The Sleeping Room

2014 "Don't Wake It."
4.5| 1h15m| NR| en| More Info
Released: 23 August 2014 Released
Producted By: Movie Mogul Films
Country:
Budget: 0
Revenue: 0
Official Website:
Info

In an old building, Bill and Blue, a call girl, discover a mutoscope and a secret room that is key to unlocking a dark secret related to Blue's family.

Genre

Horror

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The Sleeping Room (2014) is now streaming with subscription on Prime Video

Director

John Shackleton

Production Companies

Movie Mogul Films

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The Sleeping Room Audience Reviews

Evengyny Thanks for the memories!
SnoReptilePlenty Memorable, crazy movie
AnhartLinkin This story has more twists and turns than a second-rate soap opera.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
trashgang I only picked it up because Alex Chandon wrote this horror, and I knew him as a director of Inbred (2011) and Cradle Of Fear (2001), two nasty British horrors.This is a slow starter, you really have to wait until the last part before things really go wrong but for me it was a bit too late. I was waiting and waiting to see the horror coming in sadly it didn't until as I said the end and even that wasn't gory like i expected from Chandon.Clocking in under 80 minutes was a good choice because it didn't became a boring flick. And i must say that it was well shot and the acting was okay too but the script kept is in a waiting line to really see some action. To bad.Gore 0,5/5 Nudity 0/5 Effects 2/5 Story 2,5/5 Comedy 0/5
epiceffectss Wow only three reviews , don't know if this is new or just unpopular , anyway it floated my horror boat. What I like about this film 1. The main girl who's the lead , v attractive and a good actress. 2. The script and plot are good. 3. Camera work good and it looks all stylish. I was looking tonight for a horror and after flicking some rubbish USA ones on then off I came across this one , yes for indie UK horror , we are just plain better story tellers than the USA when it comes to this stuff. Films pacing is good and the cast are good , story was good and would've been excellent if it had gone up a notch towards the last twenty mins. If they could've found an extra spin or perhaps just told the story a little better in that last twenty mins then it would've been really good. As it was , it was very good. I liked the loner guy , I can relate to him. I like the call girl and would ring her myself for an hour of fun. There were only about six actors in this film and only a handful of locations , which tells me one thing , good actors , good camera work , good script and sub story is everything. A lot of other low budget film makers of horror should watch this as they could learn a lot from it , the film has class , and I guess that's down to the crew who put it all together , I fancy the lead woman so that helped when I watched it. Yep good watch this was , recommend .
Coventry "The Sleeping Room" is the type of film for which I honestly regret only being able to give a mediocre rating 5/10. Not out of malice or just to be different, but because it sadly doesn't deserve any better. The basic plot idea is good and original, the filming locations and set-pieces are terrific and it does contain a handful genuine moments of fright, but overall speaking the film doesn't have a proper pacing and the screenplay severely lacks coherence and logic (particularly towards the ending). I specifically regret my rather low rating because I absolutely love British horror movies set in the Victorian era or referring to the Victorian era, and because director/co-writer John Shackleton is a very sympathetic guy! He was present at the Brussels Festival of Fantastic Films and explained that the inspiration for "The Sleeping Room" came almost spontaneously when he was walking around in Brighton and witnessed the entire authentically creepy Victorian legacy. He's definitely right about that! Whilst renovating an old Victorian brothel, the timed handyman Bill and the troubled prostitute Blue find an antique movie projector that shows an unorthodox little home video made by the original brother owner Fiskin. When exploring the mansion further, because sex didn't work out anyway, they find more sinister things like a double-sized mirror and a secret sleeping room, which was used by the prostitutes to rest in between shifts and where the pioneer snuff-movies where shot. Blue discovers there's a blood link with her own macabre family history, while Bill gradually gets absorbed by the powerful influence of Fiskin's ghost. Oh, and in the meantime they also have to fight off Blue's loathsome pimp Freddie! The mystery Fiskin mansion truly had me captivated and focused, even though it unfolds terribly slow, but then suddenly everything nearly gets ruined because the script reverts to dreadful clichés, like shape-shifting and hallucinations. The primitive snuff footage is unsettling and the killer wears a horrifying mask (although it's just a simple cloth bag, like Jason Vorhees wore in "Friday the 13th Part II") and I counted two or three noteworthy "jump"-moments, but still "The Sleeping Room" left me behind unsatisfied and slightly disappointed. The acting performances are more than adequate, with a strong performance of the ravishing Leila Mimmack and a joyously sleazy part for David Sibley.
Simon Stapleton This is a masterpiece in independent film making. The Sleeping Room is exquisitely fast paced and takes viewers through a Hammer-style plot thickly laden with mystery. Set in Brighton, Blue is an escort who gets more than she bargains for when she arrives at the home of her client Bill who is doing up a house. Together they discover something in the house that sets the story from sleaze to screams! For those that like deep character development, you might be disappointed, but if you like a well written story with imaginative use of narrative and effects that frequently creeps you out, then this is for you. The use of sound is chilling. Great acting, and a brilliant example of directing by John Shackleton, despite this being his first feature film.