Scanialara You won't be disappointed!

ShangLuda Admirable film.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Wuchak RELEASED IN 1966 and directed by Andrew V. McLaglen, "The Rare Breed" chronicles events in St. Louis and Texas in 1884-85 when an English woman (Maureen O'Hara) and her daughter (Juliet Mills) conscript a lanky cattleman (James Stewart) to try and get their hornless British bull to mate with the longhorns of Texas, but they have to deal with venal thugs (Jack Elam), a curmudgeon ranch mogul (Brian Keith) and the harshness of nature itself.The film meshes drama with lighthearted amusement in the manner of a screwball Disney family comedy, "fun" brawls reminiscent of John Wayne Westerns of that era, dead-serious sequences and romance. I didn't feel this inconsistent tone marred the movie; after all, doesn't real life include all of these things? The exception would be the "fun" brawling scenes which, while lively, are not true to life. In real fights people get broken noses, black eyes, bruises and broken bones. Anyway, the cast is great, but I didn't find the drama that engaging, especially the entire last act. Furthermore, the indoor sets substituting for outdoors are obvious and smack of old-fashioned movies & TV Western fare of the time period.About a third of the way in there's an exceptional stampede sequence that includes a heart-stopping on-set accident involving the wagon carrying Martha (O'Hara) and Hilary (Mills) ahead of the stampede. The stunt women were supposed to be thrown clear, but the wagon rolled over them. Thankfully, the dipping ground underneath the wagon allowed the stuntwomen, Stephanie Epper and Patty Elder, enough room to survive without being crushed, although they did experience minor wounds and shock. In the same sequence a young man is forced to try to run UP the canyon wall in stark terror as the charging cattle threaten.THE FILM RUNS 97 minutes and was shot in Jamestown, Mecca, Coachella Valley, Mojave Desert and Universal Studios, California. WRITER: Ric Hardman.GRADE: C

FightingWesterner Middle-aged cowboy James Stewart agrees to transport Maureen O'Hara's Hereford bull (the first in North America) to to it's new owner Brian Keith, while at the same time making an underhanded deal to deliver it to a rival cattleman. Things get complicated when O'Hara and her daughter take it upon themselves to accompany Stewart.This light-hearted western is offbeat and original enough to provide some entertainment and Stewart is great as the reluctant champion of a new breed of bull, but the story just isn't as compelling as it should have been and sometimes pretty silly, especially Keith (under a mountain of hair!) as a backwards Scottish rancher.Jack Elam and Ben Johnson make the most of their limited roles as a vicious saddle-tramp and Stewart's aging, crippled mentor.

moonspinner55 Curious western handled in cartoony fashion: it's all fired-up, though it ultimately misfires. Fiesty Brit Maureen O'Hara and daughter Juliet Mills bring a royal bull for breeding to Old West America, where both ladies wind up with suitors. Capable cast holds interest but, despite some pleasurable moments, Andrew V. McLaglen's perplexing direction is way over-the-top. The screenplay by Ric Hardman keeps all the characters spouting off and hopping mad, turning the movie into a western parody (culminating in a laughable blizzard sequence which McLaglen stages on a set--with the results looking far worse than the typical blue-screen effect). O'Hara juggles the affections of both James Stewart (completely rote) and Brian Keith (hamming with abandon as a wild-eyed Scotsman). She was better off with the bull. ** from ****

Stu-42 I enjoyed the movie "The Rare Breed" despite the fact that it was a tad silly at times. I don't think that it was an attempt to make an extremely powerful, gut wrenching story, but rather some great actors doing a film that mixed some serious moments with a lot of fun. Instead of knocking Mr. Stewart for doing this movie I would just as soon sit back and have a good time watching this "modern" western. I must agree however with Leonard Maltin who says that the only thing wrong with it was too much studio footage. It really would have helped the credibility factor to go out more to the open range. As a major Jimmy Stewart fan, I acknowledge that this was not his best, but who cares!