Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Stometer Save your money for something good and enjoyable

ShangLuda Admirable film.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

classicsoncall Here's something you wouldn't expect but it's true for the moment, Charles Martin Smith has four more acting credits to his name here on IMDb than his contemporary Ron Howard. Of course there's no matching Howard's career output since he also appeared in so many TV series episodes that don't count individually, but I thought that was interesting. Both are still active so I guess their stats will be a moving target for a while, but at least at the time I write this, Smith has Howard edged by four.Well this one's a tough call. You'd think the three farm boys would eventually come around to the error of their ways, and they did actually, but in one of those 'careful what you wish for' sort of ways. At least one of them should have been wary enough to figure Spikes (Lee Marvin) would turn on them after he told them about killing his wife. OK, in a convoluted way he made it sound like she had it coming, but that would have been a hint that once there was a bounty on their heads, all bets of friendship would be off the table.I wonder if it was inadvertent or intentional, but at one point Spikes tells Will (Gary Grimes), Les (Howard) and Tod (Smith) that the citizens of Uvalde "ain't expectin' a wild bunch like us". Either way it was kind of a neat tribute to the 1969 film.One thing I noticed here is something I never had before, and it's probably due to Lee Marvin's look as the outlaw Spikes. He had that uncharacteristic bushy white mustache and whenever he was positioned a certain way he looked the spitting image of my next door neighbor. The next time I see him in the yard I'll have to let him know. Marvin had more hair though.

merklekranz Lee Marvin has played the role of crusty gunslinger many times, and he does not disappoint here. The story of three farm boys throwing in with the wily bank robber is both believable and different. The film is never dull, with Marvin spewing forth quotable lines throughout. This is not some sugar coated view of their desperate situation as hunted men, but rather a realistic look at the downside of breaking the law. Of course the boys elicit sympathy, even though they are killers, no different than their mentor. "The Spikes Gang" is one of those movies that far exceeds expectations, is worth seeking out, and not easily forgotten. - MERK

Spikeopath The Spikes Gang is directed by Richard Fleischer and adapted to screenplay by Irving Ravetch and Harriet Frank Jr. from the novel The Bank Robber written by Giles Tippette. It stars Lee Marvin, Gary Grimes, Ron Howard and Charles Martin Smith. Music is by Fred Karlin and cinematography by Brian West. Happening upon an injured man, three boys nurse him back to health and learn that he is bank robber Harry Spikes (Marvin). Enchanted by his tales and way of life, the boys decide to form their own gang and eventually linking up with Spikes who then teaches them the tricks of his trade. However, the outlaw life is not as romantic as the boys first envisaged... It's filmed in DeLuxe Color and the location photography is out of Tabernas, Almería, Andalucía in Spain. Yet the colours and landscape contours are not vivid, they are deliberately pared back so as to not give the impression this is a vibrant yeehaw tale of young spunkers on the lam. The Spikes Gang is ripe with a foreboding atmosphere about the innocence of youth corrupted by stretching too far for romanticism. The boys home life out there on the frontier is painted as sad, even grim, with bad or absent parents featuring strongly, it's not hard to buy into the fact these impressionable young men in waiting yearn for adventure. Once out there striding for fortune and notorious glory, the lads find the harsh realities of outlaw life. No money means no food, and to rob people you have to be prepared to use violence, and to then take the consequences of those actions, be it emotionally or by having a price then put on your own young heads. Hooking up with Spikes seems the cool thing to do, he becomes a surrogate father and he at least gives them skills to survive a basic outlaw way of life. There's hope dangled, even much humour inserted into the narrative, but there's always an air of disillusionment lurking around the corner as this character study unscrews the myths of the West. Which leads to what? A moral lesson? Perhaps? Well what we do know is that it builds gently, with Fleischer adroitly forming his characters and garnering superb performances from his cast (one of Marvin's best turns actually) in the process. Once the finale plays its hand, it's of such sadness to leave an indelible impression that anyone of sound heart will find hard to shake from the memory bank. Western legends Arthur Hunnicutt and Noah Beery pop in to the picture to add some weight, the former quite excellent with a pitiful characterisation that really kick- starts the emotional wattage, while the contributions of Karlin and West are faultless in terms of screenplay alliance. Judged harshly by the jaded critics of the time and mostly ignored at the box office, The Spikes Gang may just be one of the most under valued Westerns of the 70s. Whether it was bad timing due to the direction the Western genre was taking at the time of release I'm not sure, but this is an elegiac treat waiting to be rediscovered by the Western lover. 8/10

Mike Imagine, a movie that gives a lesson right from the bible, 'Those that live by the sword shall die by the sword'. It was amazing that none of the 3 boys ever said to one another, 'we were better off with our parents'. After doing some of the dumbest things imaginable for young boys and doing it badly you would thinkthey were smart enough to realize they weren't cut out for being out on their own. Anyhow, the movie was well done, gave you a real feel for what it musthave been like living in the 'Old West'. Plus how hard it must have been to be accepted by a community that knew every detail of every citizen that lived in the area. Maybe the reason for such a poor showing at the box office was the title. Lee Marvin plays himself and does it superbly.