The Sunday Woman

1975 "The police have the victim, the weapon and the suspect. What they don't have is the Sunday Woman."
6.6| 1h49m| NA| en| More Info
Released: 23 December 1975 Released
Producted By: Les Productions Fox Europa
Country: Italy
Budget: 0
Revenue: 0
Official Website:
Info

Police commissioner Santamaria is investigating the murder of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, Anna Carla’s gay friend. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murder happens...

Genre

Crime, Mystery

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Director

Luigi Comencini

Production Companies

Les Productions Fox Europa

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The Sunday Woman Audience Reviews

Console best movie i've ever seen.
CrawlerChunky In truth, there is barely enough story here to make a film.
Jenni Devyn Worth seeing just to witness how winsome it is.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
aminatta-1 La "Donna della domenica" is definitely one of my favorite books and a great movie. Despite being built on a murder story, this movie is not a thriller. In fact, it is rather a comedy on the Torinese society, spanning from wanna-be-intellectuals to the rich and the beautiful, from rustic land owners to simple immigrants. And as a comedy, it is an exceptional one!If you are looking for suspense or you are not familiar with Italian society, you should stay away from it. Also, I recommend that you need to understand Italian very well to appreciate this movie: I checked a bit the German version/subtitles, but at least 50% of the humor gets lost in the translation...
The_Void I have to say, I'm really disappointed with this film. I'm a big fan of the Italian thriller known as the Giallo and while I went into this film knowing that it is not a Giallo; I was still hoping that director Luigi Comencini would be able to make the film interesting enough to at least be entertaining. The plot provides a decent base for a murder mystery flick and begins with a murder, which is promptly investigated by Commissioner Santamaria. Any chance of this being a good film is promptly cut away however by the fact that it's all so boring. The film contains practically no suspense whatsoever and while some of the exchanges between the lead characters are fairly interesting and there's a few red herrings thrown in; it really is very difficult to keep focused on The Sunday Woman. The performances are all rather flat too and most of the actors look about as bored as I must have looked watching the film. It's clear that the director wanted the film to be of high quality, and while the tatty VHS I saw it on does the film no favours, I have to say he didn't succeed there either. There's a score from the great Ennio Morricone and some Italian humour thrown in too; but I've seen better of both in other films. The Sunday Woman does have some favourable comments on it so maybe I'm just missing something here; but personally, I can't see much to like in this film.
stefano1488 "La donna della domenica" is an outstanding film, but one that is unlikely to be fully appreciated by non-Italians, most of whom might see it as a whodunnit of sorts. Its strength lies, instead, not just with its excellent cast, but also with the caustic way in which it describes Turin's high society: full of characters that, behind their apparent stylishness and elegance, betray a penchant for hypocrisy and an inability to look further than the conventional way in which they live.It looks more like a comedy, and a well-written, witty one at that.
Gerald A. DeLuca "Sunday Woman" is a stylish and ribald whodunnit that has plenty of things to hold your attention when you're frankly not particularly interested in who did it or why. The murder victim is a lewd, leering, seedy old architect who makes obscene gestures at women, like a character out of Fellini's "Satyricon." His body is found bludgeoned to death by means of a large ceramic phallus. "Those who live by the sword shall die by the sword," a character in the film comments. The inspector on the case is a bemused but persistent Marcello Mastroianni. His investigations bring him in contact with some of Turin's high society: Jacqueline Bisset, the bored wife of an industrialist, and her platonic friend Jean-Louis Trintignant, a wealthy homosexual. Trintignant is himself in love with Aldo Reggiani, a records clerk who does his own investigation which leads to his own murder. The film has a nice rhythm, some well-written dialog, and makes use of fascinating Piedmontese locales in and around Turin. Mastroianni, as always, is very effective. The director, Luigi Comencini, gained a substantial reputation in the past with films like "Bread, Love and Dreams" and "Everybody Go Home!"