting some beefy guys dip her in paint and roll her around a canvas (an unforgettable scene), and pretend to be an alcoholic. So he kidnaps her and tries to rape her, and she runs home to mother (virtue intact) and they both die, and the film is reversed and they don't. I'm not making this up!Amazingly bad in a very sixties way; if this was the sexual revolution give me the PC nineties.

Progbear-4 "The Swinger" is quite a relic, the film that begs the question, "Is there any emulsified substance we haven't seen Ann-Margret slather her body with?" Dated, with lots of sexist humour and lots of egregiously tacky 60's fashions, it actually has the feel of a Rock Hudson/Doris Day comedy (but not as funny, at least not in the way the writers intended!) but with lots of leering double-entendres. The premise concerns writer A-M trying to sell her stories to a Playboy-type magazine, but editor Tony Franciosa believes her to be too sweet and innocent, so she goes out of her way to portray herself as a "swinger". Only in the sixties! What more can you say about a film that contains not one, but *two* photo montage sequences? The most memorable scene is of course the orgy, the wacky opening and closing credits are lots of silly fun as well.