The Propaganda Game

2015
6.8| 1h34m| NA| en| More Info
Released: 03 October 2015 Released
Producted By: Morena Films
Country: Spain
Budget: 0
Revenue: 0
Official Website:
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North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest sources of instability as regards world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war.

Genre

Documentary

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Director

Álvaro Longoria

Production Companies

Morena Films

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The Propaganda Game Audience Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
Acensbart Excellent but underrated film
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
masonfisk The Propaganda Game is a welcome companion to Under the Sun, in which we have a cousin doc that explores the question mark that is North Korea. Asking more questions than it actually answers, one feels compelled to not only examine the North Koreans belief system but also our own which has had an unsteady philosophy of demonizing that which is contrary to our own. I'm not at the point of booking passage there but my mind is definitely on the fence as to what our great enemy really is bringing to the world's table.
Ersbel Oraph This is an obscene movie made by a poor quality team. There are others productions from the same decade, most of them better. So this is not even rare. The lack of footage is compensated with many scenes filmed in Europe. And the producer is simply lazy or the Spanish have became overnight world specialists in North Korea. Finally all the talking heads drum their kind of propaganda oblivious to the facts and everything becomes a cheap TV report about what one or another might think about a given situation. What makes everything even worse is that the Spaniards are way too happy to enjoy the protocol and prefer to rip off old documentary footage than risk their behinds into filming the people. Something most American Documentaries do.Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch
GruesomeTwosome In this clever documentary, Spanish filmmaker Alvaro Longoria gets rare access as a foreigner to enter North Korea and document his travels there, the notoriously secretive and isolated (both self-imposed and by the rest of the world) communist regime. Longoria's goal in visiting North Korea is to try to see first-hand for himself, and by talking directly with North Koreans, if there is any truth to the propaganda about the nation coming from NK itself and also from outside (i.e., what little information that we do get about the country, mostly horrible accounts regarding human rights violations, famine, executions of anyone seen as dissenters, etc.). One of the most interesting and remarkable aspects of the doc is Alejandro Cao de Benos, a Spanish man who is the sole foreigner working for the North Korean government, and basically acts as tour guide for Longoria and as a loyal spokesman of the North Korean regime. He appears to be showing a very carefully constructed, staged tour of North Korea, with everyone smiling and singing the praises of their fearless leader Kim Jong-un. There is something off-putting about Alejandro, and one of the many talking heads in the doc hints at Alejandro receiving generous financial compensation for his services. I would like to have known a bit more about how a man from Spain became so involved in becoming spokesman for the DPRK; all we seem to get is that from a young age Alejandro was interested in communist philosophies but was dissatisfied with Spanish communist parties and its leaders.Most of the people that Longoria gets access to are part of the government; it seemed rare that he got to speak in-depth and candidly with any everyday, "average" North Koreans. But even then, one gets the sense that these people are both too utterly brainwashed, and simply in fear, under those seemingly forced smiles, to speak freely about the regime. One striking moment showing the regime's attempts at covering up their oppression is when Longoria visits what appears to be Christian church, during a mass and everything, but later it's claimed that this church is the only one of its kind in the country and is a "fake" - it's just for show, and Christianity is not allowed to be practiced.This film made for an often fascinating watch, even though I did not gain much new knowledge overall. Understandable, partially due to those that Longoria speaks to not being willing to give candid answers to the most pressing questions about the regime. North Korea still remains very much a mystery, and all I can say is that I really feel for those people.
Tom Dooley Film maker Álvaro Longoria managed to get permission to film inside the DPRK but it was a guided tour – that was to be expected. His tour was exclusively of the cosseted capital Pyongyang. However, Longoria knew that there would be restrictions on what he could and more importantly could not film.His guides take him on a tour of all the new shiny buildings and installations and shows us all the shiny happy North Koreans enjoying the gifts of the benevolent Kim Jong-un. Everywhere there are statues and pictures of 'The Great Leaders' who must be constantly adored as some sort of deity and the people seem to have genuine emotions about these dictators. The film also interviews experts and defectors as well as human rights activists and strives to show both sides in the ever growing propaganda war.The attempts to be balanced are credit worthy and Longoria himself missed his calling for the diplomatic mission. I was reminded of a Benny Hill sketch where an advertising board said 'People buy Smiths Pies because they don't know any better'; and I think that is why North Koreans seem to be so content with their lot in the World – they just do not know what they are missing. He did mention the markets and the hard currency shops which the regime has had to allow to exist as it was too troublesome to uninvent 'choice' as it were. What is left out is equally important and any one who has studied this 'hermit kingdom' will know of some of the bizarre and cruel abuses of human rights, but the whole point of the film is to redress the more extreme distortions of propaganda and try to see if there is any unvarnished truth that would help us understand them. In the end I felt he did a rather good job and as such can recommend to anyone who has an interest in modern social history.