The Slaughter Rule

2002 "In life, every season counts."
5.9| 1h52m| NA| en| More Info
Released: 11 January 2002 Released
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Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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A young man finds solace with a young woman, his mother, and a high-school football coach who recruits him to quarterback a six-man team.

Genre

Drama

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Director

Alex Smith, Andrew J. Smith

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The Slaughter Rule Audience Reviews

Moustroll Good movie but grossly overrated
Pacionsbo Absolutely Fantastic
Lancoor A very feeble attempt at affirmatie action
Cleveronix A different way of telling a story
leonblackwood Review: Starring a young looking Ryan Gosling, Drive To Dream (The Slaughter Rule), is about a young inspiring American football player who gets cut from his team because his coach thinks that he hasn't got enough anger in his heart. With nothing to do in his small Montana town, he falls for a young girl who shows up at his dads funeral and he starts playing football for a man that he meets in a diner (David Morse). Whilst training with his new team, Roy Chutney (Gosling) starts to hear rumours about Gideon's (Morse) past which questions there close friendship. His relationship with Skyla (Clea Duvall) is also under pressure because she doesn't really feel love from the troubled teenager. After a few games on the road, the team doesn't really progress into anything special because they don't really gel together that well and there coach (Morse) has his own personal demons to deal with. I quite enjoyed this emotional drama which was made with a small budget, before Rosling became the mega-star that he is today. His distant acting style worked well with this role and David Morse was brilliant as his father figure/coach but it does seem like it was made for TV. Its always good to see these massive Hollywood stars older movies to see if they can actually act, which Gosling proved that he can. His style hasn't changed that much but he has covered many other genres since this film. Its a watchable movie which does have different elements to keep the movie interesting but it's very one toned without that much substance. Its worth a watch just to see Gosling at a young age but from a entertaining prospective, it's very average.Round-Up: This movie was made when Gosling, 34, had just starred in Remember the Titans, which was a small role and the Believer which didn't go down well with audiences. He really became a household name after starring in the Notebook, which became a worldwide hit. Since then, he has starred in some decent movies like Stay, Fracture, Half Nelson, Blue Valentine and Drive. He then turned to comedy in Crazy, Stupid Love, were he showed off his impressive abs and became the love of women all around the world and then he went back to his usual moody movies in the Place Beyond the Pines, Gangster Squad and the weird Only God Forgives. He has chosen to stay out of the limelight for a while but he will be coming back soon in movies like the Bladerunner remake, the Haunted Mansion, the Big Short starring Brad Pitt, Christian Bale and Steve Carrell and the Nice Guys with Russell Crowe. This film was directed by Alex & Andrew Smith who have only made a couple of shorts before making this small movie. They really did get the most out of Gosling & Morse in this emotional drama and you can tell that they relied on the script more than fancy shots and extravagant scenery. This isn't a feel good movie and there are some depressing scenes but the actors did give it there all and it's good to see how far Gosling has come.Budget: $500,000 Worldwide Gross: N/AI recommend this movie to people who are into their emotional dramas about a promising teenage football player who gets dropped from his team and plays in a small league in his town, with his father figure coach. 4/10
rgtharp95 This movie has recently been playing on Showtime in my area and I was interested in watching it because I am a fan of both Ryan Gosling and David Morse. I first became a Ryan Gosling fan after seeing him in The Notebook. I have to say his performance in this film did not disappoint. David Morse's performance was one of his best. After reading all the comments and replies here I just wanted to add some of my thoughts about the film and what I felt the filmmakers were going for.First of all, I am not a fan of movies that are neatly bundled into a happy ending by the end of the film. I like those films that portray life as it really is and that make you THINK. The most memorable aspect of this film, indeed the most heartbreaking, is Gid's torment and loneliness in life. I don't think he was gay, just a lost soul looking for acceptance, friendship, indeed reciprocal love if you will, and a sense of purpose in life. Roy's character seemed to be looking for most of the same things. He had a father who wasn't there for him in life and a mother so bitter over the divorce that she was too busy trying to find love of her own to take the time to nurture her own son.I found the comments regarding the relationship between Gid and Studebaker very interesting re: were they homosexuals? Just because two men form a friendship in life doesn't mean they are gay. To me, Studebaker's jealousy over Gid's interest in Roy is just a natural human emotion. Haven't you at times been jealous when a friend of the same sex showed interest in someone new? Does that make you gay? Also, it doesn't seem there was anyone else in the town who gave a damn about him (Studebaker) so any threat to that bond frightened him. Their friendship was most likely just that of two lost souls trying to get by in life. It made me think so much more of Gid that he did not pass judgement on Studebaker -- he cared enough about his well being to try to stop his drinking, to give him his insulin injections, to try to get a room for him at the shelter on that last bitterly cold night.The scene in which Gid is hugging Roy and won't let go was very powerful. Roy, who had been told by others that Gid was gay, must have had that thought foremost in his mind and misinterpreted Gid's demonstration of affection. Perhaps Gid, remembering that Roy had just lost his father, wanted to show him that he is not alone, that there are people in the world who really care. Perhaps Roy reminded Gid of the boy who drowned and he was transferring his feelings of guilt over that tragedy into that embrace. For whatever the reason, Roy's embarrassment which quickly progressed to rage that Gid might be demonstrating some sort of homosexual intent, are a damning indictment of our society. Homophobia at it's worse.The scene in the hospital at the end of the movie when Gid takes Roy's hand and places it on his forehead was very moving. Roy did not pull his hand away; instead, in this simple, gentle gesture, the filmmakers were showing us that Roy had overcome his fear of demonstrating affection toward another as well as overcoming any homophobic thoughts he might have had about Gid.The acting was first rate all around. Compelling story line. Beautiful Montana scenery. Sound quality not the best but I would definitely recommend this film to others.
nplatzer Growing up in Texas and traveling to Texas towns to show horses as a youth, something about the feel of this movie felt very familiar. I thought the interaction of the people was very real. Movies in rural settings that focus on people's relationships have such a pure,albeit lonely feel. The lesson that apart from violence, people's differences won't hurt us or rub off on us and we can be friends and supportive of all different kinds of people. AND the soundtrack is my favorite album in all the world. What a bonus. I had never even heard of many of these musicians before and they are so good. Another movie I saw recently with a similar feel was Hi-lo Country. And this movie even had an appearance by Don Walser, another fabulous, although little known musician.
leparrain5 I really enjoyed this film in every way, I am a city boy and this heartland story really was wonderful even for a city kid like myself. The acting is excellent to say the least, it's moving, and gets your blood flowing, it's simply real. First time I've ever seen Ryan Gosling's work and he was fantastic, wow this kid is like 22 years old and what a performance. Everyone is great in this one, David Morse is fantastic as well. David Cale another strong acting job here, Clea DuVall is amazingly graceful and poetic in her role... I wish I could see these actors more and more and in parts as strong as in this film. I can't say more, thanks for a wonderful film.